Carlos Drummond de Andrade

Carlos Drummond de Andrade

Born	(1902-10-31)October 31, 1902 Itabira, Minas Gerais, Brazil
Died	August 17, 1987(1987-08-17) (aged 84) Rio de Janeiro, Brazil
Occupation	Poet
Nationality	Brazilian
Literary movement	Modernism

Carlos Drummond de Andrade (October 31, 1902 – August 17, 1987) was a Brazilian poet and writer, considered by some as the greatest Brazilian poet of all time.^[1] He has become something of a national cultural symbol in Brazil, where his widely influential poem "Canção Amiga" ("Friendly Song") has been featured on the 50-cruzado novo bill.

Biography

Drummond was born in Itabira, a mining village in Minas Gerais in the southeastern region of Brazil. His parents were farmers belonging to old Brazilian families of mainly Portuguese origin.^[2]^[3] He went to a school of pharmacy in Belo Horizonte, but never worked as a pharmacist after graduation, as he did not enjoy the career he chose. He worked as a civil servant for most of his life, eventually becoming director of history for the National Historical and Artistic Heritage Service of Brazil. Though his earliest poems are formal and satirical, Drummond quickly adopted the new forms of Brazilian modernism that were evolving in the 1920s, incited by the work of Mário de Andrade (to whom he was not related). He would mingle speech fluent in elegance and derive truth about his surroundings, many times describing quotidian, normal, aspects of life while achieving a fluidity of thought and speech.

The work of Carlos Drummond is generally divided into several segments, which appear very markedly in each of his books. But this is somewhat misleading, since even in the midst of his everyday poems or his socialist, politicized poems, there appear creations which can be easily incorporated into his later metaphysical canon, and none of these styles is completely free of the others. There is surely much metaphysical content in even his most political poems.

The most prominent of these later metaphysical poems is A Máquina do Mundo (The World's Machine). The poem deals with an anti-Faust referred to in the first person, who receives the visit of the aforementioned Machine, which stands for all possible knowledge, and the sum of the answers for all the questions which afflict men; in highly dramatic and baroque versification the poem develops only for the anonymous subject to decline the offer of endless knowledge and proceed his gloomy path in the solitary road. It takes the renaissance allegory of the Machine of the World from Portugal's most esteemed poet, Luís de Camões, more precisely, from a canto at the end of his epic masterpiece Os Lusíadas.

One of those said segments have been found only after his death: deliberately erotic poetry. That type of poetry has been published in only one book "Moça deitada na grama" (woman laid down in the grass) with the authorization and actual intervention by his son-in-law.

Drummond is a favorite of American poets, a number of whom, including Mark Strand and Lloyd Schwartz, have translated his work. Later writers and critics have sometimes credited his relationship with Elizabeth Bishop, his first English language translator, as influential for his American reception, but though she admired him Bishop claimed she barely even knew him. In an interview with George Starbuck in 1977, she said, "I didn't know him at all. He's supposed to be very shy. I'm supposed to be very shy. We've met once — on the sidewalk at night. We had just come out of the same restaurant, and he kissed my hand politely when we were introduced."^[4]

Style

Poem by Drummond de Andrade on a wall in Leiden

Drummond, as a writer of the modernist style, follows the writing mechanic proposed by Mário de Andrade and Oswald de Andrade; making use of free verse, and not depending on a fixed meter. In modernism, the predominant style which Drummond wrote in, styles were divided into lyrical and subjective or objective and concrete, Drummond would be part of the latter, similar to Oswald de Andrade.

Drummond was the first great poet to assert himself after the premiere modernist of Brazil and created a unique style dominated by his beautiful writing. His work displays linguistic freedom and free verse. But it goes beyond that: "The work of Drummond reaches – as Fernando Pessoa and Jorge de Lima and Murilo Mendes Herberto Helder – a coefficient of loneliness that detached from the soil of history, leading the reader to an attitude free of references, trademarks or ideological or prospective," said Alfredo Bosi (1994).

