Guimiliau Parish close
The Guimiliau Parish close (Enclos paroissial) is located at Guimiliau in the arrondissement of Morlaix in Brittany in north-western France. The parish takes its name from Saint Miliau who was beheaded in 792 on his brother's orders. He is a saint called upon by those suffering from ulcers and rheumatism.
The parish close dates from the 16th and 17th-century and comprises an "arc de triomphe" style entrance, an ossuary, a bell-tower, an elaborate porch, a funeral chapel, a cemetery and a church with a baptistery, a pulpit, altarpieces, a sacristy, an organ, and the unusual Calvary at Guimiliau.[1]
The main features of the close are:
The "Arc de Triomphe" style entrance
This is surmounted with statues of two cavaliers and the Virgin Mary with child.[1]
The Calvary
The calvary, completed in 1588, includes statues showing 37 scenes and comprises a single cross above an octagonal base.
Bell-tower
The bell-tower is in the "Beaumanoir" style and is flanked with a round tower.[1]
Ossuary
Dating to the 17th-century, the building is decorated with stoups and bas-reliefs carved from Kersanton stone.[1]To the left of the church porch there is a columned area which served as the original ossuary. See photograph identified as the "old ossuary". On the old ossuary wall, are some relief carvings.
Reliefs on the Old Ossuary wall
Further reliefs on the Old Ossuary wall
Further reliefs on the Old Ossuary wall
Further reliefs on the Old Ossuary wall
Further reliefs on the Old Ossuary wall
Carvings near ossuary wall
Carvings near ossuary wall
The church interior
The entry to the choir area has pillars with statues of saint Yves and saint Hervé with his wolf. The balustrade dates to the 17th-century.
The altarpiece of the Rosary dates to the 17th-century and has depictions of the Virgin Mary, saint Dominic and Sainte-Catherine of Sienna whilst various medallions tell the story of the "mysteries" of the Rosary. Twisted columns are decorated with carvings of angels and various animals and the altarpiece also has images in niches of saints Nicholas, Zachary, and the Holy Father. The saint Miliau altarpiece includes a panel depicting saint Miliau carrying his severed head.
The saint Joseph altarpiece includes images of sainte Anne and sainte Elizabeth as well as saint Lawrence with his grill/gridiron and the tree of knowledge. The church has several processional banners and a fine ambon carved as an eagle.[1]
"Fuite en Egypte". Sculpture by Michel Quéré who died in 1993. Donated to the church by his familyJungfrau_Maria_mit_Kind_umgeben_von_Dominikus_und_der_Heiligen_Katharina_von_Siena-In_den_Medaillons_die_Geheimnisse_des_Rosenkranzes.JPG)
Part of the "Rosary" altarpiece.
A panel in the saint Miliau altarpiece shows saint Miliau carrying his severed head.
The saint Joseph altarpiece
A processional banner
The eagle ambon
Saint Hervé with wolf-Kirche_Eglise_Saint_Miliau-Guimiliau-Enclos_Paroissal-Umfriedeter_Pfarrbezirk_mit_den_wichtigsten_christlichen_Tugenden_im_barocken_Stile_verziert.JPG)
The carved pulpit
Carvings on the pulpit
The Organ
This was built by Thomas Dallam in 1677. The casing is in oak with marvelous bas-reliefs. Facing the baptistery is the work "Triomphe d'Alexandre" and facing the nave the carvings include "David jouant de la harpe" and "Sainte Cécile touche l'orgue".[1]
The Baptistery
The baptistery dates to 1675 with a granite font. The baldachin is a fine work carved from oak with eight twisted columns decorated with birds, snails, snakes and grapes and a variety of other carvings.[1]
The Sacristy
This dates to 1683 and has a round conical roof dome, flanked with four semi-coupoles separated by buttresses. Above the building there is a statue of saint Miliau.[1]
The organ at Guimiliau
Baptismal font with Baldachin
The sacristy
The Saint Anne Funeral chapel
This chapel, dedicated to the mother of the Virgin Mary, was built in 1648. It has an outside pulpit so that sermons could be delivered in the open air. Bodies were brought here prior to burial and could thus be isolated, particularly where death was from cholera or the plague.
There is a granite altar dating to 1644 inside the chapel with an altarpiece dedicated to sainte Anne. This is decorated with a carving of the Virgin Mary with child and a "Christ aux liens" (that moment when Christ stands or sits alone, his hands tied and awaiting his crucifixion). These are to the left and right of the central sculpture showing sainte Anne with her daughter.[1]
The Saint Anne altarpiece
The Saint Anne chapel
Jesus, his body showing the marks of his flogging and wearing the crown of thorns, awaits the crucifixion. Part of the Saint Anne altarpiece
The Virgin Mary with child. A statue in the Saint Anne funeral chapel. Part of the Saint Anne altarpiece
The central part of the Saint Anne altarpiece. The Virgin Mary with her mother
The porch
The bulk of the porch was built between 1606 and 1617 by the Maître de Plougastel and the finishing touches were added by Roland Doré (sculptor). The porch gives access to the nave and is in a mélange of Gothic and Renaissance styles.
