La criatura

La criatura

Theatrical release poster
Directed by Eloy de la Iglesia
Produced by Andrés Santana
Screenplay by Enrique Barreiro
Starring Ana Belén
Juan Diego
Music by Víctor Manuel
Cinematography Raúl Artigot
Edited by Julio Peña
Production
company
Alborada P.C
Release dates
 30 November 1977
Running time
 100 minutes
Country Spain
Language Spanish

The creature (Spanish: La criatura) is a 1977 drama film, directed by Eloy de la Iglesia. The plot follows a respectable bourgeois housewife who chooses the love for her black German Shepard over her relationship with her husband. La criatura is notable, like Walerian Borowczyk's La Bête (1975) and Nagisa Oshima's Max, Mon Amour (1986), for openly involving zoophilia, then a novelty in Spanish Cinema.[1]

Shot in 1977, the film employs bestiality as a symbol of Spain's political landscape. It makes references to the massacre of Atocha and to political right wing groups that after the death of Francisco Franco, tried to maintain the dictator’s political ideals.[1]

Plot

Marcos and Cristina are a well to do couple who had have been married for several years. Their relationship has been strained, in part because they have not been able to have children. They are overjoyed when Cristina unexpectedly gets pregnant. Close to give birth, Cristina’s hopes are shattered when stopping at a gas station she is attacked by a black German Shepard. The shock of the attack makes Cristina give birth prematurely to a still born son. To help his wife forget the tragedy, Marcos takes Cristina to the same sea side resort where they had spent their honey moon. Cristina recovers her strength and becomes attach to a stray dog that befriends her at the beach. The dog is also a black German Shepard, the same breed as the one that caused her misfortune. Frightened at first, she soon began to pet the dog that proves to be charming, tame and very fond of her. Against her husband’s protestations Cristina takes the dog back home to the city.

Marcos, a successful presenter of a TV variety show, is a conservative catholic sympathetic to right wing politics. He remains faithful to his wife dismissing the romantic advances of Vicky, the cohost of his TV program. While her husband is occupied at work, Cristina finds in her dog an outlet to the love she could not give to the child she lost. She calls her dog Bruno. The name she and her husband had previously chosen for their unborn son.

Marcos buys a new country house in the mountains for him and his wife. He is distraught by the increasing attention his wife gives to the dog. Cristina soon prefers the dog’s to her husband’s company. When Marcos tries to be intimate to his wife, the dog gets jealous and attacks him. Following Vicky's advise, Marcos buys a female dog, a White Shepherd. His strategy seems to work as Bruno begins to spend more time with his mate. However, Cristina dislike the new dog. She is horrified when she finds the dogs mating. Shortly after, the female dog appears death without explanation.

The relationship between Cristina and Bruno becomes even closer. One day Marcos arrives home finding his wife in bed with her wedding gown on the side spotting marks of Bruno's paws all over the dress implying that Cristina had had sex with the dog. Appalled, Marcos asks for advise to father Abelardo, the family's priest, who tells him to be firm an immediately give the dog away. The priest recommends a local teacher who lovingly takes care of the dog. Cristina is upset of being forced to give the dog away, but concedes.

Marcos makes an effort to rekindle the love in his marriage. He wants to try again to have children. However, he is distracted as he takes on a new political career in defense of his conservative views which he feels are threaten under the new democratic Spain. Cristina, who is as liberal as her husband is conservative, dislikes Marco's political career. When Cristina refuses to have sex with her husband, Marco gets drunk and rapes her. Confronted by Marcos about her relationship with the dog, Cristina compares Spanish society to a hall of distorting mirrors. "I am surrounded by monsters. All I can do is become more monstrous than they are!". Cristina is tormented by nightmares. A phone call from her doctor awakes her telling her that she is pregnant. Resolute, Cristina packs her bags, leaves her husband, retrieves Bruno and goes to leave happily in the house on the mountains with her dog.

Cast

Notes

  1. 1 2 Mira, The A to Z of Spanish Cinema, p.170

References

External links

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