List of compositions by Dmitri Shostakovich
This is a list of compositions by Dmitri Shostakovich.
By genre
Symphonies
- Op. 10: Symphony No. 1 in F minor (1924–1925)
- Op. 14: Symphony No. 2 in B major To October, with chorus (1927)
- Op. 20: Symphony No. 3 in E-flat major The First of May, with chorus (1929)
- Op. 43: Symphony No. 4 in C minor (1935–1936)
- Op. 47: Symphony No. 5 in D minor (1937)
- Op. 54: Symphony No. 6 in B minor (1939)
- Op. 60: Symphony No. 7 in C major Leningrad (1941)
- Op. 65: Symphony No. 8 in C minor (1943)
- Op. 70: Symphony No. 9 in E-flat major (1945)
- Op. 93: Symphony No. 10 in E minor (1953)
- Op. 103: Symphony No. 11 in G minor The Year 1905 (1957)
- Op. 112: Symphony No. 12 in D minor The Year 1917 (1961)
- Op. 113: Symphony No. 13 in B-flat minor Babi-Yar, for bass, bass chorus and orchestra (1962)
- Op. 135: Symphony No. 14, for soprano, bass, string orchestra and percussion (1969)
- Op. 141: Symphony No. 15 in A major (1971)
Concertos
- Op. 35: Piano Concerto No. 1 in C minor (1933)
- Op. 77: Violin Concerto No. 1 in A minor (1947–1948, originally published as Op. 99[1])
- Op. 102: Piano Concerto No. 2 in F major (1957)
- Op. 107: Cello Concerto No. 1 in E-flat major (1959)
- Op. 126: Cello Concerto No. 2 in G major (1966)
- Op. 129: Violin Concerto No. 2 in C-sharp minor (1967)
Suites
- Op. 15a: Suite from The Nose, for tenor, baritone and orchestra (1927–1928)
- Op. 22a: Suite from The Age of Gold for orchestra (1929–1930)
- Op. 27a: Suite from The Bolt for orchestra (1931)
- Op. 30a: Suite from Golden Mountains for orchestra (1931)
- Op. 32a: Suite from Hamlet for small orchestra (1932)
- Op. 36a: Suite from The Tale of the Priest and of His Workman Balda (1935)
- Op. 38a: Suite for Jazz Orchestra No. 1 (1934)
- Op. 39a: Suite from The Limpid Stream for orchestra (1934–1935)
- Op. 50a: Suite from The Maxim film-Trilogy for orchestra and chorus (1938)
- Suite for Jazz Orchestra No. 2 (3 mvts) (1938) (n.b.: not the 8 mvt work now known to be Suite for Variety Orchestra (post-1956))
- Op. 64a: Suite from Zoya for chorus and orchestra (1944)
- Op. 75a: Suite from The Young Guard (1951)
- Op. 76a: Suite from Pirogov for orchestra (1947)
- Op. 78a: Suite from Michurin for chorus and orchestra (1964)
- Op. 80a: Suite from Meeting on the Elbe for voices and orchestra (1948)
- Ballet Suite No. 1 for orchestra (1949, assembled by L. Atovmyan)
- Ballet Suite No. 2 for orchestra (1951, assembled by L. Atovmyan)
- Ballet Suite No. 3 for orchestra (1953, assembled by L. Atovmyan)
- Ballet Suite No. 4 for orchestra (1953, assembled by L. Atovmyan)
- Op. 85a: Suite from Belinsky for chorus and orchestra (1960, assembled by L. Atovmyan)
- Op. 89a: Suite from The Unforgettable Year 1919 for orchestra (1953, assembled by L. Atovmyan)
- Op. 97a: Suite from The Gadfly for orchestra (1955)
- Op. 99a: Suite from The First Echelon for chorus and orchestra (1956)
- Suite for Variety Orchestra (8 mvts) (post-1956) (previously believed to be Suite for Jazz Orchestra No. 2 (3 mvts) (1938))
- Op. 111a: Suite from Five Days, Five Nights for orchestra (1961)
- Op. 114a: Suite of Five Fragments from the Opera Katarina Izmailova for orchestra (1963)
- Op. 116a: Suite from Hamlet for orchestra (1964)
- Op. 120a: Suite from A Year Is Like a Lifetime for orchestra (1965)
Miscellaneous symphonic works
- Op. 1: Scherzo in F-sharp minor for orchestra (1919)
- Op. 3: Theme and Variations in B-flat major for orchestra (1921–1922)
- Op. 7: Scherzo in E-flat major for orchestra (1923–1924)
- Op. 23: Two Pieces for Erwin Dressel's Opera Armer Columbus for orchestra (1929)
- The Green Company, overture (1931)
- Op. 42: Five Fragments for small orchestra (1935)
- Solemn March for military band/wind orchestra (1942)
- Three Pieces for orchestra (1947–1948)
- Op. 96: Festive Overture in A major for orchestra (1954)
- Op. 110a: Chamber Symphony in C minor (Arr. Rudolf Barshai)
- Op. 111b: Novorossiisk Chimes, the Flame of Eternal Glory for orchestra (1960)
- Op. 115: Overture on Russian and Kirghiz Folk Themes for orchestra (1963)
- Op. 130: Funeral-Triumphal Prelude for orchestra (1967)
- Op. 131: October, symphonic poem in C minor for orchestra (1967)
- Op. 139: March of the Soviet Police for military band/wind orchestra (1970)
