Hilton Als bibliography

Lists the published works of Hilton Als.

Books

• Als, Hilton (1996). The women. New York: Farrar, Straus & Giroux.
• — (1998) [1996]. The women. Paperback ed. New York: Farrar, Straus & Giroux.
• — (2013). White girls. San Francisco: McSweeney's.

Essays, chapters and other contributions

1997-2009

• Als, Hilton (October 20, 1997). "The New Negro : as a rap star, she's the bomb. As a music-video producer, she's set a new style. Is Missy Elliott music's next transformer?". The Next Music Mogul. The New Yorker.
• — (2000). "GWTW". In Allen, James. Without sanctuary : lynching photography in America. Santa Fe, NM: Twin Palms. pp. 38–45.
• — (August 13, 2009). "Michael". The New York Review of Books.

2010-2014

• Sills, Vaughn (2010). Places for the spirit : traditional African American gardens. Foreword by Hilton Als. San Antonio: Trinity University Press.
• Als, Hilton (February 8, 2010). "Let the sunshine in". Goings on About Town. Critic's Notebook. The New Yorker. 85 (48): 13. Melba Moore.
• — (March 15, 2010). "Arcade Fire". Goings on About Town. Critic's Notebook. The New Yorker. 86 (4): 12. (Penny Arcade)
• — (March 15, 2010). "Underhanded". The Critics. The Theatre. The New Yorker. 86 (4): 80–81. Reviews Martin McDonagh's A Behanding in Spokane, directed by John Crowley at the Gerald Schoenfeld Theatre.
• — (March 22, 2010). "Feminist fatale". Goings on About Town. Critic's Notebook. The New Yorker. 86 (5): 8. (María Irene Fornés)
• — (June 7, 2010). "Stage directions". Goings on About Town. Critic's Notebook. The New Yorker. 86 (16): 14. Retrieved October 28, 2011. (David Mamet)
• — (November 8, 2010). "On the verge". Goings on About Town. Critic's Notebook. The New Yorker. 86 (35): 22. (Sam Irvin's Kay Thompson: From Funny Face to Eloise)
• — (8 November 2010). "Color Vision". Life and Letters. The New Yorker. 86 (35): 42–47. (Ntozake Shange)
• — (March 14, 2011). "Giving it Away". Goings on About Town. Critic's Notebook. The New Yorker. 87 (4): 7. (Ed Schmidt's My Last Play)
• — (November 7, 2011). "Playing Apart". Goings on About Town. Critic's Notebook. The New Yorker. 87 (35): 9. (Angelina Maccarone's Charlotte Rampling: The Look)
• — (November 7, 2011). "Double-talk: two comedies of miscommunication". The Critics. The Theatre. The New Yorker. 87 (35): 86–87. Retrieved 2014-12-19. David Henry Hwang's Chinglish, directed by Leigh Silverman at the Longacre Theatre; David Bar Katz's The Atmosphere of Memory at the Bank Street Theatre.
• — (November 14, 2011). "Role Reversal". Goings on About Town. Critic's Notebook. The New Yorker. 87 (36): 19. (Richard Move's "[email protected] 1963 Interview" at New York Live Arts)
• — (December 19–26, 2011). "Tea and No Sympathy". The Critics. The Theatre. The New Yorker. 87 (41): 142–143. (David Adjmi's Elective Affinities)
• — (January 16, 2012). "Off the Boulevard". Goings on About Town. Critic's Notebook. The New Yorker. 87 (44): 10. Joe Cino.
• — (April 16, 2012). "Frank Words". Goings on About Town. Critic's Notebook. The New Yorker. 88 (9): 23. (Frank Langella)
• — (April 16, 2012). "Down but not defeated: four views from the margins". The Critics. The Theatre. The New Yorker. 88 (9): 107–108. Retrieved February 6, 2015. Ike Holter's Hit the Wall at the Steppenwolf Garage, Chicago; Terry Johnson directs Peter Quilter's End of the Rainbow at the Belasco Theatre; Eric Ting directs Jackie Sibblies Drury's We are Proud to Present a Presentation about the Herero of Namibia ... at the Victory Gardens Theater, Chicago; Michael Wilson directs Gore Vidal's The Best Man at the Schoenfeld.
• — (January 7, 2013). "All set". Goings on About Town. Critic's Notebook. The New Yorker. 88 (42): 7. Broadway set designers.
• — (January 28, 2013). "Making sense". Goings on About Town. Critic's Notebook. The New Yorker. 88 (45): 8. The Nalaga'at troupe at the Skirball Center.
• — (January 28, 2013). "Secrets and lies: Tennessee Williams on a troubled marriage". The Critics. The Theatre. The New Yorker. 88 (45): 78–79. Retrieved 2015-04-09. Rob Ashford directs Cat on a Hot Tin Roof at the Richard Rodgers Theatre.
• — (February 25, 2013). "Broadway haunt". Goings on About Town. Critic's Notebook. The New Yorker. 89 (2): 11. Retrieved May 1, 2015.
