The Magic Bow
The Magic Bow | |
---|---|
Directed by | Bernard Knowles |
Produced by | R. J. Minney |
Written by |
Norman Ginsbury Manuel Komroff Roland Pertwee |
Starring |
Stewart Granger Phyllis Calvert |
Music by | Henry Geehl |
Cinematography |
Jack Asher Jack E. Cox |
Edited by | Alfred Roome |
Distributed by | Gainsborough Pictures |
Release dates |
|
Running time | 106 minutes |
Country | United Kingdom |
Language | English |
Box office | 5,067 admissions (France)[1] |
The Magic Bow is a 1946 British musical film based on the life of the Italian violinist and composer Niccolò Paganini. It was directed by Bernard Knowles. It was entered into the 1946 Cannes Film Festival.[2]
Cast
- Stewart Granger as Niccolò Paganini
- Phyllis Calvert as Jeanne de Vermond
- Jean Kent as Bianca
- Dennis Price as Paul de la Rochelle
- Cecil Parker as Luigi Germi
- Felix Aylmer as Signor Fazzini
- Frank Cellier as Antonio
- Marie Lohr as Countess de Vermond
- Henry Edwards as Count de Vermond
- Mary Jerrold as Teresa Paganini
- Betty Warren as Landlady
- Anthony Holles as Manager
- David Horne as Rizzi
- Robert Speaight as Cardinal
- Charles Victor as Peasant Driver
Production
Filming had to be postponed due to an illness to Phyllis Calvert, so Caravan, also starring Granger, was rushed into production and made first.[3]
Phyllis Calvert's character was fictitious, a composite of various women who had helped Paganini. The character of Bianca, the Italian singer, was real. Margaret Lockwood was originally announced to play the role, but was replaced by Jean Kent. Kent later recalled "I had marvellous costumes in that bit not a very good part. You expect she [Bianca] is going to do something and she never does. It's a film that went wrong. Originally I believe they wanted Margaret Lockwood to play it. Presumably then it would have been a much better part, I don't know what happened. Bernard Knowles was a very good cameraman but not a director."[4]
Producer R. J. Minner said that:
We are doing it [the film] as delicately as possible, as a study of sacred and profane love. Paganini's relationship with Bianca is rather a tricky business to get past the Hays Office, but we hope, with tact, to manage it. He knew Bianci all his life. He couldn't do it without her. She sang at all his concerts. He kept quarrelling with her and coming back to her. She made him ill and nearly killed him, and in the end he left her.[5]
The script was made with a great deal of input from Yehudi Menuhin, who performed the violin solos heard in the film.[5]
References
- ↑ Box office information for Stewart Granger films in France at Box Office Story
- ↑ "Festival de Cannes: The Magic Bow". festival-cannes.com. Retrieved 4 January 2009.
- ↑ BUSY BRITONS: Two Down and One to Go By C.A. LEJEUNE. New York Times (1923-Current file) [New York, N.Y] 24 June 1945: 27.
- ↑ Brian MacFarlane, An Autobiography of British Cinema, Methuen 1997 p 340
- 1 2 THE FILM SCENE IN LONDON: Strictly a Family Affair By C.A. LEJEUNE. New York Times (1923-Current file) [New York, N.Y] 16 Sep 1945: X3.
External links
- The Magic Bow at the Internet Movie Database
- Review of film at Variety