Erin Kamler

Erin Kamler (born 1975) is an American writer, composer, and academic researcher who works at the intersection of feminist social justice and the arts.

A native of Ann Arbor, Michigan, Erin earned her Ph.D. from USC’s Annenberg School for Communication and Journalism, where her research focused on the trafficking and migration of women in Thailand and Burma, and using the arts as a tool for political communication and human rights witnessing. Conversationally fluent in the Thai language, she has conducted fieldwork with anti-trafficking NGOs, members of Thai and U.S. governments, female migrant laborers and trafficking survivors and has led projects in collaboration with community-based women’s organizations, and the U.S. State Department. Erin holds a Masters in Public Diplomacy from USC’s School of International Relations, a Masters in Communication Arts from USC’s Annenberg School and a Bachelors in music composition from Sarah Lawrence College. Currently, she works as an affiliated researcher at Chiang Mai University, and an international development consultant focusing on gender and conflict in Myanmar.

Projects as a composer and playwright include Land of Smiles, Divorce! The Musical, and Runway 69. Her work has been staged at New Dramatists, Berkeley Rep, The Public Theater, Playwright’s Horizons, Edinburgh Fringe Festival, and she is a three-time winner of Stephen Sondheim’s Young Playwright’s Festival and University of Michigan’s Hopwood Award. She is a member of the Dramatists Guild.

Erin is married to the American theatrical producer Rick Culbertson. They divide their time between Thailand, Myanmar and the US.

Recording and Performance

As a recording artist, Erin has performed in India, Japan, Mexico, Italy, Turkey, Thailand and throughout the United States with her albums: The Street Is Not A Woman (1998), Mantra Girl: Truth (2002), Mantra Girl: Trinity (2005) and Kundalini Yoga Instructional DVD’s (2003). Her music can be heard on numerous albums and films.

Academic Projects

Musicals

Land of Smiles

Book, Music and Lyrics by Erin Kamler [11]

Land of Smiles is a fictional, full -length musical about the trafficking of women in Thailand, as seen through the eyes of sex workers, grassroots activists, NGO employees and other members of the anti-trafficking movement. Based on field research including over 50 interviews, Land of Smiles presents a dramatic look at how the story about trafficking is told, and shows that finding a solution to this problem is even more complicated than it seems.

The story focuses on the aftermath of a brothel raid in Chiang Rai, Northern Thailand. Lipoh, a young Kachin (ethnic minority) migrant from Burma, seems to be underage, making her an automatic “trafficking victim” in the eyes of the law. Emma Gable, an NGO case worker from Cedar Falls, Indiana is sent to prepare Lipoh to be a witness in a trial to prosecute her trafficker. Emma must convince Lipoh to be the person everyone sees: a trafficking victim. But Lipoh is unwilling to cooperate. She insists that she is eighteen, and was working in the brothel willingly. Not only that—she wants to go back.

What transpires is a journey into Thailand’s anti-trafficking movement—a world burdened with politics, morality and the rhetoric of human rights. Through hearing Lipoh’s story, Emma discovers that grave atrocities are being committed against the Kachin people of Burma. But these atrocities are overshadowed by a narrative about trafficking that serves the needs of the anti-trafficking movement, rather than the women it is trying to help. In 2013, Land of Smiles was workshopped at the Gate Theater in Chiang Mai, Thailand, and garnered critical acclaim at the Edinburgh Fringe Festival in Scotland in 2014.

"To tackle these themes in a piece of theatre would be bold. To do so in a musical, balancing some challenging questions with a moving personal story and some beautiful songs, is nothing short of remarkable." Susan Mansfield, The Scotsman [12]

"Land of Smiles is a beautifully composed and highly creative rebuttal to the widely held assumptions that underpin anti-trafficking policies that have proven to be at best counterproductive and at worst extremely harmful to the very people they are meant to help." Seamus Martov, The Irrawaddy [13]

"Erin Kamler once again shows her versatility and creativity with skillful lyric writing and a passionate story." Kate West, Kate West Reviews

Till Death Do Us Part (formerly entitled Divorce: The Musical)

Book, Music and Lyrics by Erin Kamler[14]

Drawing from personal experiences and sharp observations about the state of marriage and divorce in America today, Kamler and her team created a show that exposed divorce for what it really is: a social and legal process that treats human beings like cogs in a wheel. Combining comedy with theatrical songwriting, the show features greedy lawyers who instigate conflict in order to drag cases out and rake in the money, state laws that force vulnerable couples to publicly turn against each other during what should be a private time, therapists who are too consumed with their own problems to make a positive impact in their patient’s lives, and parents who get too emotional and take their children’s relationships personally.