String quartets
- Two Pieces for string quartet (1931)
- Op. 49: String Quartet No. 1 in C major (1938) (arranged as Chamber-Symphony for strings, op.49a by Rudolf Barshai)
- Op. 68: String Quartet No. 2 in A major (1944) (arranged as Chamber-Symphony for small orchestra by Michinori Bunya)
- Op. 73: String Quartet No. 3 in F major (1946) (arranged as Chamber-Symphony for strings, wood winds, harp and celesta, op.73a by Rudolf Barshai)
- Op. 83: String Quartet No. 4 in D major (1949) (arranged as Chamber-Symphony for small orchestra, op.83a by Rudolf Barshai)
- Op. 92: String Quartet No. 5 in B-flat major (1952)
- Op. 101: String Quartet No. 6 in G major (1956)
- Op. 108: String Quartet No. 7 in F-sharp minor (1960)
- Op. 110: String Quartet No. 8 in C minor (1960) dedicated to the victims of fascism and war (arranged as Chamber-Symphony for strings, op.110a by Rudolf Barshai – this arrangement was authorized by Shostakovich)
- Quartet Movement in E-flat major (c. 1960) – surviving movement of an earlier version of what became the String Quartet No. 9 in E-flat major, also known as the Unfinished Quartet
- Op. 117: String Quartet No. 9 in E-flat major (1964)
- Op. 118: String Quartet No. 10 in A-flat major (1964) (arranged as Chamber-Symphony for strings, op.118a by Rudolf Barshai)
- Op. 122: String Quartet No. 11 in F minor (1966)
- Op. 133: String Quartet No. 12 in D-flat major (1968)
- Op. 138: String Quartet No. 13 in B-flat minor (1970) (arranged as Symphony for viola and strings by Alexander Tchaikovsky)
- Op. 142: String Quartet No. 14 in F-sharp major (1972–1973)
- Op. 144: String Quartet No. 15 in E-flat minor (1974)
Other chamber/instrumental works
- Op. 8: Piano Trio No. 1 in C minor (1923)
- Op. 9: Three Pieces for cello and piano (1923–1924)
- Op. 11: Two Pieces for String Octet (1924–1925) [2]
- Op. 40: Sonata in D minor for cello and piano (1934)
- Op. 40a: Moderato for cello and piano (1934)
- Op. 57: Piano Quintet in G minor (1940)
- Op. 58i: Polka for harp duet in F-sharp minor (1941)
- Op. 67: Piano Trio No. 2 in E minor (1944)
- Op. 97c: Four Waltzes for flute, clarinet and piano (1955)
- Op. 97d: Three Violin Duets, from The Gadfly for two violins and piano (1955)
- Op. 134: Sonata for violin and piano (1968)
- Op. 147: Sonata for viola and piano (1975)
Piano
- Op. 2: Eight Preludes (1919–1920)
- Minuet, Prelude and Intermezzo (1919–1920)
- "Murzilka" (1920)
- Five Preludes (1920–1921)
- Op. 5: Three Fantastic Dances (1922)
- Op. 6: Suite in F-sharp minor for two pianos (1922)
- Op. 12: Sonata No. 1 (1926)
- Op. 13: Aphorisms, ten pieces (1927)
- Op. 22: Polka from The Golden Age
- Op. 34: Twenty-Four Preludes (1932–1933)
- Op. 39: Nocturne – The Limpid Stream
- Op. 61: Sonata No. 2 in B minor (1943)
- Op. 69: Children's Notebook, six pieces (1944–1945)
- Merry March for two pianos (1949)
- Op. 87: Twenty-Four Preludes and Fugues (1950-1951)
- Dances of the Dolls (1952)
- Op. 94: Concertino for two pianos in A minor (1953)
- Op. 97a: Short piece
- Op. 97b: Spanish dance, from The Gadfly
- Op. 104a: Eleven Variations on a Theme by Glinka (1957)
Operas
- Op. 15: The Nose, opera in three acts after Gogol (1927–1928)
- Op. 29: Lady Macbeth of the Mtsensk District, opera in four acts after Leskov (1930–1932); this was later revised as Katerina Ismailova (see Op. 114)
- The Big Lightning, unfinished comic opera (1932)
- Orango, unfinished opera (1932)
- The Twelve Chairs, operetta (1937–1938)
- Katyusha Maslova, opera after Tolstoy's novel Resurrection (1940)
- Op. 105: Moscow, Cheryomushki, operetta in three acts (1958)
- Op. 114: Katerina Ismailova, opera in four acts after Leskov (1956–1963); a revision of Lady Macbeth of the Mtsensk District (see Op. 29)
Ballets
- Op. 22: The Golden Age, three acts (1929–1930)
- Op. 27: The Bolt, three acts (1930–1931)
- Op. 39: The Limpid Stream (a.k.a. The Bright Stream), three acts (1934–1935)
- The Lady and the Hooligan, one act
- The Dreamers, four acts (1975)
Film scores
- Op. 18: Music to the silent film The New Babylon for small orchestra (1929)
- Op. 26: Music to the film Alone (1930–1931)
- Op. 30: Music to the film Golden Mountains (1931)
- Op. 33: Music to the film Counterplan (1932)
- Op. 36: Music to the animated film The Tale of the Priest and of His Workman Balda for chamber orchestra (1933–1934)
