Changing Lanes

Changing Lanes

Theatrical release poster
Directed by Roger Michell
Produced by Scott Rudin
Scott Aversano
Written by Chap Taylor
Michael Tolkin
Starring
Music by David Arnold
Cinematography Salvatore Totino
Edited by Christopher Tellefsen
Distributed by Paramount Pictures
Release dates
  • April 12, 2002 (2002-04-12)
Running time
99 minutes
Country United States
Language English
Budget $45 million[1]
Box office $94,935,764

Changing Lanes is a 2002 American drama-thriller film directed by Roger Michell, and stars Ben Affleck and Samuel L. Jackson. The film follows a successful, young Wall Street lawyer (Affleck) who accidentally crashes his car into a vehicle driven by a middle-aged, recovering alcoholic insurance salesman (Jackson). After the lawyer leaves the scene of the accident, the two men try to get back at each other, engaging in a variety of immoral and illegal actions that end up having a major impact on each man's life. The film was released on April 12, 2002 in North America by Paramount Pictures. The film was favourably reviewed by critics and it was a box office success, earning almost $95 million against a $45 million budget.

Writers Chap Taylor and Michael Tolkin were nominated for the WAFCA Award for Best Original Screenplay for their work.[2]

Plot

In New York City, a middle-aged African-American insurance salesman named Doyle Gipson is a recovering alcoholic who is attending Alcoholics Anonymous meetings to stay sober. On the same morning that Gipson drives to a hearing to try to regain custody of his children, a successful, white, young Wall Street attorney, Gavin Banek, is distracted while driving and collides with Gipson's car. Banek was in a rush to get to court to file a power of appointment document, which will prove a dead man signed his foundation over to Banek's law firm. Gipson was also in a rush to get to a hearing to prevent his estranged wife from taking his two boys to Oregon. Banek tries to brush Gipson off with a blank check, rather than exchanging insurance information, thereby disobeying the law. After Gipson refuses to accept the check and voices his desire to "do the right thing", that is, filing a police report and insurance claim, Banek strands Gipson on a median, telling him, "better luck next time". After arriving to the court late, Gipson learns that it proceeded without him and that it did not go in his favor. Gipson did not get the chance to tell the judge about a house he is buying for his wife and children.

When Banek, gets to court, he realizes that he dropped the crucial power of appointment file at the scene of the accident, and the judge gives him until the end of the day to re-obtain the papers and present them. Gipson, who took the papers, is in dilemma on whether to return the file, especially after the events of the day. On the other hand, Banek, who is desperate to get his papers back, goes to a "fixer", a shady computer hacker, and gets him to switch off Gipson's credit. Gipson needed credit for a loan so he could buy the house for his family. Gipson becomes very upset when he finds out his credit has been cut off, and he comes close to starting to drink again. Determined to get back at Banek, Gipson loosens the bolts on the front tire of Banek's luxury car, and the wheel comes off later while Banek is driving, causing his car to crash on the highway, leading to minor injuries. Enraged, Banek goes to the elementary school of Gipson's children and falsely claims to school officials that Gipson plans to kidnap the boys, which leads to Gipson being arrested and jailed.

Both men continue to do morally reprehensible things in an attempt to one-up each other, and eventually they begin to question their actions. Though it is made clear that Banek and Gipson are radically different, they both have an angry, vengeful streak, each capable of abandoning his morals just to punish the other. The film ends with both men having a new outlook on life, concentrating on ethics and the moral implications of their actions. Ultimately the two men apologize to each other and Gipson returns the file, but it looks to be too late for both of what they were trying to do. Banek ends up using the file to force his law firm boss to conduct business honestly and plans to represent Gipson pro bono so he can get the house he wants. Banek also visits Gipson's wife to explain everything to her, knowing he owes Gipson that much. The film ends with Gipson's wife and children smiling at him from across the street.

Cast

Reception

Box office

The movie was a box office success, with a budget of $45,000,000, it grossed $66,818,548 in the United States and $28,117,216 internationally, for a total gross of $94,935,764.[1]

Critical response

The film received favorable reviews from critics. Review aggregation website Rotten Tomatoes gives the film a score of 77% based on reviews from 151 critics, with an average score of 7/10.[3] Metacritic gave it an average score of 69/100 from the 36 reviews it collected.[4]

Roger Ebert of the Chicago Sun-Times praised the film, calling it one of the year's best.[5]

References

External links

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