In Two Minds
| The Wednesday Play: In Two Minds | |
|---|---|
| Written by | David Mercer |
| Directed by | Ken Loach |
| Starring |
Anna Cropper, George A. Cooper, Brian Phelan, Helen Booth, Christine Hargreaves |
| Country of origin | UK |
| Original language(s) | English |
| Production | |
| Producer(s) | Tony Garnett |
| Running time | 73 minutes |
| Production company(s) | BBC |
| Release | |
| Original network | BBC 1 |
| Original release | 1 March 1967 (UK) |
In Two Minds is a television play by David Mercer commissioned for The Wednesday Play (BBC 1) anthology drama series. First transmitted on 1 March 1967, it was directed by Ken Loach and features Anna Cropper in the lead role.
Outline and production
The play depicts the experiences of Kate Winter (Cropper), a schizophrenic young woman, and her experiences with the medical professionals who attempt to care for her in a mental hospital. She is shown being given Electroconvulsive therapy (ECT) as a clinical treatment and being discussed at a lecture for medical students.[1]
In Two Minds was influenced by the ideas R. D. Laing expressed in his co-authored book, Sanity and Madness in the Family.[2] Attempting to demonstrate that schizophrenia lacks an organic basis in the brain, Laing believed that the family had the potential to make people mentally ill. Mercer and producer Tony Garnett were introduced to Laing and his colleague David Cooper, by the theatre critic Kenneth Tynan;[3] Laing and Cooper served as an official consultants on the project.[4]
It is the earliest of Loach's television works to be shot entirely on location, without any use of the television studio. Loach's previous Wednesday Play, Cathy Come Home, contains five brief scenes which were shot electronically.[5] By the time In Two Minds was in production, an agreement had been reached between Equity, the actors' union, and the BBC to allow the shooting of drama entirely on film in the conventional manner.[6]
Responses
The play gained mixed response from psychiatrists at the time of its first broadcast, with some arguing that Kate is depressed and hysterical rather than truly schizophrenic.[2]
In his review for The Listener, the novelist Anthony Burgess, felt the play had not found a resolution for Kate's problems and found the form of the play problematic. Despite accusing the whole Wednesday Play series as being 'anti-art', he wrote that In Two Minds "was better than art because it was so real".[7] Conversely, within the BBC Drama department, the play had led to intense discussions between producer Tony Garnett and department head Sydney Newman over its status as drama and its veracity.[7][8]
Legacy
In Two Minds won the Writers' Guild Award for the Best Television Play of 1967.[9] It is included in the Ken Loach at the BBC 6 DVD box set.
Family Life (1971), again directed by Loach and with a screenplay by Mercer, is a feature film remake of this television play.[10]
References
- ↑ Stephen Lacey [ Tony Garnett], Manchester: Manchester University Press, 2007, p.70
- 1 2 Janet Moat "In Two Minds (1967)", BFI Screenonline
- ↑ Lacey Tony Garnett, p.71
- ↑ George W. Brandt British Television Drama, Cambridge: Cambridge University Press, 1981, p.98
- ↑ Jacob Leigh The Cinema of Ken Loach: Art in the Service of the People, London: Wallflower Press, 2002, p.41
- ↑ Irene Shubik Play For Today: The Evolution of Television Drama, Manchester: Manchester University Press, 2000 [1975], p.61
- 1 2 Brandt British Television Drama, p.104
- ↑ Lacey Tony Garnett, p.56-57
- ↑ Anthony Hayward (2007-02-02). "Anna Cropper Cutting-edge television actress". London: The Independent. Retrieved 2008-03-28.
- ↑ Philip Kemp "Family Life (1971)", BFI Screenonline