- Op. 38: Music to the film Love and Hate (1934)
- Op. 41: Music to the film The Youth of Maxim (1934–1935)
- Op. 41a: Music to the film Girl Friends (1934–1935)
- Op. 45: Music to the film The Return of Maxim (1936–1937)
- Op. 48: Music to the film Volochayev Days (1936–1937)
- Op. 50: Music to the film The Vyborg Side (1938)
- Op. 51: Music to the film Friends (1938)
- Op. 52: Music to the film The Great Citizen, first part (1938)
- Op. 53: Music to the film The Man with the Gun (1938)
- Op. 55: Music to the film The Great Citizen, second part (1939)
- Op. 56: Music to the animated film The Silly Little Mouse (1939)
- Op. 59: Music to the film The Adventures of Korzinkina (1940)
- Op. 64: Music to the film Zoya (1944)
- Op. 71: Music to the film Simple People (1945)
- Op. 75: Music to the film The Young Guard (1947–1948)
- Op. 76: Music to the film Pirogov (1947)
- Op. 78: Music to the film Michurin (1948)
- Op. 80: Music to the film Meeting on the Elbe for voices and piano (1948)
- Op. 82: Music to the film The Fall of Berlin (1949)
- Op. 85: Music to the film Belinsky for orchestra and chorus (1950)
- Op. 89: Music to the film The Unforgettable Year 1919 (1951)
- Op. 95: Music to the film Song of the Great Rivers (1954)
- Op. 97: Music to the film The Gadfly (1955)
- Op. 99: Music to the film The First Echelon (1955–1956)
- Op. 105a: Music to the film Moscow, Cheryomushki(1962)
- Op. 111: Music to the film Five Days, Five Nights (1960)
- Op. 114b: Music to the film Katerina Izmailova (1966)
- Op. 116: Music to the film Hamlet after Shakespeare for orchestra (1963–1964)
- Op. 120: Music to the film A Year Is Like a Lifetime for orchestra (1965)
- Op. 132: Music to the film Sofiya Perovskaya (1967)
- Op. 137: Music to the film King Lear after Shakespeare (1970)
Incidental music
- Op. 19: Music to the comedy The Bedbug by Mayakovsky (1929)
- Op. 24: Music to the play The Gunshot by Bezymensky (1929)
- Op. 25: Music to the play Virgin Soil by Gorbenko and L'vov (1930)
- Op. 28: Music to the play Rule, Britannia! by Adrian Piotrovsky (1931)
- Op. 31: Music to the stage revue Hypothetically Murdered by Voyevodin and Riss (1931)
- Op. 32: Music to the play Hamlet by Shakespeare (1931–1932)
- Op. 37: Music to the play The Human Comedy after Balzac for small orchestra (1933–1934)
- Op. 44: Music to the play Hail, Spain by Afinogenov (1936)
- Op. 58a: Music to the play King Lear by Shakespeare (1940)
- Op. 63: Music to the spectacle Native Country, suite Native Leningrad (1942)
- Op. 66: Music to the spectacle Russian River for soloists, choir and orchestra (1944)
- Op. 72: Two Songs to the spectacle Victorious Spring after Svetlov for voices and orchestra (1945)
- Music to the play Hamlet by Shakespeare (1954)
Choral
- The Oath to the People's Commissar for bass, chorus and piano (1941)
- Songs of a Guard's Division ("The Fearless Regiments Are On the Move"), marching song for bass and mixed chorus with simple accompaniment for bayan or piano (1941)
- Russian Folk Songs for chorus (1943)
- Three Russian Folk Songs for two soloists and chorus with piano accompaniment (1943)
- Op. 74: Poem of the Motherland, cantata for mezzosoprano, tenor, two baritones, chorus and orchestra (1947)
- Rayok (Little Paradise) for four voices, chorus and piano (1948)
- Op. 81: Song of the Forests, oratorio after Dolmatovsky for tenor, bass soli, mixed & boys' chorus and orchestra (1949)
- Op. 86a: The Homeland Hears for chorus and tenor soloist with wordless chorus (1951)
- Op. 88: Ten Poems on Texts by Revolutionary Poets for chorus and boys' chorus a cappella (1951)
- Op. 90: The Sun Shines over Our Motherland, cantata after Dolmatovsky for mixed & boys' chorus and orchestra (1952)
- Op. 104: Cultivation: Two Russian Folk Song Arrangements for chorus a cappella (1957)
- Op. 119: The Execution of Stepan Razin, cantata after Yevtushenko for bass, mixed chorus and orchestra (1964)
- Op. 124: Two Choruses after Davidenko for chorus and orchestra (1962)
- Op. 136: Loyalty, eight ballads after Dolmatovsky for unaccompanied male chorus (1970)
Vocal
- Op. 4: Two Fables of Krylov for mezzo-soprano, female chorus and chamber orchestra (1922)
- Op. 21: Six Romances on Texts by Japanese Poets for tenor and orchestra (1928–1932)
