Oksana Zabuzhko

Oksana Zabuzhko
Born (1960-09-19) 19 September 1960
Lutsk, Ukrainian SSR
Occupation novelist, poet, essayist
Nationality Ukrainian
Genre Ukrainian literature
Notable works Field Work In Ukrainian Sex (1996)
Website
www.zabuzhko.com

Oksana Stefanivna Zabuzhko (Ukrainian: Окса́на Стефа́нівна Забу́жко) is a leading Ukrainian novelist, poet, essayist, and public intellectual. Her works has been translated into multiple languages.

Life

Born 19 September 1960 in Lutsk, Ukraine, Zabuzhko studied philosophy at the Kiev University, where she also obtained her doctorate in aesthetics in 1987. In 1992 she taught at Penn State University as a visiting writer. Zabuzhko won a Fulbright scholarship in 1994 and taught Ukrainian literature at Harvard and University of Pittsburgh. Currently Zabuzhko works at the Hryhori Skovoroda Institute of Philosophy of the National Academy of Sciences of Ukraine.

Literary work

According to Uilleam Blacker, Oksana Zabuzhko’s work «has two main preoccupations […]: national identity and gender».[1] Zabuzhko’s first novel, Field Work in Ukrainian Sex, published in 1996, was met with great controversy both by the critics and by the readers. With its publication, the Ukrainian readership and the intellectual community faced innovative, provocative and complex feminist writing.[2]

As a trained philosopher and cultural critic, Zabuzhko publishes essays and non-fiction works. Zabuzhko also turns to the Ukrainian history. Her most recent novel, The Museum of Abandoned Secrets (2009), deals with three different epochs (World War II, 1970s, and early 2000s), and, in particular, the topic of Ukrainian Insurgent Army, active in Ukraine in the 1940s and 1950s, and either demonized or silenced by the Soviet historiography.

Oksana Zabuzhko belongs to the generation that Tamara Hundorova, a literary scholar, calls «post-Chornobyl».[3] Chornobyl catastrophe (1986), according to Hundorova, is not only one of the biggest calamities of the modern times, but also a «symbolic event that projects post-apocalyptical text […] into the post-atomic era».[3] Most importantly, Chornobyl also marks, de facto, the end of the Soviet Union, at least the end of any legitimacy of its ideology, and the beginning of the new Ukrainian society and new Ukrainian literature, free from socialist realism or consciously dismantling its legacy. One important feature of Oksana Zabuzhko’s writing is that it is «turned outward» to the world, to be accessible to the Western reader.[3]

Awards

Major Works and Style

Oksana Zabuzhko’s first novel, Field Work in Ukrainian Sex, is one of the «key texts in post-Soviet Ukrainian literature».[4] It caused great controversy upon its publication, due the fact that the narrator expresses dissatisfaction with the established order of relationships between sexes, where a woman is subject to oppression, social and sexual, both by the traditional patriarchy, as a gendered subject, as well as a subject of totalitarianism. The novel was analyzed from the point of view of postcolonial theory.[5] It also inspired a number of comparative studies, where Zabuzhko’s novel was compared to the writings of Jamaica Kincaid,[6] Assia Djebar,[7] Angela Carter,[8] Nicole Brossard,[9] and others. The novel was also studied on account of its prominent style, with the «poetic» voice and the «intellectual» voice intermingling and creating an intricate structure. The novel engages some elements of écriture féminine, notably, writing (from) the body.

Oksana Zabuzhko’s second novel, Museum of Abandoned Secrets, deals with Ukraine’s resistance and opposition to the Soviet colonial regime in the 20th century. The novel presents the reality of the relations between the countries that within the structure of the USSR were seen by the West only in the context of the myth of the «friendships of nations», the myth that Putin’s Russia would still like to perpetuate.

Oksana Zabuzhko’s most famous non-fiction book is Notre Dame d’Ukraine. It focuses on the Ukrainian writer of the fin-de-siècle era, Lesya Ukrayinka (1871-1913), but is also a study of the Ukrainian intelligentsia of that time and their cultural values. More specifically, in this groundbreaking volume Zabuzhko shows Ukraine’s European legacy in regard to the tradition of chivalry and the ways in which it shaped the Ukrainian literature and mentality.

Her book Let My People Go won the Korrespondent magazine Best Ukrainian documentary book award in June 2006,[10] The Museum of Abandoned Secrets — Best Ukrainian Book — 2010.[11]

Selected bibliography

Poetry

Prose

Non-fiction

Zabuzhko's texts translated in English

References

  1. ↑ Uilleam Blacker. Nation, Body, Home: Gender and National Identity in the Work of Oksana Zabuzhko. The Modern Language Review 105.2 (2010): 487-501
  2. ↑ Alexandra Hrycak and Maria G. Rewakowicz. Feminism, Intellectuals and the Formation of Micro-Publics in Postcommunist Ukraine. Studies in East European Thought. Special issue Wither the Intelligentsia: The End of the Moral Elite in Eastern Europe. Ed. Serguei Alex. Oushakine. 61 (2009): 309-333
  3. 1 2 3 Tamara Hundorova. Pisliachornobyl's'ka biblioteka. Ukrains'kyi literaturnyi postmodern. Kyiv: Krytyka, 2005.
  4. ↑ Oleksandra Shchur (Wallo). Post-Soviet Women Writers and the National Imaginary, 1989-2009. Ph.D. Dissertation. University of Illinois, Urbana-Champaign, 2013
  5. ↑ Vitaly Chernetsky. Mapping Postcommunist Cultures: Russia and Ukraine in the Context of Globalization. Montreal: McGill-Queen’s University Press, 2007
  6. ↑ Natalia Monakhova. National Identity in the Postcolonial Situation: A Comparative Study of the Caribbean and Ukrainian Cases―Jamaica Kincaid and Oksana Zabuzhko. The Atlantic Literary Review Quarterly (Special Issue on Postcolonial Feminist Writing) 4.4 (2003): 173-98
  7. ↑ Oksana Lutsyshyna. Postcolonial Herstory: the Novels of Assia Djebar (Algeria) and Oksana Zabuzhko (Ukraine): a Comparative Analysis. Master’s Thesis, University of South Florida, Tampa, FL, 2006.
  8. ↑ Inna Steshyn. Hudozhne vtilennya feministychnoyi ideyi v naynovishiy brytanskiy I ukrayinskiy prozi (A. Carter, O. Zabuzhko) (Literary Expression of Feminist Ideas in the Contemporary British and Ukrainian Prose (A. Carter, O. Zabuzhko). Kandydat Degree Thesis, Ternopil State Pedagogical University. Ternopil: University Press, 2002.
  9. ↑ Amy Elizabeth Moore. Feminism and Nationalism in the Works of Nicole Brossard and Oksana Zabuzhko. Ph.D. Dissertation. University of California, Berkeley, 2009.
  10. ↑ "Check out Ukraine's best books". Kyiv Post. 21 June 2006. Retrieved 28 April 2010.
  11. ↑ Корреспондент назвав переможців конкурсу Краща українська книга-2010

Further reading

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