Colin MacCabe
Colin MacCabe | |
---|---|
MacCabe in Soho, London (January 2007) | |
Born | 9 February 1949 |
Nationality | British |
Alma mater | Trinity College, Cambridge |
Known for | Screen theory |
Colin Myles Joseph MacCabe (born 9 February 1949) is a British academic, writer and film producer. He is currently distinguished professor of English and film at the University of Pittsburgh.[1]
Career
MacCabe was educated at St Benedict's School, Ealing, and Trinity College, Cambridge, where he took his first degree and doctorate. From 1974–76 he was a research fellow at Emmanuel College, Cambridge and then until 1981 a university assistant lecturer in English and fellow of King's College, Cambridge.[1] He came to public prominence in 1981 when he was denied tenure, apparently in consequence of his position at the centre of a much publicised dispute within the faculty of English concerning the teaching of structuralism.[2]
After leaving Cambridge he held the position of professor of English at the universities of Strathclyde (1981–85) and Exeter (1998–2006), and a visiting professor at Birkbeck, University of London (1992–2006). Since 1986 he has been professor of English at the University of Pittsburgh.[1]
Between 1985 and 1998 MacCabe worked for the British Film Institute first as Head of Production and then as Head of Research and Education.[1]
Academic interests
MacCabe has published widely on film and literature with particular emphasis on James Joyce, Jean-Luc Godard, and topics in the history and theory of language. He has served as chairman of the London Consortium, which he co-founded with Mark Cousins, Paul Hirst, and Richard Humphreys. He edits Critical Quarterly,[3] a magazine of literary and cultural criticism which is based in the UK at the Faculty of English, University of Cambridge and in the US at the Department of English, University of Pittsburgh.
Selected writings
- The Butcher Boy (2007)
- T.S. Eliot (2006)
- Godard: A Portrait of the Artist at Seventy (2003)
- James Joyce and the Revolution of the Word (2nd edition, 2002)
- The Eloquence of the Vulgar: Language, Cinema and the Politics of Culture (1999)
- Performance (1998)
- Diary of a Young Soul Rebel (with Isaac Julien, 1991)
- Tracking the Signifier: Theoretical Essays on Film, Linguistics, Literature (1985)
- Godard: Images, Sounds, Politics (1980)
- James Joyce and the Revolution of the Word (1979)
Filmography
Films
Year | Title | Credited as | Notes |
---|---|---|---|
2008 | Derek | Producer | |
1998 | The Old Place | Executive Producer | |
1992 | The Long Day Closes | Executive Producer | Official Selection – Cannes Film Festival |
1991 | Young Soul Rebels | Executive Producer | Winner of the Critic's Prize – Cannes Film Festival |
Hallelujah Anyhow | Executive Producer | ||
1989 | Play Me Something | Executive Producer | |
Venus Peter | Executive Producer | Official Selection – Cannes Film Festival | |
Melancholia | Producer | Official Selection – Cannes Film Festival | |
1988 | Distant Voices, Still Lives | Executive Producer | Winner of the International Critic's Prize – Cannes Film Festival |
On the Black Hill | Executive Producer | Winner of the Golden Seashell – San Sebastian International Film Festival | |
1986 | Friendship's Death | Executive Producer | |
1985 | Caravaggio | Executive Producer | Winner of the Silver Bear – Berlin International Film Festival |
Television
Year | Title | Credited as | Notes |
---|---|---|---|
2004 | Murder by Numbers | Producer | |
2002 | Baadasssss Cinema | Producer | |
2001 | The Spectre of Hope | Producer | |
2000 | The American Nightmare | Producer | |
The Name of This Film is Dogme 95 | Producer | ||
1999 | A Brief History of Errol Morris | Producer | |
1998 | Lee Marvin: A Personal Portrait | Executive Producer | |
1997 | Howard Hawks: American Artist | Executive Producer | |
1996 | The Typewriter, The Rifle, and The Movie Camera | Executive Producer | Winner of the CableACE Award for Best Cultural Documentary |
1995–1996 | A Personal Journey with Martin Scorsese Through American Movies | Executive Producer | Part of the "100 Years of Cinema" series, Official Selection – Cannes Film Festival |
2 x 50 Years of French Cinema | Part of the "100 Years of Cinema" series, Official Selection – Cannes Film Festival | ||
Night of the Film Makers (German Cinema) | Part of the "100 Years of Cinema" series, Official Selection – Berlin Film Festival | ||
Ourselves Alone? (Irish Cinema) | Part of the "100 Years of Cinema" series | ||
Typically British | Part of the "100 Years of Cinema" series, Official Selection – Cannes Film Festival | ||
100 Years of Japanese Cinema | Part of the "100 Years of Cinema" series, Official Selection – Cannes Film Festival | ||
Cinema on the Road (Korean Cinema) | Part of the "100 Years of Cinema" series, Official Selection – Cannes Film Festival | ||
Cinema of Tears (Latin American Cinema) | Part of the "100 Years of Cinema" series, Official Selection – Cannes Film Festival | ||
Cinema of Unease: A Personal Journey by Sam Neill (New Zealand Cinema) | Part of the "100 Years of Cinema" series, Official Selection – Cannes Film Festival | ||
I am Curious, Film. (Scandinavian Cinema) | Part of the "100 Years of Cinema" series | ||
100 Years of Polish Cinema | Part of the "100 Years of Cinema" series, Official Selection – Venice Film Festival | ||
The Russian Idea | Part of the "100 Years of Cinema" series, Official Selection – Venice Film Festival | ||
Yang and Yin: Gender in Chinese Cinema | Part of the "100 Years of Cinema" series, Official Selection – Venice Film Festival | ||
40,000 Years of Dreaming (Australian Cinema) | Part of the "100 Years of Cinema" series | ||
And The Show Goes On (Indian Cinema) | Part of the "100 Years of Cinema" series, Official Selection – Venice Film Festival | ||
Aristotle's Plot (African Cinema) | Part of the "100 Years of Cinema" series | ||
1992 | Black and White in Colour | Producer |
Installations
Year | Title | Credited as |
---|---|---|
2005 | Chris Marker's Owls at Noon Prelude: The Hollow Men | Associate Producer |
2002 | Isaac Julien's Paradise Omeros | Associate Producer |
References
- 1 2 3 4 Debrett's Retrieved 13 May 2012.
- ↑ Newsweek, 16 February (1981), p. 95; see also Philip Lewis, "The Post-Structualist Condition," Diacritics 12:1 (1982): 2–24, p. 2.
- ↑ "Critical Quarterly". Wiley Online Library. Wiley-Blackwell. Retrieved 4 February 2011.
External links
- Colin MacCabe at the Internet Movie Database
- MacCabe's homepage from University of Pittsburgh