- From Karl Marx to Our Own Days, symphonic poem for solo voices, chorus and orchestra (1932)
- Op. 46: Four Romances on Verses by Pushkin for bass and piano (1936–1937)
- Seven Arrangements of Finnish Folk Songs for soloists (soprano and tenor) and chamber ensemble (1939)
- Op. 62: Six Romances on Verses by English Poets for bass and piano (1942)
- Patriotic Song after Dolmatovsky for voices (1943)
- "Song About the Red Army" after Golodny (1943)
- Op. 79: From Jewish Folk Poetry, song cycle for soprano, contralto, tenor and piano (1948)
- Op. 79a: From Jewish Folk Poetry, song cycle for soprano, contralto, tenor and orchestra (1948)
- Op. 80b: Three Songs from Meeting on the Elbe for voice and piano (1956)
- Op. 84: Two Romances on Verses by Lermontov for male voice and piano (1950)
- Op. 86: Four Songs to Words by Dolmatovsky for voice and piano (1951)
- Op. 91: Four Monologues on Verses by Pushkin for bass and piano (1952)
- Greek Songs for voice and piano (1952–1953)
- "Pendozalis", Greek Song for voice and piano (1954)
- "October Dawn", song for soloists and chorus (1954)
- Op. 98: Five Romances on Verses by Dolmatovsky for bass and piano (1954)
- Op. 98a: "There Were Kisses", song after Dolmatovsky for voice and piano (1954)
- Op. 100: Spanish Songs for (mezzo)soprano and piano (1956)
- Op. 109: Satires (Pictures of the Past), Five Romances on Verses by Sasha Chorny for soprano and piano (1960) (arranged for voice and orchestra by B. Tishchenko, 1980)
- Op. 121: Five Romances on Texts from the Magazine Krokodil for bass and piano (1965)
- Op. 123: "Preface to the Complete Collection of My Works and Brief Reflections on this Preface" for bass and piano (1966)
- Op. 127: Seven Romances on Poems by Alexander Blok for soprano, violin, cello and piano (1967)
- Op. 128: Romance "Spring, Spring" to Verses by Pushkin for bass and piano (1967)
- Op. 140: Six Romances on Verses by English Poets for bass and chamber orchestra (1971)
- Op. 143: Six Poems by Marina Tsvetayeva, suite for contralto and piano (1973)
- Op. 145: Suite on Verses of Michelangelo Buonarroti for bass and piano (1974)
- Op. 145a: Suite on Verses by Michelangelo Buonarroti for bass and orchestra (1975)
- Op. 146: Four Verses of Captain Lebyadkin to texts by Dostoevsky for bass and piano (1975)
Orchestrations
- Orchestration of I Waited in the Grotto by Rimsky-Korsakov for soprano and orchestra (1921)
- Op. 16: Tahiti-Trot for orchestra (1928)
- Op. 17: Pastorale and Capriccio: Two Pieces by D. Scarlatti for wind orchestra (1928)
- Op. 31a: Orchestration of Hypothetically Murdered (1932)
- Orchestration of Internationale by Degeyter (1937)
- Op. 58: Orchestration of the Opera Boris Godunov by Mussorgsky (1939–1940)
- Orchestration of "Wiener Blut" by Johann Strauss II (1940)
- Orchestration of "The Excursion Train Polka" by Johann Strauss II (1940)
- Orchestration of 27 Romances and Songs Arrangements (1941)
- Orchestration of Eight British and American Folk Songs for voice(s) and orchestra (1943)
- Orchestration of Fleishman's Chamber-Opera Rothschild's Violin after Chekhov (1944)
- Op. 106: Re-orchestration of Mussorgsky's Opera Khovanshchina (1959)
- Orchestration of Songs and Dances of Death by Mussorgsky (voice and piano) for voice and orchestra (1962)
- Op. 125: Re-scoring of orchestral accompaniment to Schumann's Cello Concerto in A minor (1963)
- Re-orchestration of Tishchenko's Cello Concerto No. 1 (1969)
- Orchestration of Beethoven's Arrangement (Op. 75 No. 3) of Mephistopheles's Song of the Flea (1975)
By Chronological order
Op. number | Title | Instrumentation | Year | Notes |
---|---|---|---|---|
Hymn to Freedom | Piano | 1915-1916 | Same as The Soldier[3] | |
The Soldier (Ode to Liberty) | Piano | 1915-1917 | Same as Hymn to Freedom[3] | |
Funeral March in Memory of the Fallen Heroes of the Revolution | Piano | 1919[3] | ||
1 | Scherzo in F-sharp minor | Orchestra | 1919 | |
The Gypsies, opera after Pushkin | Orchestra | 1919-1920 | Partially destroyed.[3] | |
In the Forest, trilogy | Piano | 1919-1920[3] | ||
Two Marzurkas | Piano | 1919-1920[3] | ||
Polka | Piano | 1919-1920[3] | ||
Minuet, Prelude and Intermezzo | Piano | 1919-1920 | ||
2 | Eight Preludes | Piano | 1919–1920 | Lost |
Murzilka | Piano | 1920 | ||
Five Preludes | Piano | 1920-1921 | ||