• — (February 25, 2013). "Home brew: Kirsten Greenidge on class, race, and real estate". The Critics. The Theatre. The New Yorker. 89 (2): 82–83. Retrieved 2015-05-04. Rebecca Taichman directs Kirsten Greenidge's Luck of the Irish at Lincoln Center's Claire Tow Theater.
• — (March 4, 2013). "Sound of silence". Goings on About Town. Critic's Notebook. The New Yorker. 89 (3): 7. Retrieved May 5, 2015. Sarah Paulson.
• — (March 11, 2013). "Star promoter". Goings on About Town. Critic's Notebook. The New Yorker. 89 (4): 12. Retrieved May 18, 2015. Irene Gandy.
• — (March 11, 2013). "Portraits of the ladies". The Critics. The Theatre. The New Yorker. 89 (4): 76–77. Retrieved May 19, 2015. Manhattan Theatre Club's production of Liz Flahive's The Madrid at New York City Center Stage 1; John Doyle directs Stephen Sondheim's Passion at Classic Stage Company.
• — (April 1, 2013). "Power politics". Goings on About Town. Critic's Notebook. The New Yorker. 89 (7): 8. Retrieved 2015-12-29. Guillermo Calderón's Neva.
• — (April 1, 2013). "Single white female : Richard Greenberg adapts Breakfast at Tiffany's". The Critics. The Theatre. The New Yorker. 89 (7): 82–83. Retrieved 2016-01-06.
• — (April 8, 2013). "Last hurrah". Goings on About Town. Critic's Notebook. The New Yorker. 89 (8): 10. Retrieved 2015-12-16. Elaine Stritch.
• — (April 15, 2013). "Still waters". Goings on About Town. Critic's Notebook. The New Yorker. 89 (9): 10. Alice Waters
• — (April 15, 2013). "Newsies : Nora Ephron as a tabloid hero". The Critics. The Theatre. The New Yorker. 89 (9): 80–81. George C. Wolfe directs Nora Ephron's Lucky Guy at the Broadhurst Theatre.
• — (April 29, 2013). "Fairy tales : acting out in The Nance and Matilda". The Critics. The Theatre. The New Yorker. 89 (11): 80–81.
• — (May 6, 2013). "Lorca in New York". Goings on About Town. Critic's Notebook. The New Yorker. 89 (12): 17.
• — (May 6, 2013). "Homesteaders : four actresses stake their claims onstage". The New Yorker. 89 (12): 86–87. Deborah Warner directs The Testament of Mary at the Walter Kerr Theatre; Alex Timbers directs Here Lies Love at the The Public Theater; Michael Wilson directs The Trip to Bountiful at the Stephen Sondheim Theatre; Joe Mantello directs I'll Eat You Last at the Booth Theatre.
• — (May 13, 2013). "Making it". Goings on About Town. Critic's Notebook. The New Yorker. 89 (13): 8. Documentary series Made Here.
• — (June 3, 2013). "Russian nobility". Goings on About Town. Critic's Notebook. The New Yorker. 89 (16): 9. Dave Malloy's Natasha, Pierre & the Great Comet of 1812.
• — (June 3, 2013). "Vertigo". The Critics. The Theatre. The New Yorker. 89 (16): 72–73. Andrei Belgrader directs Ibsen's The Master Builder at the BAM's Harvey Theater.
• — (July 22, 2013). "London calling". Goings on About Town. Critic's Notebook. The New Yorker. 89 (21): 9. Caryl Churchill.
• — (September 30, 2013). "Heavy date". The Critics. The Theatre. The New Yorker. 89 (30): 82–83. Retrieved 2015-03-03. David Leveaux directs Romeo and Juliet at the Richard Rodgers Theatre.
• — (December 23–30, 2013). "The Troubles". The Critics. The Theatre. The New Yorker. 89 (42): 128–129. Retrieved October 15, 2014. Conor McPherson's The Night Alive.
• — (June 2, 2014). "Cruising : Edgar Oliver's park stories". The Critics. The Theatre. The New Yorker. 90 (15): 80–81. Retrieved April 22, 2015.
• — (October 20, 2014). "Body politic: 600 Highwaymen's unusual casting, and its sincere theatre". Goings on About Town. The Theatre. The New Yorker. 90 (32): 26. Retrieved December 22, 2014.
• — (October 20, 2014). "Ta-da! The business of show on Broadway". The Critics. The Theatre. The New Yorker. 90 (32): 100–101. Retrieved December 22, 2014. Jack O'Brien directs Terrence McNally's It's Only a Play at the Gerald Schoenfeld Theatre; Marianne Elliott directs Simon Stephens' The Curious Incident of the Dog in the Night-Time at the Ethel Barrymore Theatre.
• — (December 22–29, 2014). "Funny ladies : Sarah Bernhard follows a long line of observational comics". Goings on About Town. The Theatre. The New Yorker. 90 (41): 32. Retrieved 2015-03-16.
• — (December 22–29, 2014). "Sideshow : a revival of 'The Elephant Man'". The Critics. The Theatre. The New Yorker. 90 (41): 143–144. Retrieved April 10, 2015. Scott Ellis directs Bernard Pomerance's The Elephant Man at the Booth Theatre.

