Joy Bells

Joy Bells

Creator Albert de Courville
Music H. G. Pether, Rupert Hazell, Oliver Wallace, Harold Weeks
Lyrics H. G. Pether, Rupert Hazell, Harold Weeks
Book Albert de Courville
Productions 1919 West End

Joy Bells was a revue staged at the London Hippodrome at the end of World War I. It was devised by Albert de Courville, with music and lyrics by H. G. Pether, Rupert Hazell, Oliver Wallace, Harold Weeks and others. The revue opened on 25 March 1919, starring George Robey, Fred Allandale, Phyllis Bedells, Anita Elson, Leon Errol, Shirley Kellogg and Daphne Pollard. It ran for 723 performances.[1][2]

Robey interpolated two of his music hall sketches: "No, No, No" centred on turning innocent, everyday sayings into suggestive and provocative maxims, and "The Rest Cure", which told the story of a pre-op hospital patient who hears worrying stories of malpractice from his well-meaning friends who visit him.[3] Reviews were generally warm, with Emilio Cecchi writing in the Italian newspaper La Tribuna: "Robey, just by being Robey, makes us laugh until we weep. We do not want to see either Figaro or Othello; it is quite enough for Robey to appear in travelling costume and to turn his eyes in crab-like fashion from one side of the auditorium to another. Robey's aspect in dealing with his audience is paternal and, one might say, apostolic."[4]

During the later half of the war and immediately thereafter, revues and musical comedies were in great demand; London hits during the period included The Bing Boys Are Here and Zig-Zag! (both starring Robey), Chu Chin Chow, Theodore & Co, The Happy Day, The Maid of the Mountains, The Boy and Yes, Uncle!. The audiences wanted light and uplifting entertainment, and these shows delivered it.[5]

Songs

Notes

  1. ↑ "Joy Bells", The Guide to Musical Theatre, accessed 2 April 2014
  2. ↑ Cotes, p. 82.
  3. ↑ Stone, p. 28.
  4. ↑ Cecchi, Emilio. La Tribuna, quoted in Wilson, p. 111.
  5. ↑ "The First Musicals: 'Chu Chin Chow'", Victoria and Albert Museum, accessed 2 April 2014

References

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