Madonna and Child with Two Donors (van Dyck)

Madonna and Child with Two Donors or The Madonna of the Two Donors is a 1630 painting by Anthony van Dyck, now in the Louvre.

The identity of the two kneeling donors is unknown but they are probably a rich couple from Antwerp, where van Dyck was then working. It soon left its original location and is recorded in the collection of Louis XIV of France as early as 1685.

Bibliography

Gian Pietro Bellori, Vite de' pittori, scultori e architecti moderni, Torino, Einaudi, 1976.
Didier Bodart, Van Dyck, Prato, Giunti, 1997.
Christopher Brown, Van Dyck 1599-1641, Milano, RCS Libri, 1999, ISBN 88-17-86060-3.
Justus Müller Hofstede, Van Dyck, Milano, Rizzoli/Skira, 2004.
Stefano Zuffi, Il Barocco, Verona, Mondadori, 2004.

Paintings by Anthony van Dyck

Religious subjects	The Betrayal of Christ (1618–20) (Bristol ; Madrid ; Minneapolis) Christ Crowned with Thorns (1619–20) Crucifixion (1630) Crucifixion with Saints (1617–19) Deposition / Lamentation over the Dead Christ (1615; 1618; 1619; 1629; 1629–30; 1634; 1635; 1640) Entry of Christ into Jerusalem (1617) Madonna and Child (1621–27) The Mocking of Christ (1628-30) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Saint Ambrose barring Theodosius from Milan Cathedral (1619–20) Saint Martin and the Beggar (1618) Saint Rosalie Interceding for the Plague–Stricken of Palermo (1624) Samson and Delilah (1620 ; 1630) The Vision of the Blessed Hermann Joseph (1629–30)

Mythological subjects	Cupid and Psyche (1638–40) Drunken Silenus (1620) Jupiter and Antiope (1620) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–32)

Portraits	Charles I (Equestrian ; At the Hunt; Triple Portrait; with M. de St Antoine) Henrietta Maria (As St Catherine; Triple Portrait) Magistrates of Brussels (Preparatory sketch) Olivia Boteler Porter

Self-portraits	1613–14 1632–33 1635 (with Endymion Porter) 1640

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