3 | Theme and Variations in B-flat major | Orchestra | 1921-1922 | Transcribed for solo piano as Op. 3a |
4 | Two Fables of Krilov | Mezzo-soprano, female chorus and chamber orchestra | 1922 | Transcribed for mezzo-soprano and piano as Op. 4a |
5 | Three Fantastic Dances | Piano | 1922 | |
6 | Suite in F-sharp minor | Two pianos | 1922 | |
7 | Scherzo in E-flat major | Orchestra | 1923-1924 | Transcribed for solo piano as Op. 7a |
8 | Piano Trio No. 1 in C minor | Piano, violin, cello | 1923 | |
9 | Three Pieces | Cello and piano | 1923-1924 | Lost |
10 | Symphony No. 1 in F minor | Orchestra | 1924-1925 | |
11 | Two Pieces | String Octet [2] | 1924-1925 | |
12 | Piano Sonata No. 1 | Piano | 1926 | |
13 | Aphorisms, ten pieces | Piano | 1927 | |
14 | Symphony No. 2 in B major To October | Orchestra and chorus | 1927 | Shostakovich made a reduction of the choral score for voices and piano |
15 | The Nose, opera in three acts after Gogol | Orchestra | 1927-1928 | Shostakovich assembled a suite from The Nose, for tenor, baritone and orchestra as Op. 15a Shostakovich made a reduction o the accompaniment of The Nose for piano |
16 | Tahiti Trot | Orchestra | 1928 | |
17 | Two Pieces by Scarlatti | Wind orchestra | 1928 | |
18 | Music to the silent film The New Babylon | Small orchestra | 1928-1929 | |
19 | Music to the comedy The Bedbug by Mayakovsky | Orchestra | 1928-1929 | Shostakovich assembled a suite from the The Bedbug for orchestra as Op. 19a Shostakovich arranged the music to The Bedbug for piano as Op. 19b |
20 | Symphony No. 3 in E-flat major The First of May | Orchestra with chorus | 1929 | Shostakovich made a reduction of the score for solo piano, including the vocal score of the final chorus as Op. 20a |
21 | Six Romances on Texts by Japanese Poets | Tenor and orchestra | 1928-1932 | Arranged for tenor and piano as Op. 21a |
22 | The Golden Age, ballet in three acts | Orchestra | 1929-1930 | Shostakovich assembled a suite from The Golden Age for orchestra as Op. 22a Shostakovich extracted the polka from the suite for solo piano as Op. 22b Shostakovich later arranged the same piece for piano four hands in 1962 as Op. 22c |
23 | Two Pieces for Erwin Dressel's Opera Armer Columbus | Orchestra | 1929 | |
24 | Music to the play The Gunshot by Bezymensky | Orchestra | 1929 | |
25 | Music to the play Virgin Soil by Gorbenko and L'vov | Orchestra | 1930 | Lost |
26 | Music to the film Alone (Odna) | Orchestra | 1930-1931 | Shostakovich assembled a suite from the music for orchestra as Op. 26a |
27 | The Bolt, ballet in three acts | Orchestra | 1930-1931 | Shostakovich assembled a suite from the music for orchestra as Op. 27a |
28 | Music to the play Rule, Britannia! by Piotrovsky | Orchestra | 1931 | |
Two Pieces | String quartet | 1931 | The first movement is an arrangement of Katerina's aria The foal runs after the
filly from Lady Macbeth of the Mtsensk District. The second movement is an arrangement of the Polka from the Golden Age. | |
Overture to The Green Company | Orchestra | 1931 | ||
Prologue to Orango, an unfinished opera | Orchestra | 1932 | Some material incorporated from The Bolt.[3] | |
29 | Lady Macbeth of the Mtsensk District, opera in four acts after Leskov | Orchestra | 1930-1932 | Shostakovich assembled a suite from the music for orchestra as Op. 29a Shostakovich extracted the Passacaglia from an Entr'acte to the music for organ |
From Karl Marx to our Own Days, a symphonic poem | Solo voices, chorus and orchestra | 1932 | ||
The Big Lightning, unfinished comic opera | Orchestra | 1932 | ||
30 | Music to the film Golden Mountains | Orchestra | 1931 | Shostakovich assembled a suite from the music for orchestra as Op. 30a |
31 | Music to the stage revue Hypothetically Murdered by Voyevodin and Riss | Piano? | 1931 | Orchestration of Hypothetically Murdered as Op. 31a Reduction of Four Movements of the Music to Hypothetically Murdered for piano as Op. 31b |
32 | Music to the play Hamlet by Shakespeare | Orchestra | 1931-1932 | Suite from Hamlet for small orchestra as Op. 32a |
33 | Music to the film Counterplan | Orchestra | 1932 | "Song about the Oncoming Train", "My Heart's Aching and Moaning" were arranged for voice and piano as Op. 33a "We meet this Morning (The Song of the Young Workers)" was arranged for voice and piano as Op. 33b |