On the outside of the porch there are two decorated friezes and two triangular pediments completed by two narrow gargoyles. There is a niche on the façade containing a statue of saint Miliau sat on his throne and at the very top is a "clocheton" topped with a lanteron.[1][2] The voussures and piédroits of the porch's arch have carvings from the base upwards that recount stories from the Old and New Testament and these should be read by starting on the left side and moving across to the right.
These carvings start with the temptation of Eve on the left side and Adam and Eve's expulsion from paradise on the right. Next is a depiction of Eve as a mother and Adam as a labourer on the left and Caïn's murder of his brother coupled with Noah's ark on the right. Next there is a scene showing the sacrifices of Caïn and Abel on the left, with Noah collecting grapes on the right and then Noah is shown, clearly in a drunken state having drunk much of his wine. We then move to the New Testament with the Annunciation, the Nativity juxtaposed with the visitation followed by the Adoration of the Magi and the angels and shepherds attending Jesus' birth. Finally, on the left there is a depiction of the Flight into Egypt and on the right the Circumcision.[1]
Inside the porch are statues of the apostles set in elaborate niches and Renaissance style daises. Under the apostles, there is a frieze with various heads depicting the cardinal sins and three reliefs. One shows a monk conducting an exorcism, another two wrestlers and the third an amazing composition depicting God's creation of Eve.
At the end of the porch and above the two doors giving access to the church, there is a statue by Roland Doré of Christ giving a blessing ("Christ bénissant") with "termes gainé" of Adam and Eve on either side.[1] The apostles on the right as one leaves the church, comprise saint Peter with his key, saint James the Greater with pilgrim's hat and sea-shell, saint John, saint Andrew, saint Matthew and saint James the lesser.
On the right side are depictions of saint Phillip, saint Bartholomew, saint Simon with saw, saint Judas with a palm leaf, saint Mathias with axe and finally saint Thomas with set square. Of the various statues in and around the porch, Doré has been attributed with the statues in the outside niches of the monk and bishop, and the Pope as well as the statues inside the porch of saints Phillip, Bartholomew, Matthew, Simon, Judas and Thomas.[3][4][4][5]
Some of the statues of the apostles in the porch interior
The south porch at Guimiliau. Part of the piédroit on the right depicts Cain's murder of Abel
Alongside Cain's murder of Abel is this depiction of Noah's Ark.
Eve has succumbed to temptation and with Adam has been thrown out of paradise. She is now painfully aware of her nudity and attempts to cover her vulnerability
Noah collecting grapes
Noah is completely drunk
The Nativity
Adam and Eve are chased from the Garden of Eden. Now aware of their nakedness they cover themselves with leaves
Adam and Eve with the Tree of Knowledge between them have been unable resist temptation and cover their nakedness
Adam is now aware of his nakednessvon_Guimiliau_Baustil_-_%C3%9Cbergang_vom_Flamboyant_zur_Renaissance_aus_Granit_errichtet-Enclos_Paroissal.JPG)
The front of the south porch. At the top of the pediment we see the bust of a woman and in the gable at the very top there is a niche containing a statue of saint Miliauim_Giebel_%C3%BCber_dem_Eingangsportal_der_Kirche_von_Saint_Milau(6.Jh.)-Bretonischer_Heiliger-Guimiliau-Enclos_Paroissal.JPG)
The statue of saint Miliiau
The woman in the south porch pediment.
The right side buttress by the south porch. We see a monk holding a book in the left niche and a bishop in the right niche.
The left side of the south porch buttress
The frieze inside the south porch. Eve is born. God helps withdraw Eve from Adam's side by pulling on her arms.
In the depiction of the creation, fish, deer and other creatures are depicted
St Yves blesses four "unfortunates"
At the end of the porch interior, two doors give access to the church and between these two doors there is an elaborate stoup ("Bénitier") with a sculpture of an angel holding an aspergillum.[2]
References
- 1 2 3 4 5 6 7 8 9 10 11 12 ""Infobretagne" website with information on enclos in Brittany". Retrieved 18 April 2015.
- 1 2 Eugène Royer. Guimiliau. Éditions Ouest-France.
- ↑ "Guimiliau". Retrieved 18 April 2015.
- 1 2 Emmanuelle LeSeac'h. Sculpteurs sur pierre en Basse-Bretagne. Les Ateliers du XVe au XVIIe Siècle. Presses Universitaires de Rennes. ISBN 978-2-7535-3309-7.
- ↑ "Roland Doré et Les enclos paroissiaux" Booklet issued in 1988 by the Musée de Morlaix.
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Coordinates: 48°29′18″N 3°59′52″W / 48.4884°N 3.9977°W