27 (opera)
27 (or Twenty-Seven) is an opera by composer Ricky Ian Gordon and librettist Royce Vavrek in a prologue and five acts that explores the relationship of Gertrude Stein and Alice B. Toklas, and the salons that they hosted at their residence at 27 rue de Fleurus in Paris. Commissioned by Opera Theatre of Saint Louis for mezzo-soprano Stephanie Blythe, the opera premiered on June 14, 2014, in a production directed by James Robinson at the Loretto-Hilton Center in St. Louis, Missouri.[1]
Pittsburgh Opera staged the work in February 2016.[2] The work was premiered in New York City in October 2016 at New York City Center with Stephanie Blythe, Heidi Stober, Theo Lebow, Tobias Greenhalgh, and Daniel Brevik. Ted Sperling conducted the Orchestra of St. Luke's and Gordon composed new material specially for the MasterVoices chorus.[3]
Roles
| Roles | Voice type | Premiere cast, 14 June 2014[4] (Conductor: Michael Christie) |
|---|---|---|
| Gertrude Stein | mezzo-soprano | Stephanie Blythe |
| Alice B. Toklas | soprano | Elizabeth Futral |
| Pablo Picasso, F. Scott Fitzgerald, et al. | tenor | Theo Lebow |
| Leo Stein, Man Ray, et al. | baritone | Tobias Greenhalgh |
| Henri Matisse, Ernest Hemingway, et al. | bass-baritone | Daniel Brevik |
Critical reception
The St. Louis American called the world premiere production of 27 a "flawless commissioned portrait of Gertrude Stein,"[5] while Ray Mark Rinaldi of The Denver Post said that the opera "tells a great American story, as well as American opera in the 21st century" suggesting that "it is every century's job to define the century before it, and 27 isn't afraid to do that with certainty and depth."[6] In her review for the St. Louis Post-Dispatch, Sarah Bryan Miller called the work "serious fun" praising Gordon's creation of "hummable tunes and recurring themes, drama and sweetness, in a well-wrought score. Vavrek is Steinian without stealing Stein and keeps the story moving, for a clever, witty libretto,"[7] while Anne Midgette of The Washington Post wrote that "[Gordon] clearly found much to inspire him in this libretto and subject, to judge from a score that has an engaging vitality from the opening bars, and is delightfully studded with allusions (a touch of Lakmé, a hint of Vanessa) and adroit vocal ensembles."[8] Heidi Waleson of The Wall Street Journal commented that "[t]he first thing that you notice about Ricky Ian Gordon's 27, an opera about Gertrude Stein that recently had its world premiere at Opera Theatre of Saint Louis, is that it moves. Royce Vavrek, the librettist, taking his cue from Stein's own short phrases and cells of text, created a playful, quick-witted libretto that pushed Mr. Gordon beyond his trademark melodies into a brighter, friskier style."[9] Critic Scott Cantrell of The Dallas Morning News wrote that "27 is an unabashedly populist treatment of a yeasty artistic period, in musical idioms that wouldn't have raised an eyebrow in 1920s Paris,"[10] and further described Gordon's score as "tuneful, Frenchified neoclassicism" likening it to the work of Lennox Berkeley and Aaron Copland.
All five singers received unanimous praise, with Blythe garnering rapturous notices for her portrayal of Stein, and Futral celebrated for her performance as Toklas: "It is no small matter that the piece was written for Stephanie Blythe, an outsize personality herself, whose grand, multifaceted mezzo brings the character to vibrant life." (Waleson, Wall Street Journal)[11] "Stephanie Blythe is Gertrude; Elizabeth Futral is Alice. Individually and together, they are brilliant, as is the rest of the cast." (Robert W. Duffy, St. Louis Public Radio)[12] "[A] good vehicle for Blythe, who can handle the turns and whose natural magnetism goes a long way toward helping us understand the power Stein had over her world. Futral, one of the better singing actresses working today, makes the relationship believable." (Rinadli, Denver Post) "[W]ith sublime, powerful, expressive voices, superstars Stephanie Blythe and Elizabeth Futral were a joy to behold, deserving of their robust ovations. [...] Remember the names Theo Lebow, Tobias Greenhalgh and Daniel Brevik. They excelled at portraying all the male characters distinctively and effortlessly, showcasing solid acting and strong singing in intricate, demanding supporting roles." (Lynn Venhaus, Belleville News-Democrat)[13]
References
- ↑ "Lucky Number : F. Paul Driscoll talks to the cast and creative team of 27 — a new opera by Ricky Ian Gordon and Royce Vavrek about the singular world of Gertrude Stein and Alice B. Toklas. The curtain goes up at Opera Theatre of Saint Louis on June 14.". Operanews.com. Retrieved 29 October 2014.
- ↑ Twenty-Seven, performance details, Pittsburgh Opera
- ↑ 27, New York City Center performance details, October 2016
- ↑ "Opera Theatre of Saint Louis Announces Final Casting and Production Artists for 2014 Festival Season". Opera-stl.org. Retrieved 29 October 2014.
- ↑ "Opera Theatre St. Louis stages flawless commissioned portrait of Gertrude Stein". The St. Louis American. Retrieved 29 October 2014.
- ↑ "27 tells a great American story, about Gertrude Stein as well as American opera in the 21st century". Artmosphere. Retrieved 29 October 2014.
- ↑ "Opera review: Opera Theatre's '27' is serious fun". stltoday.com. Retrieved 29 October 2014.
- ↑ "Gertrude Stein sings in new opera in St. Louis". The Washington Post. Retrieved 29 October 2014.
- ↑ "Opera Review: Gertrude Stein in St. Louis". The Wall Street Journal. 23 June 2014. Retrieved 29 October 2014.
- ↑ "Gertrude Stein, Alice B. Toklas come to operatic life in St. Louis". The Dallas Morning News. Retrieved 29 October 2014.
- ↑ "Opera Review: Gertrude Stein in St. Louis". The Wall Street Journal. 23 June 2014. Retrieved 29 October 2014.
- ↑ Robert W. Duffy. "Reflection: In 27, Opera Theatre Again Uses Powerful Art To Challenge". News.stlpublicradio.org. Retrieved 29 October 2014.
- ↑ "Metro-east news from Belleville, IL". Belleville News-Democrat. Retrieved 29 October 2014.