Alfredo Véa Jr.
| Alfredo Véa Jr. | |
|---|---|
| Born |
June 28, 1950 Arizona |
| Nationality | Mexican-Yaqui-Filipino-American |
| Occupation | Lawyer and novelist |
| Known for | |
Alfredo Véa Jr. (born 28 June 1950)[1] is a Mexican-Yaqui-Filipino-American[1] lawyer and novelist who has written three novels: La Maravilla, The Silver Cloud Café, and Gods Go Begging, which the Los Angeles Times named one of the best books of 1999.[2]
Biography
Véa grew up in the "Buckeye Road" barrio near Phoenix, Arizona, where he lived with his Mexican grandparents, who passed on to him their Spanish and Yaqui heritages. Thus, Véa's small-town environment was multicultural and multilingual and provided him a strong sense of mestizo identity that informs his writing.[1] His mother, who had left him with her parents when he was six (his father having never been a part of the picture), returned when he was ten to take him with her to her new family California, where he worked as a migrant farmworker alongside Mexican and French Canadian braceros and where he learned to read and write from his Filipino friends.[1] Eventually, he was placed in Livermore High School at the 10th-grade level, and was mentored by a teacher named Jack Beery, to whom Véa dedicated La Maravilla.[1][2]
After high school, Véa attended the University of California, Berkeley and spent some time living among the Yaqui in Sonora, Mexico, but was drafted into the Army and sent to the Vietnam War in 1968.[1] After returning from Vietnam, Véa moved to Paris and worked as a janitor at Le Cordon Bleu, before he was caught by immigration officials and returned to the States. In 1971, he returned to Berkeley, eventually getting undergraduate degrees in English and Physics and, in 1978, his law degree.[1] He worked first for the Centro Legal de la Raza[1] and then for several years as a public defender in San Francisco before entering private practice.[2] His experiences as a lawyer inspired his writing career; he has said that he started writing in 1989, after the judge on one of his cases stated he hadn't been aware that there were any Mexican lawyers.[1]
Professional life
Véa uses his personal experiences in his novels; for instance, the lead character in La Maravilla is a young boy living with his grandparents (Yaqui and Mexican) in small town outside Phoenix, separated from his mother, who appears only at the end of the novel to take him to California. Similarly, his time in France forms part of the story in Gods Go Begging.[1] Véa also uses his experiences as a lawyer and as a Vietnam veteran in his work; the Times called "a meditation on the Vietnam War and on race, desire, and urban gang wars."[2] Véa has said that both his law work and his novels help him deal with his experiences in Vietnam, joking that "Mexicans don't go to psychiatrists. We don't get massages."[2]
His literary work also influences his legal work, using his storytelling skills in the courtroom. One of his colleagues describes him as "a renaissance trial attorney" who, while in court, "would draw upon his vast interests and knowledge of the classics, literature and, in particular, the struggles of people of color."[2] He once closed an argument with stories about Joan of Arc, Marie Antoinette and his own childhood.[2]
Bibliography
- La Maravilla (1994)
- The Silver Cloud Café (1996)
- Gods Go Begging (2000)
- The Ballad of Gato Guerrero (2003)
References
- 1 2 3 4 5 6 7 8 9 10 BJ Manríquez. "Alfredo Véa Jr." in Encyclopedia of Latino Popular Culture, ed. Cordelia Candelaria, Peter J. García, Arturo J. Aldama, pp.858-860.
- 1 2 3 4 5 6 7 Moser, Kate. "Defense Attorney Uses Storytelling Skills at Trial and in Novels" 22 January 2010, at Law.com, accessed 23 July 2010.