Gerald Thomas (theatre director)

Gerald Thomas
Born Gerald Thomas Sievers
(1954-07-01) July 1, 1954
Rio de Janeiro, Rio de Janeiro, Brazil
Occupation Playwright, Opera and Theater Director

Gerald Thomas Sievers, best known as simply Gerald Thomas (born July 1, 1954, Rio de Janeiro[1]) is a theatre and opera director and playwright who has spent his life in the United States, England, Brazil and Germany. After graduating as a reader of philosophy at the British Museum Reading Room, Thomas began his life in the theater at Ellen Stewart's La MaMa E.T.C. in New York City. During this period Thomas became an illustrator for the Op-Ed page of the New York Times while conducting workshops at La MaMa E.T.C. where he adapted and directed world premieres of Samuel Beckett's prose and dramatic pieces.

In the early 80s, Thomas began working with Beckett himself in Paris (after a lot of correspondence had been exchanged between them for almost two years), adapting new fiction by the author. Of these, the more notorious were All Strange Away and That Time starring the Living Theatre founder, Julian Beck in his only stage acting role outside of his own company.

In the mid-80s, Thomas became involved with German author Heiner Müller, directing his works in the US and Brazil, and began a long-term partnership with American composer Philip Glass.

In 1985 Thomas formed and established his Dry Opera Company, in São Paulo. It has performed in 15 countries up until 2008 (see list of works below).

In 2009 he wrote a manifesto declaring his "goodbye-to-theater" yet, in 2010, Thomas announced to Stage News that he was to set up his Dry Opera Company in London. Its first production, "Throats," written and directed by Thomas, began performances at the Pleasance Theater in Islington on Feb. 18, 2011.

In 2016, Thomas’s autobiography "Between Two Lines" or "Entre Duas Fileiras", is released by Grupo Editorial Record. The blurb on the back cover is by Oscar Nominee and Golden Globe winner Fernanda Montenegro (and protagonist of Thomas’s "The Flash and Crash Days") writes : "Gerald Thomas exists by virtue of his devastating quality, his inconstancy, his nonconformity, his aggressiveness, his faith laden disbelief, his life affirming death cult; through his clear and powerful incongruence; by laughing and crying like an innocent and somehow ominous child, by loving the neighbor he hates; by being an unexpectedly good, adorable boy and friend; by accepting and forswearing you in seconds; by loving you madly, by cursing you while blessing you; for his devilish, eternal and nonconformist Art is monstrously creative. His Art is unique upon our stages and in our lives. If you have seen or experienced it, it will remain unforgotten."

Works

2016
2014
2013
2012
2011
2008
2007
2006

The above pieces comprise a tetralogy, produced by SESC - São Paulo with a sponsorship from Eletrobras

2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1987
1986
1985
1984

References

  1. ↑ Enciclopédia Itaú Cultural (em português)
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