2015-

• Als, Hilton (May 4, 2015). "Reality show: a new guard of women in experimental theatre". Goings on About Town. The Theatre. The New Yorker. 91 (11): 8. Retrieved June 26, 2015.
• — (May 4, 2015). "The wanderers: mutual outsiders". The Critics. The Theatre. The New Yorker. 91 (11): 67–68. Retrieved July 3, 2015. Sam Gold directs Lisa Kron's Fun Home at the Circle in the Square Theatre; Bartlett Sher directs The King and I in revival at Lincoln Center's Vivian Beaumont Theater; John Doyle directs Kander and Ebb's The Visit at the Lyceum.
• — (February 1, 2016). "Girl power : an activist theatre company looks at the sexual politics of teen-agers". Goings on About Town. The Theatre. The New Yorker. 91 (46): 10.
• — (February 29, 2016). "Dirty rotten scoundrel : a musical based on a Eudora Welty tale is revived Off Broadway". Goings on About Town. The Theatre. The New Yorker. 92 (3): 6. Alex Timbers directs The Robber Bridegroom at the Laura Pels.
• — (February 29, 2016). "Bookworms : a stage adaptation of '2666'". The Critics. The Theatre. The New Yorker. 92 (3): 72–73. Robert Falls and Seth Bockley direct 2666 at the Goodman Theatre, Chicago.
• — (March 21, 2016). "New direction : the singular vision of David Cromer". Goings on About Town. The Theatre. The New Yorker. 92 (6): 14. David Cromer directs Lucy Prebble's The Effect at the Barrow Street Theatre.
• — (March 21, 2016). "My old sweetheart : revisiting the traumas of the past in Blackbird". The Critics. The Theatre. The New Yorker. 92 (6): 100–101. Joe Mantello directs David Harrower's Blackbird at the Belasco Theatre.