List of works by Francisco Goya
The following is an incomplete list of Francisco Goya's works. Besides the blue-linked articles, many images can be found at Wikipedia Commons.
Paintings
Consecration of Aloysius Gonzaga as patron saint of youth | c. 1763 | Saragossa Museum, Spain | |||
Apparition of the Virgin of the Pillar to Saint James and his Saragossan disciples | c. 1769 | Collection of Pascual de Quinto, Saragossa, Spain | |||
The Holy Family with Saint Joachim and Saint Anne Before the Eternal Glory | c. 1769 | Collection of Marquess de las Palmas
Jerez de la Frontera, Spain | |||
Hannibal the Conqueror | 1770 | Foundation Selgas-Fagalde (Cudillero, Asturias). | |||
Martin Zapater | 1770 | Museo de Bellas Artes de Bilbao | |||
The Sacrifice to Vesta | 1771 | Collection of Felix Palacios Remondo, Zaragoza | |||
The Sacrifice to Priapus | 1771 | private collection, Barcelona | |||
The rape of Europa | 1772 | private collection, USA | |||
The Adoration of the Name of God | 1772 | Basílica de Nuestra Señora del Pilar, Zaragoza | |||
Frescoes in the Cartuja de Aula Dei | 1774 | Charterhouse of Aula Dei | |||
Tapestry Cartoons | 1775–92 | Prado Museum, Madrid | |||
The Parasol | 1777 | Prado Museum, Madrid | |||
Blind Guitarist | 1778 | Prado Museum, Madrid | |||
The Swing | 1779 | Prado Museum, Madrid | |||
Crucified Christ | 1780 | Prado Museum, Madrid | |||
The Queen of Martyrs | 1780–81 | Basílica de Nuestra Señora del Pilar | |||
The Count of Floridablanca and Goya | 1783 | Banco of Spain, Madrid | |||
Family of Infante Don Luis | 1784 | Fondazione Magnani-Rocca, Italy | |||
The Sermon of Saint Bernadino of Siena | 1784 | San Francisco el Grande, Madrid | |||
The Annunciation | 1785 | private collection, Spain | |||
The Marquesa de Pontejos | c. 1786 | National Gallery of Art, Washington, D.C. | |||
The Snowstorm (La Nevada) | 1786 | Prado Museum, Madrid | |||
Spring (or The Flower Girls) | 1786–87 | Prado Museum, Madrid | |||
Manuel Osorio Manrique de Zuñiga | 1787–88 | Metropolitan Museum of Art, New York City | |||
St Francis Borgia at the Deathbed of an Impenitent | 1788 | St. Francisco Catedral, Valencia | |||
Family of the Duke of Osuna | 1788 | Prado Museum, Madrid | |||
Self-portrait | c. 1790–95 | ||||
Playing At Giants | 1791–92 | Prado Museum, Madrid | |||
Portrait of Mariana Waldstein | c. 1792 | Louvre, Paris | |||
Strolling Players | 1793 | Prado Museum, Madrid | |||
Fire at Night | 1793–1794 | Banco Inversion-Agepasa, Madrid | |||
Yard with Lunatics | 1793–94 | Meadows Museum, Dallas, Texas | |||
Prison Interior | c. 1793–94 | Bowes Museum | |||
The Madhouse | 1794 | Virginia Meadows Museum and Elizabeth Meadows Sculpture Court, Dallas, Texas | |||
The Marquesa de la Solana | c. 1793–95 | Louvre, Paris | |||
Duchess of Alba (The White Duchess) | 1795 | House of Alba, Madrid | |||
Duchess of Alba & Her Duenna | 1795 | Prado Museum, Madrid | |||
Portrait of the Matador Pedro Romero | c. 1795–98 | Kimbell Art Museum | |||
Self-Portrait on Linen | 1795–1797 | Prado Museum, Madrid | |||
Duchess of Alba (The Black Duchess) | 1797 | Hispanic Society of America, New York City | |||
Que se la llevaron! | 1797–98 | ||||
What a sacrifice! | 1797–98 | ||||
The Sleep of Reason Produces Monsters | 1797–98 | ||||