The show depicts the tragic combination of love and expectation, the danger of miscommunication and disrespect, and the delicacy of a bond that often gets taken for granted. As Divorce! The Musical, the show made its 2009 world premiere at the Hudson Theater in Los Angeles where it garnered the LA Times Critic's Choice, Backstage West's Critic's Pick, won the 2009 Los Angeles Ovation Award for Best Book, Music and Lyrics for an Original Musical, won the 2010 Backstage Garland Award for Best Playwriting, the 2010 Backstage Garland Award for Best Musical Score, the 2009 LA Weekly Awards for Best Director and Musical Director, and was nominated for the 2010 LA Drama Critics Circle Award for Best Original Score. The show was featured on NPR's All Things Considered[15] and Entertainment Tonight.

"Hilarious and tuneful... rare to find a comedic musical in which the trenchancy of the social commentary is as engaging as the songs," Les Spindle, Frontiers L.A. Magazine[16]

"Erin Kamler's witty and entertaining new musical satire takes apart almost every emotional phase of a marital breakup, including the horrors of dating and the hollows of rebound sex, and sets it to chirpy and wry songs that feature some sophisticated musical juxtapositions and harmonies." Steven Leigh Morris, LA Weekly[17]

"Erin Kamler... skillfully negotiates her slippery subject and scores a theatrical hat-trick", F. Kathleen Foley, L.A. Times[18]

"Erin Kamler's lyrics are universally real, hitting home… A remarkably fun show," Kate West, RAVE LA Times Reader Review

"Kamler's lyrics are funny as all get-out and perceptive as well... The show is first-rate all the way, " Steven Stanley, Stage Scene LA[19]

"Every divorce should be this fun," Ophelia Chong, KCET[20]

"A rollicking crowd-pleaser!" The Tolucan Times[21]

Runway 69

Winner of the 2008 Frederick Loewe Award, presented by New Dramatists. A new musical by Erin Kamler and Carson Kreitzer about that infamous strip club, set on the eve of the Times Square clean-up.

Awards

Los Angeles Ovation Award (2009), Backstage Garland Awards (2010),[22] Frederick Loewe Award (2008),[23] Stephen Sondheim’s Young Playwright’s Award (1991, 1992, 1994), University of Michigan Hopwood Award (1994).

Notes

  1. ↑ Kamler, Erin M. (July 27, 2016). "Performing Land of Smiles : Dramatization as Research in Thailand's Antitrafficking Movement". 10: 23 – via ijoc.org.
  2. ↑ http://www.erinkamler.net/wp-content/uploads/Women-of-Kachin-Conflict-Article-Kamler.pdf
  3. ↑ http://www.erinkamler.net/wp-content/uploads/Coerced_Prostitution_Kamler_Chapter.pdf
  4. ↑ http://www.erinkamler.net/wp-content/uploads/Theater_Method_Article.pdf
  5. ↑ Kamler, Erin Michelle (November 30, 2012). "Rhacel Parreñas, Illicit Flirtations: Labor, Migration and Sex Trafficking in Tokyo". 6: 5 – via ijoc.org.
  6. ↑ Kamler, Erin Michelle (March 1, 2013). "Negotiating Narratives of Human Trafficking: NGOs, Communication and the Power of Culture". 42 (1): 73–90. doi:10.1080/17475759.2012.728147 – via Taylor and Francis+NEJM.
  7. ↑ http://www.erinkamler.net/wp-content/uploads/policy_report.pdf
  8. ↑ "The Diversity Collection » NGO Narratives in the Global Public Sphere".
  9. ↑ Kamler, Erin (October 26, 2011). "Wendy S. Hesford: Spectacular Rhetorics". 5: 3 – via ijoc.org.
  10. ↑ http://www.erinkamler.net/pdf/SSEASR-Journal-Thai-Nationalism-Kamler.pdf
  11. ↑ "About The Show".
  12. ↑ "Land of Smiles".
  13. ↑ "Not the Same Old Song and Dance". July 5, 2014.
  14. ↑ "Divorce! The Musical".
  15. ↑ "Singin' With The Pain: 'Divorce!' Takes Center Stage".
  16. ↑ http://www.frontierspublishing.com/2723/entertainment/theatre.html
  17. ↑ Weekly, LA (February 19, 2009). "Theater Reviews: Divorce! The Musical, Grand Motel, The Jazz Age".
  18. ↑ "Review: 'Divorce! The Musical' at Hudson Mainstage". February 20, 2009.
  19. ↑ http://stagescenela.com/html/divorce__the_musical.html
  20. ↑ "Paths Crossed and Uncrossed". February 15, 2009.
  21. ↑ "Erin Kamler: Once Bitten, Twice Wry".
  22. ↑ "2010 Garland Awards for Excellence in Southland Theater".
  23. ↑ "Wedded Blisters: Erin Kamler's Divorce! The Musical Will Premiere in Hollywood - Playbill".

References

'Playwright Erin Kamler was influenced by Sondheim,' The Sondheim Review, 16, 1, Fall 2009

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