34 | 24 Preludes | Piano | 1932-1933 | Transcribed for violin and piano as Op. 34a Transcribed for orchestra as Op. 34b |
35 | Piano Concerto No. 1 | Piano, trumpet and strings | 1933 | Shostakovich made a reduction of the concerto for two pianos as Op. 35a |
36 | Music to the animated film The Tale of the Priest and of his Workman Balda | Chamber orchestra | 1933-1934 | Shostakovich assembled a suite from the music as Op. 36a |
37 | Music to the play The Human Comedy after Balzac | Small orchestra | 1933-1934 | |
Suite for Jazz Orchestra No. 1 | Jazz orchestra | 1934 | ||
38 | Music to the film Love and Hate | Orchestra? | 1934 | |
Symphonic Movement | Orchestra | 1934 | Sketches of what would be the fourth symphony.[3] | |
41a | Music to the film Girl Friends | Small orchestra | 1934-1935 | Credited thus[4] |
39 | The Limpid Stream, ballet in three acts | Orchestra | 1934-1935 | Suite for orchestra from the music as Op. 39a Moderato from The Limpid Stream for Cello and Piano as Op. 39b |
40 | Sonata in D minor | Cello and piano | 1934 | Moderato for Cello and Piano as Op. 40a |
41 | Music to the film The Youth of Maxim | Orchestra | 1934-1935 | |
42 | Five Fragments | Small Orchestra | 1935 | |
43 | Symphony No. 4 in C minor | Orchestra | 1935-1936 | Arrangement of Symphony No. 4 for two pianos as Op. 43a |
44 | Music to the play Hail, Spain by Alexander Afinogenov | Orchestra and chorus | 1935-1936 | |
45 | Music to the film The Return of Maxim | Orchestra | 1936-1937 | |
46 | Four Romances on Verses by Pushkin | Bass and piano | 1936-1937 | Orchestration for bass and orchestra as Op. 46a Arrangement of 1st, 2nd, and 3rd movement for bass and string orchestra as Op. 46c |
47 | Symphony No. 5 in D minor | Orchestra | 1937 | Reduction of the second movement for solo piano as Op. 47b |
48 | Music to the film Volochayev Days | Orchestra | 1936-1937 | |
The Twelve Chairs, operetta | Orchestra | 1937-1938 | ||
49 | String Quartet No. 1 in C major | String quartet | 1938 | |
50 | Music to the film The Vyborg Side | Orchestra | 1938 | |
51 | Music to the film Friends | Orchestra | 1938 | Vocalise from the music arranged for unaccompanied chorus as Op. 51a |
52 | Music to the film The Great Citizen, first part | Orchestra? | 1938 | |
53 | Music to the film The Man with a Gun | Orchestra? | 1938 | |
Suite for Jazz Orchestra No. 2 | Jazz Orchestra | 1938 | Not the 8 mvt work now known to be Suite for Variety Orchestra (post-1956) | |
54 | Symphony No. 6 in B minor | Orchestra | 1939 | |
55 | Music to the film The Great Citizen, second part | Orchestra? | 1939 | |
56 | Music to the animated film The Silly Little Mouse | Orchestra | 1939 | |
Suite on Finnish Themes | Soloists, chorus, chamber orchestra, piano | 1939 | ||
Three Pieces | Solo Violin | 1940 | Lost? | |
57 | Piano Quintet in G minor | Piano quintet | 1940 | |
58 | Orchestration of the Opera Boris Godunov by Mussorgsky | Orchestra | 1939-1940 | |
59 | Music to the film The Adventures of Korzinkina | Orchestra? | 1940 | Assembled into a suite as Op. 59a |
Katyusha Maslova, opera after Tolstoy's novel Resurrection | Orchestra | 1940 | ||
58a | Music to the play King Lear by Shakespeare | Orchestra | 1940 | |
60 | Symphony No. 7 in C major Leningrad | Orchestra | 1941 | |
61 | Piano Sonata No. 2 in B minor | Piano | 1943 | |
"The Oath to the People's Commissar" | Bass, chorus and piano | 1941 | ||
"Songs of a Guard's Division" ("The Fearless Regiments Are On the Move"), marching song | Bass and mixed chorus with simple accompaniment for bayan or piano | 1941 | ||
Polka in F-sharp minor | Harp duet | 1941 | ||
The Gamblers, unfinished opera after Gogol | Orchestra | 1941-1942 | Later reworked into mvt 2 of Viola Sonata | |
62 | Six Romances on Verse by English Poets | Bass and piano | 1942 | Later arranged for orchestra and bass as Op. 62a |
63 | Music to the spectacle Native Country, suite Native Leningrad | Orchestra | 1942 | |
"Solemn March" | Military band | 1942 | ||
Patriotic Song after Dolmatovsky | Voices | 1943 | ||
"Song about the Red Army" after Golodny | Voices | 1943 | ||
Russian Folk Songs | Chorus | 1943 | ||
Three Russian Folk Songs | Two soloists, chorus, piano accompaniment | 1943 | ||
64 | Music to the film Zoya | Orchestra | 1944 | |
