Joseph Teixeira de Mattos

Joseph Teixeira de Mattos (18921971), was a Dutch watercolor painter and pastellist who made drawings wherever he went. A large collection of his drawings is in the Teylers Museum.

Biography

Teixeira was born in Amsterdam, where he became a member of Arti et Amicitiae in 1934 and began drawing animals at Artis.[1][2] In 1931 he moved to Paris, and for the war years he moved to Pornic in Brittany, where he remained until he died.[1] The Teylers museum had an exhibition of his work in 2004.[3]

Early career

Joseph Teixeira de Mattos shared his name with his uncle, who was a sculptor. He was the elder of the two sons of Jacob Teixeira de Mattos and Abigael Lopes Cardozo. Joseph showed promise as an artist while still at school. When he was only 13, he enrolled for a year-long class designed for children to train them to become art teachers. Graduation from an esteemed course did not, however, bring Joseph success as an artist, and he had to abandon the teaching career to pursue a career as an artist. During this problematic phase in his career, he was received financial support from Joseph Mendes da Costa and Samuel Jessurun de Mesquita.[4]

Teixeira de Mattos began working independently from 1916. His earliest works were mostly self-portraits made in and around Amsterdam. His family members became recurrent characters in his works. He also made several chalk drawings of the Waag on the Nieuwmarkt. Teixeira de Mattos first exhibited in 1917 at the Galerie Walrecht.[4]

Motif

Teixeira de Mattos frequently drew animals. Crocodile were particularly common in his works. He was known to very diligent and obsessed with technical mastery of drawing materials.[4]

References

  1. 1 2 Joseph Teixeira de Mattos in the RKD
  2. Joseph Teixeira de Mattos biography in the Joods Historisch Museum of Amsterdam
  3. Joseph Teixeira de Mattos on Codart
  4. 1 2 3 "Joseph Teixeira de Mattos". Jewish Historical Museum. Retrieved 15 January 2014.


This article is issued from Wikipedia - version of the 10/29/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.