La Giuditta

To be distinguished from Giuditta a German operetta by Franz Lehár.

La Giuditta may refer to one of several Italian oratorios:

Each version of La Giuditta deals with the figure of Judith, from the Biblical Apocrypha, who liberated the besieged city of Bethulia by seducing and then beheading the enemy General Holofernes. Judith and Holofernes are the two main roles common to all versions. Incidental characters, such as, in the larger Scarlatti Giuditta, Achior, a captain so revolted by Holofernes' brutality that he defects to the Israelite army, do not occur in other versions.

Italian language oratorios

Scarlatti's Rome Giuditta

Alessandro Scarlatti: La Giuditta, Rome, 1693. Libretto by Cardinal Pietro Ottoboni. "Scarlatti considered it his finest oratorio, and its dramatic structure, rapidly interweaving brief scenes in Holofernes's camp with events in the troubled city, is remarkable."[1]

Recordings:

Scarlatti's Cambridge Giuditta

Alessandro Scarlatti: La Giuditta, Rome or Naples 1697, Libretto by Prince Antonio Ottoboni, father of the cardinal. This smaller setting for three voices, strings and basso continuo, is known today as the "Cambridge" Giuditta, since its manuscript is conserved in the Rowe Music Library of King's College, Cambridge.[3][4]

Recordings:

Almeida's Giuditta

Francisco António de Almeida: La Giuditta

Recording:

Metastasio's Giuditta

Main article: Betulia liberata

Other composers

Latin oratorios

These oratorios are generally listed under Latin names:

References

  1. Guardian 14 April 2006
  2. Newolde
  3. Dynamic
  4. Musicweb-International
This article is issued from Wikipedia - version of the 5/14/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.