65 | Symphony No. 8 in C minor | Orchestra | 1943 | |
66 | Music to the spectacle Russian River | Soloists, choir and orchestra | 1944 | |
67 | Piano Trio No. 2 in E minor | Piano, violin, cello | 1944 | |
68 | String Quartet No. 2 in A Major | String quartet | 1944 | |
69 | Children's Notebook, six pieces | Piano | 1944-1945 | |
70 | Symphony No. 9 in E-flat major | Orchestra | 1945 | Reduction of the piece for piano four hands as Op. 70a |
71 | Music to the film Simple People | Orchestra? | 1945 | |
72 | Two Songs to the spectacle Victorious Spring after Svetlov | Voices and orchestra | 1945 | Arranged for piano as Op. 72a |
73 | String Quartet No. 3 in F major | String quartet | 1946 | |
74 | Poem of the Motherland, cantata | Mezzosoprano, tenor, two baritones, chorus and orchestra | 1947 | |
75 | Music to the film The Young Guard | Orchestra | 1947-1948 | |
76 | Music to the film Pirogov | Orchestra | 1947 | |
Three Pieces | Orchestra | 1947-1948 | ||
77 | Violin Concerto No. 1 in A minor | Violin and orchestra | 1947-1948 | |
78 | Music to the film Michurin | Orchestra | 1948 | |
79 | From Jewish Folk Poetry, song cycle | Soprano, contralto, tenor and piano | 1948 | Orchestration as Op.79a |
80 | Music to the film Encounter at the Elbe | Voices and piano | 1948 | |
Anti-Formalist Rayok (Peep Show) | Four voices, chorus and piano | 1948 | ||
81 | Song of the Forests, oratorio after Dolmatovsky | Tenor, bassoli, mixed & boys' chorus and orchestra | 1949 | |
82 | Music to the film The Fall of Berlin | Orchestra | 1949 | |
83 | String Quartet No. 4 in D major | String quartet | 1949 | |
Merry March | Two pianos | 1949 | ||
84 | Two Romances on Verses by Lermontov | Male voice and piano | 1950 | |
85 | Music to the film Belinsky | Orchestra and chorus | 1950 | |
86 | Four Songs to Words by Dolmatovsky | Voice and piano | 1951 | |
87 | Twenty-Four Preludes and Fugues | Piano | 1950-1951 | |
88 | Ten Poems on Texts by Revolutionary Poets | Chorus and boys' chorus a capella | 1951 | |
89 | Music to the film The Unforgettable Year 1919 | Orchestra | (1951) | |
The Homeland Hears | Chorus and tenor soloist with wordless chorus | 1951 | ||
Ten Russian Folk Song Arrangements | Soloists, mixed chorus and piano | 1951 | ||
90 | The Sun Shines on Our Motherland, cantata after Dolmatovsky | Mixed & boys' chorus and orchestra | 1952 | |
91 | Four Monologues on Verses by Pushkin | Bass and piano | 1952 | |
92 | String Quartet No. 5 in B-flat major | String quartet | 1952 | |
Seven Doll's Faces | Piano | 1952 | ||
Greek Songs | Voice and piano | 1952-1953 | ||
93 | Symphony No. 10 in E minor | Orchestra | 1953 | |
94 | Concertino in A minor | Two pianos | 1953 | |
95 | Music to the film Song of the Great Rivers' | Orchestra | 1954 | |
96 | Festive Overture in A major | Orchestra | 1954 | |
"Poem of Labour" from Unity | Mixed chorus and orchestra | 1954 | ||
Two Songs from Unity ("A Song of Unity" and "Peaceful Labour") | Voice and piano | 1954 | ||
Waltz from Unity | Orchestra | 1954 | ||
Music to the play Hamlet by Shakespeare | Orchestra | 1954 | Not the same as the music for the 1964 film of the same name | |
Pendozalis, Greek song | Voice and piano | 1954 | ||
October Dawn | Soloists and chorus | 1954 | ||
97 | Music to the film The Gadfly, based on the novel by Voynich | Orchestra | 1955 | Assembled into The Gadfly Suite as Op. 97a |
98 | Five Romances on Verses by Dolmatovsky | Bass and piano | 1954 | |
Four Waltzes | Flute, clarinet and piano | 1955 | ||
Three Violin Duets | Two violins with piano accompaniment | 1955 | ||
99 | Music to the film The First Echelon | Orchestra | 1955-1956 | |
100 | Spanish Songs | (Mezzo)soprano and piano | 1956 | |
101 | String Quartet No. 6 in G major | String quartet | 1956 | |
Suite for Variety Orchestra | Variety orchestra | post-1956 | ||
102 | Piano Concerto No. 2 in F major | Orchestra | 1957 | |
103 | Symphony No. 11 in G minor The Year 1905 | Orchestra | 1957 | |
104 | Cultivation: Two Russian Folk Song Arrangements | Chorus a capella | 1957 | |
105 | Moscow, Cheryomushki, operetta in three acts | Orchestra | 1958 | |
106 | Re-orchestration of Mussorgsky's Opera Khovanshchina | Orchestra | 1959 | |
107 | Cello Concerto No. 1 in E-flat major | Cello and orchestra | 1959 | |