His poetry is divided into three parts, as stated by Affonso Romano de Sant'Anna:

I, greater than the world – marked by ironic poetry
I, lower than the world – marked by social poetry
I, equal to the world – covers the metaphysical poetry

In the late 1980s, his poetry started to become more erotic.

Bibliography

Poetry

(1930)'Alguma Poesia' (Some Poesy)
(1934)'Brejo das Almas'
(1940)'Sentimento do Mundo' (The feeling of the world)
(1942)José
(1945)'A Rosa do Povo' (The People's Rose)
(1951)'Claro Enigma' (Clear Enigma)
(1954)'Fazendeiro do Ar'
(1954)'Quadrilha'
(1955)'Viola de Bolso'
(1964)'Lição de Coisas' (Lesson of Things)
(1968)'Boitempo'
(1968)'A Falta Que Ama'
(1968)'Nudez' (Nudity)
(1973)'As Impurezas do Branco' (The Impurity of the White)
(1973)'Menino Antigo' (Boitempo II)
(1977)'A Visita' (The Visit)
(1977)'Discurso do Primavera e Alguma Sombra'
(1978)'O Marginal Clorildo Gato'
(1979)'Esquecer para Lembrar' (Boitempo III)
(1980)'A Paixão de Medida'
(1983)'Caso do Vestido'

Corpo (1984)
Amar se aprende amando (1985)
Poesia Errante (1988)
O Amor Natural (1992)
Farewell (1996)
Os ombros suportam o mundo(1935)
Futebol a arte (1970)
Antologia poética:
A última pedra no meu caminho (1950)
50 poemas escolhidos pelo autor (1956)
Antologia Poética (1962)
Antologia Poética (1965)
Seleta em Prosa e Verso (1971)
Amor, Amores (1975)
Carmina drummondiana (1982)
Boitempo I e Boitempo II (1987)
Minha morte (1987)
O Elefante (1983)
História de dois amores (1985)
O pintinho (1988)
Carol e Dinha(2009)

Prose

Confissões de Minas (1944)
Contos de Aprendiz (1951)
Passeios na Ilha (1952)
Fala, amendoeira (1957)
A bolsa & a vida (1962)
Cadeira de balanço (1966)
Caminhos de João Brandão (1970)
O poder ultrajovem e mais 79 textos em prosa e verso (1972)
De notícias & não-notícias faz-se a crônica (1974)
Os dias lindos (1977)
70 historinhas (1978)
Contos plausíveis (1981)
Boca de luar (1984)
O observador no escritório (1985)
Tempo vida poesia (1986)
Moça deitada na grama (1987)
O avesso das coisas (1988)
Auto-retrato e outras crônicas (1989)
As histórias das muralhas (1989)

English translations

Souvenir of the Ancient World, translated by Mark Strand (Antaeus Editions, 1976)
Looking for Poetry: Poems by Carlos Drummond de Andrade and Rafael Alberti, with Songs from the Quechua, translated by Mark Strand (Knopf, 2002)
Traveling in the Family : Selected Poems of Carlos Drummond de Andrade, edited by Thomas Colchie and Mark Strand (Random House, 1986)
The Minus Sign: Selected Poems, translated by Virginia de Araujo (Black Swan, 1980)
In the Middle of the Road; Selected Poems, translated by John A Nist (U of Arizona, 1965)
Multitudinous Heart: Selected Poems: A Bilingual Edition, translated by Richard Zenith (Farrar, Straus and Giroux, 2015)

External links

References

↑ Garner,Dwight (July 3, 2015). "Review:Multitudinous Heart:Newly translated poetry by Carlos Drummond de Andrade". The New York Times. Retrieved January 20, 2016.
↑ http://www.usinadeletras.com.br/exibelotexto.phtml?cod=189&cat=Ensaios
↑ "Drummond's Bloodline". Dn.pt. Retrieved 2013-03-30.
↑ "article". Pshares.org. 2010-07-08. Retrieved 2013-03-30.

Authority control	WorldCat Identities VIAF: 111376689 LCCN: n50021545 ISNI: 0000 0001 2032 8335 GND: 118645161 SUDOC: 028032470 BNF: cb11994955f (data) BNE: XX1182157

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