Witches' Flight | 1797–98 | Prado Museum, Madrid | |||
The Spell | 1797–98 | ||||
The Witches' Kitchen | 1797–98 | ||||
The Devil's Lamp | 1797–98 | ||||
The Stone Guest | 1797–98 | ||||
They say yes and give their hand to the first comer | 1797–98 | ||||
You who cannot | 1797–98 | ||||
Self-Portrait with Spectacles | 1797–1800 | ||||
Miracle of St. Antony | 1798 | ||||
The Taking of Christ | 1798 | Cathedral, Toledo | |||
Ferdinand Guillemardet | 1798 | Louvre | |||
A Miracle of St. Anthony of Padua” and other scenes | 1798 | San Antonio de la Florida, Madrid | |||
Witches Sabbath (1798) | 1798 | Museum Lasaro Galdiano, Madrid | |||
Queen Maria Luisa, on Horseback | 1799 | Prado Museum, Madrid | |||
La Tirana (Goya) | 1799 | Academy of San Fernando, Madrid | |||
Countess of Chinchon | 1800 | Prado Museum, Madrid | |||
La maja desnuda | 1800 | Prado Museum, Madrid | |||
Charles IV of Spain and His Family | 1800–1801 | Prado Museum, Madrid | |||
La maja vestida | c. 1800–05 | Prado Museum, Madrid | |||
Josefa Bayeu (Leocadia Weiss) | c. 1800-1814 | ||||
Bartolome Sureda y Miserol | c. 1803–04 | National Gallery, Washington D.C | |||
Isabel de Porcel | 1804–05 | ||||
Francisca Sabasa y Garcia | 1804–1808 | National Gallery, Washington D.C | |||
Doña Teresa Sureda | c. 1805 | ||||
Doña Antonia Zárate | c.1805 | National Gallery of Ireland | |||
Young Woman with a Fan | 1805–1810 | ||||
Portrait of Doña Isabel de Porcel | c. 1805 | National Gallery, London | |||
The Colossus | c. 1808–12 | Prado Museum, Madrid | |||
Majas on a Balcony | c. 1808–12 | ||||
Time and the Old Women | c. 1810–12 | Musée des Beaux-Arts, Lille, Fr. | |||
General Manuel Romero | c. 1810 | private collection, Chicago | |||
Time (Goya) | 1810 | ||||
Contra el bien general | c. 1810 | ||||
Allegory of the City of Madrid | 1810 | Casa del Ayuntamiento, Madrid | |||
Time | c. 1810–12 | ||||
Majas on a Balcony | 1810–1812 | Metropolitan Museum version | |||
Portrait of the Duke of Wellington | 1812–14 | National Gallery, London | |||
Doña Antonia Zárate | c. 1811 | Hermitage, St. Petersburg | |||
Dead Turkey | 1812 | ||||
The Burial of the Sardine | 1812–1819 | Real Academia de Bellas Artes de San Fernando, Madrid | |||
The Majas on the Balcony | c. 1812 | Metropolitan Museum of Art, New York | |||
This is worse | c. 1812–13 | ||||
Mariano Goya | c. 1812–14 | private collection, Madrid | |||
Portrait of Rita Moon Luna | 1814 | ||||
Ferdinand VII in an Encampment | c. 1814 | Prado Museum, Madrid | |||
The Second of May 1808 | 1814 | Prado Museum, Madrid | |||
The Third of May 1808 | 1814 | Prado Museum, Madrid | |||
Young Women with a Letter | c. 1814–18 | Musée des Beaux-Arts, Lille | |||
May the rope break! | c. 1815 | ||||
Self-Portrait | 1815 | Academy of San Fernando | |||
Unfortunate events in the front seats of the ring of Madrid, and the death of the Mayor of Torrejon | 1815–16 | ||||
La Tauromaquia | 1815–1816 | ||||
Burial of the Sardine (sketch) | c. 1816 | ||||
Inquisition Scene | c. 1816 | ||||
The Procession | c. 1816 | ||||
SS. Justa and Rufina | 1817 | Cathedral, Seville | |||
The Forge | c. 1817 | Frick Collection, New York | |||
The Giant | 1818 | ||||
The Forge | c. 1819 | Frick Collection, New York City | |||
Portrait of Don Juan Antonio Cuervo | 1819 | Cleveland Museum of Art | |||