108 | String Quartet No. 7 in F-sharp minor | String quartet | 1960 | |
109 | Satires (Pictures of the Past), Five Romances on Verses by Chorny | Soprano and piano | 1960 | |
110 | String Quartet No. 8 in C minor | String quartet | 1960 | |
111 | Music to the film Five Days, Five Nights | Orchestra | 1960 | |
Novorossiisk Chimes, the Flame of Eternal Glory | Orchestra | 1960 | ||
112 | Symphony No. 12 in D minor The Year 1917 | Orchestra | 1961 | |
113 | Symphony No. 13 in B-flat minor Babi-Yar | Bass, bass chorus and orchestra | 1962 | |
The Lady and the Hooligan, ballet in one act | Orchestra | 1962 | ||
114 | Katerina Izamailova, opera in four acts after Leskov | Orchestra | 1956-1963 | |
115 | Overture on Russian and Kirghiz Folk Themes | Orchestra | 1963 | |
116 | Music to the film Hamlet | Orchestra | 1963-1964 | |
117 | String Quartet No. 9 in E-flat major | String quartet | 1964 | |
118 | String Quartet No. 10 in A-flat major | String quartet | 1964 | |
119 | The Execution of Stepan Razin, cantata after Yevtushenko | Bass, mixed chorus and orchestra | 1964 | |
120 | Music to the film A Year Is Like a Lifetime | Orchestra | 1965 | |
121 | Five Romances on Texts from the Magazine Krokodil | Bass and piano | 1965 | |
122 | String Quartet No. 11 in F minor | String quartet | 1966 | |
123 | Preface to the Complete Collection of My Works and Brief Reflections on this Preface | Bass and piano | 1966 | |
124 | Two Choruses after Davidenko | Chorus and orchestra | 1962 | |
125 | Re-scoring of orchestral accompaniment to Schumann's Cello Concerto in A minor | Cello and orchestra | 1963 | |
126 | Cello Concerto No. 2 in G minor | Cello and orchestra | 1966 | |
127 | Seven Songs on Poems by Alexander Blok | Soprano, violin, cello and piano | 1967 | |
128 | Romance "Spring, Spring" to Verses by Pushkin | Bass and piano | 1967 | |
129 | Violin Concerto No. 2 in C-sharp minor | Violin and orchestra | 1967 | |
130 | Funeral-Triumphal Prelude | Orchestra | 1967 | |
131 | October, symphonic poem in C minor | Orchestra | 1967 | |
132 | Music to the film Sofiya Perovskaya | Orchestra | 1967 | |
133 | String Quartet No. 12 in D-flat major | String quartet | 1968 | |
134 | Sonata for Violin | Violin and piano | 1968 | |
135 | Symphony No. 14 | Soprano, bass, string orchestra and percussion | 1969 | |
136 | Loyalty, eight ballads after Dolmatovsky | Male chorus | 1970 | |
137 | Music to the film King Lear | Orchestra | 1970 | |
138 | String Quartet No. 13 in B-flat minor | String quartet | 1970 | |
139 | March of the Soviet Militia | Military band/Wind orchestra | 1970 | |
140 | Six Romances on Verses by English Poets | Bass and chamber orchestra | 1971 | |
141 | Symphony No. 15 in A major | Orchestra | 1971 | |
142 | String Quartet No. 14 in F-sharp major | String quartet | 1972-1973 | |
143 | Six Poems by Marina Tsvetayeva | Contralto and piano | 1973 | |
144 | String Quartet No. 15 in E-flat minor | String quartet | 1974 | |
145 | Suite on Verses by Michelangelo Buonarroti | Bass and piano | 1974 | Orchestration as Op.145a |
146 | Four Verses of Captain Lebyadkin to texts by Dostoevsky | Bass and piano | 1975 | |
The Dreamers, ballet in four acts | Orchestra | 1975 | ||
147 | Sonata for Viola | Viola and piano | 1975 | Last completed composition by Shostakovich. |
Symphony No. 16, unfinished? | Orchestra | 1975 | Possibly a speculation. In Soviet Weekly, April 1976, they reported that Shostakovich's last work had been performed. However, during rehearsals of Op. 145, Shostakovich considered the work his sixteenth symphony.[3] |
See also
References
Footnotes
- ↑ Kennedy, Michael; based on the original publication by Percy Scholes (1980). The Concise Oxford Dictionary of Music (3rd ed.). London: Oxford University Press. p. 593. ISBN 0-19-311315-5. Cite uses deprecated parameter
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(help) - 1 2 Heyer, 2012. p.22
- 1 2 3 4 5 6 7 8 9 10 List of works by Shostakovich, sikorski.de
- ↑ Shostakovi.ch Film "Girl Friends" Overview, Retrieved 22 December 2014
Bibliography
- Mark Heyer (2012). Dmitri Dmitrievich Shostakovich (1906-1975) – Catalog of Works (PDF). Sikorski Musikverlage.
- Onno van Rijen (2012). "Opus by Shostakovich". Retrieved 13 June 2015.
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