Coin magic

Coin magic is the manipulating of coins to entertain audiences.[1] Because coins are small, most coin tricks are considered as close-up magic or table magic, as the audience must be close to the performer to see the effects. Though stage conjurers generally do not use coin effects, coin magic is sometimes performed onstage using large coins. In a different type of performance setting, a close-up coin magician (or 'coin worker') will use a large video projector so the audience can see the magic on a big screen. Coin magic is generally considered harder to master than other close-up techniques such as card magic, and is one of the least performed forms of conjuring. Coin magic requires great skill and grace to perform convincingly, and this takes a lot of practice to acquire.

Elements

Coin effects include productions, vanishes, transformations, transpositions, teleportations, penetrations, restorations, levitations and mental magic—some are combined in a single routine. A simple effect might involve borrowing a coin, making it vanish, concealing the coin, then reproducing it again unexpectedly and returning it to the owner. More complex effects may involve multiple coins, substituting or switching coins and other objects or props can be employed (i.e. handkerchiefs, glasses) as well as the coins. However, the power of most coin magic lies in its simplicity and the solidity of the object; the basic skills of sleight of hand and misdirection often appear most magical without complex equipment. Almost any audience will be amazed by the simplest mystery, such as passing a coin through a table.

Sleights and tricks

A Sampling of classic coin magic effects:

A Sampling of classic coin magic plots:

A sampling of coin sleights and moves:

Coin magicians

Some magicians widely known for coin magic include:

Performance

Although some coin magic use gimmicks (e.g. modified coins or trick coins), such gimmicks usually do not entirely create the magical effect. Gimmicked coins are made by several major manufacturers, such as Sterling, Johnson, Sasco or Tango Magic. Producing a memorable mystery requires significant skill in presenting the effect and utilizing misdirection to distract the audience from the secret of the gimmick. A performer who relies entirely on special equipment may not impress an audience. Many people are more impressed by an effect which depends (or seems to depend) entirely on skillful manipulation and misdirection than by an effect which appears to depend to some extent on specially made props. A performer who has mastered the basic skills can nonetheless use gimmicks to powerful effect without it being obvious to the audience. Some prefer not to use gimmicks at all, though most well-known coin magicians do use simple coin gimmicks.

In literature

Canadian novelist Robertson Davies devotes a good part of his Deptford Trilogy to the art of coin magic. All three novels follow in part or wholly the career of a fictitious magician, Magnus Eisengrim, who was abducted as a boy by a traveling circus and learned his craft while concealed in a papier-mâché automaton. The descriptions of coin magic throughout are remarkable for their clarity. The final novel in the series in particular World of Wonders details his life and career, and is considered by many to be one of the best literary depictions of a coin magic virtuoso.

In the Neil Gaiman novel American Gods, the main character, Shadow, is experienced with coin magic, and many different tricks and aspects of coin magic are discussed in the book.

In the Dean Koontz novel From the Corner of His Eye, a police officer uses coin magic to interrogate suspects.

Thieves, wizards, and jesters, in historical and fantasy literature are often depicted as being skilled in legerdemain, and are often depicted doing standard coin magic. Rolling a coin across the knuckles is a popular image. Silk in David Eddings's Belgariad, and Mat Cauthon and Thom Merrilin in Robert Jordan's Wheel of Time, do this frequently. Johnny Depp's whimsical character Jack Sparrow coin walks in the end of Pirates of the Caribbean. Also, Vila Restal in the BBC science fiction television program Blake's 7 mixed his skills as a thief with such tricks.

References

  1. ↑ Wilson, Mark (1988) [1975]. Mark Wilson's Complete Course In Magic. Courage Books. ISBN 0-89471-623-9.Money Magic, pp. 175-221.
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