Bertram Luard-Selby (12 February 1853 – 26 December 1918) was an English composer and cathedral organist. As an organist, he served in Salisbury Cathedral and Rochester Cathedral. As a composer, he wrote prolifically for the church, the concert-hall and the theatre.
Life and works
Luard-Selby was born at Ightham Mote, Kent. He studied the organ at the Leipzig Conservatoire under Carl Reinecke and was appointed organist at, successively, St. Barnabas, Marylebone, and Highgate School (1876); Salisbury Cathedral (1881); St. John's, Torquay, 1884; and St. Barnabas, Pimlico, 1887. He was appointed organist of Rochester Cathedral on the death of the incumbent, John Hopkins, in 1900, and held the post until 1916, when he resigned to take up a post at Bradfield College. He was the musical editor of Hymns Ancient and Modern, published in 1904. He also gave chamber music concerts in London in the 1880s.
At the Three Choirs Festival of 1877, Luard-Selby's Kyrie Eleison was premiered at a concert together with two other novelties, Sullivan's In Memoriam and Brahms's German Requiem. The Musical Times said of Luard-Selby's work, "We failed to discover any originality of thought, but the writing throughout shows that its composer is an accomplished musician." He composed two school cantatas, The Waits of Bremen and A Castle in Spain; chamber music including two piano quintets; a piano quartet; three sonatas for violin and piano; and many songs and part-songs. His church music includes two settings of the Magnificat and Nunc dimittis, 16 anthems, and a number of pieces for the organ.
Among Luard-Selby's orchestral works were Village Suite, which premiered at the Henry Wood Proms in 1908, and An Idyll, described by The Manchester Guardian as "extremely tedious" in 1897 and as "picturesque" two years later. His other works include incidental music to Helena in Troas, a drama by John Todhunter and E. W. Godwin (London, 1886). He also wrote three operas: The Ring (1886) and Adela (produced in Nottingham in 1888), and a one-act comic opera for two characters, Weather or No, first produced at the Savoy Theatre in 1896 as a curtain-raiser for The Mikado. Both The Observer and The Times praised the music and the libretto of Weather or No and advised readers not to miss it. It was also popular in Germany and Austria as Das Wetterhäuschen.
- The Musical Times, March 1908, p. 159
- The Times, 16 December 1915, p. 17
- Luard-Selby, 1904
- Fuller Maitland, J. A. and John Warrack. "Luard-Selby, Bertram". Grove Music Online, Oxford University Press, accessed 23 June 2010 (requires subscription)
- "Mr. Luard Selby's Concert," The Musical Times, August 1888, p. 474
- "The Gloucester Musical Festival", The Musical Times, October 1877, p. 479.
- Recordings of Luard-Selby's music available at June 2010 were A Christmas Pastoral for organ (Martin Souter, organ – The Gift of Music CCLCDG1029) and a piece for small instrumental group and chamber choir, A Voice from Ramah (Challenge Classics, CC72135).
- "Our London Correspondence", The Manchester Guardian, 12 March 1897, p. 5; and 20 April 1899, p. 7
- The Observer, 16 August 1896, p. 6; and The Times, 18 August 1896, p. 6
- Luard-Selby, Bertram. 1904. Hymns ancient and modern,with accompanying tunes. New edition 1904. London, William Clowes & Sons, OCLC 497122237
John Elliot Richardson
|Organist and Master of the Choristers of Salisbury Cathedral
| Succeeded by|
Charles Frederick South
|Organist and Master of the Choristers of Rochester Cathedral
| Succeeded by|
Charles Hylton Stewart