The Last Communion of St. Joseph of Calasanz | 1819 | Escuelas Pías de San Antón, Madrid | |||
Agony in the Garden (Goya) | 1819 | Escuelas Pías de San Antón | . | ||
Self-portrait with Dr Arrieta | 1820 | Minneapolis Institute of Arts, Minnesota | |||
Women Laughing | 1819-1923 | Prado Museum, Madrid | |||
Men Reading | c. 1821–23 | Prado Museum, Madrid | |||
Carnival Scene | 1820–1824 | ||||
Atropos (The Fates) | 1820–1823 | Prado Museum, Madrid | |||
Goat (Goya) | 1820–1823 | ||||
Fight with Cudgels | 1820–1823 | ||||
Two Women | 1820–1823 | ||||
Deaf Man | 1820–1823 | ||||
Asmodea | 1820–1823 | ||||
Old Men Eating | 1820–1823 | ||||
The Dog | 1820–23 | Prado Museum, Madrid | |||
Fight with Cudgels | 1820–23 | Prado Museum, Madrid | |||
The Great He-Goat or Witches Sabbath | c. 1821–23 | Prado Museum, Madrid | |||
Saturn Devouring His Son | c. 1821–23 | Prado Museum, Madrid | |||
Two Old Men | c. 1821–23 | ||||
Two Old Women Eating from a Bowl | c. 1821–23 | ||||
Two Young People Laughing at a Man | c. 1821–23 | ||||
Portrait of Don Ramon Satué | 1823 | Rijksmuseum, Amsterdam | |||
Portrait of José Duaso y Latre | 1824 | Museum of Fine Arts of Seville | |||
Leandro Fernández de Moratín | 1824 | Museo de Bellas Artes, Bilbao, Spain | |||
Monk Talking to an Old Woman | 1824-25 | Princeton University Art Museum | |||
Portrait of Jacques Galos | 1826 | Barnes Foundation | |||
The Milkmaid of Bordeaux | 1825–27 | Prado Museum, Madrid | |||
Don Juan Bautista de Muguiro | 1827 | Prado Museum, Madrid | |||
Don José Pío de Molina | 1827–28 | Reinhart Collection, Winterthur | |||
Striker Family Goya | unknown dating |
Etchings
- Los Caprichos (1792–1799)
Wikimedia Commons has media related to Los Caprichos. |
- Plate 43 – The sleep of reason
- Plate 2 – They Say Yes
- Plate 33 – To the Count Palantine
- Plate 55 – Until Death
- Plate 77 – First One, Then Another
- The Disasters of War (1810–1820)
Wikimedia Commons has media related to The Disasters of War. |
- Plate 7 – What Valor!
- Plate 9 – They do not want to
- Plate 31 – This is too much!
- Plate 32 – Why?
- Plate 39 – Great Deeds – Against the Dead
- Plate 47 – This is how it happened
- Plate 69 – Nada – We shall see
- Los disparates (1815–1824)
Wikimedia Commons has media related to Los disparates. |
- Plate 1 – Feminine Folly
- Plate 2 – Folly of Fear
- Plate 3 – Strange Folly
- Plate 4 – Big Booby
- Plate 5 – Folly on the Wing
- Plate 6 – Foolish Fury
- Plate 7 – Matrimonial Extravagance
- Plate 8 – People in Sacks
- Plate 9 – Universal Folly
- Plate 10 – Young Woman on a Bucking Horse
- Plate 11 – Folly of Poverty
- Plate 12 – Three Gentlemen and Three Dancing Ladies
- Plate 13 – One Way to Fly
- Plate 14 – Foolishness at the Carnival
- Plate 15 – Pure Folly
- Plate 16 – Exhortation
- Plate 17 – Loyalty
- Plate 18 – Old Man Wandering Among Phantoms
- Plate 19 – A Familiar Folly
- Plate 20 – Foolish Precision
- Plate 21 – Animal Foolishness
- Plate 22 – Foolish Extravagance
Unknown
- Woman with Scythe and Serpent
See also
- List of Francisco Goya's tapestry cartoons
- Apparition of the Virgin of the Pillar to Saint James and his Saragossan disciples
External links
This article is issued from Wikipedia - version of the 11/9/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.