Pamela Z

Pamela Z

Pamela Z performing at the University of Colorado's ATLAS Institute, Boulder, CO in 2012
Background information
Birth name Pamela Ruth Brooks
Born 1956
Buffalo, NY
Genres avant-garde, contemporary classical, experimental, electroacoustic
Occupation(s) composer/performer
Labels Starkland, Innova, Bridge
Website pamelaz.com

Pamela Z (born 1956, in Buffalo, New York) is an American composer, performer, and media artist of African descent who is best known for her solo works for voice with electronic processing. In performance, she combines various vocal sounds including operatic bel canto, experimental extended techniques and spoken word, with samples and sounds generated by manipulating found objects. Z’s musical aesthetic is one of sonic accretion, and she typically processes her voice in real time through a software program called MAX MSP on a MacBook Pro as a means of layering, looping, and altering her live vocal sound.[1] Her performance work often includes video projections and special controllers with sensors that allow her to use physical gestures to manipulate the sound and projected media.[2]

Biography

Raised in the Denver Metro area, Pamela Z received her bachelor's degree in music from the University of Colorado at Boulder (1978), where she studied classical voice. In the late 1970s and early 1980s, she worked as a singer/songwriter on voice and guitar throughout Colorado under the name Pam Brooks. She began experimenting with digital delay and reverb to process her voice in the early 1980s and started composing works involving live looping.[3]

In 1984 she relocated to San Francisco where she legally changed her last name to Z and became active in the San Francisco Bay Area contemporary music and performance art scene. Throughout the late 1980s and the 90s, she continued to create solo voice and electronics performances, and gained visibility through her appearances in Bay Area new music performance venues, theaters, and art galleries. She began touring her work nationally and internationally and, by the year 2000, she was performing regularly in New York, Europe, and Japan. Z has performed in such festivals as Bang on a Can at Lincoln Center in New York, the Interlink Festival in Japan, Other Minds in San Francisco, La Biennale di Venezia in Venice, Italy, and Pina Bausch Tanztheater's Festival in Wuppertal, Germany.

In addition to her solo voice and electronics works, Z has composed chamber works commissioned by ensembles such as Kronos Quartet, the Bang on a Can All Stars, the New York string quartet ETHEL, The California EAR Unit, the Left Coast Chamber Ensemble, and Orchestra of St. Luke's. She has also composed scores for modern dance companies including ODC Dance, Flyaway Productions, and Mary Armentrout Dance Theater. In addition, she has composed and recorded film scores for independent filmmakers including Barbara Hammer, Lynn Sachs, Jeanne Finley and John Muse.

Recordings

Studio Recordings of several of Pamela Z’s signature pieces appear on her 2004 solo CD, A Delay is Better on the Starkland label. In addition, a number of her works have been released on various experimental music and sound art compilations including her "Declaratives In First Person" on Crosstalk: American Speech Music a 2008 (Bridge Records) compilation produced by Mendi + Keith Obadike, and ‘’Geekspeak’’, which appears both on Sonic Circuits IV, a 1996 Innova Recordings compilation and on Bitstreams, a Whitney Museum collection of works from a 2001 sound exhibition curated by Stephen Vitiello. Z also recorded a track for Meredith Monk’s 2012 tribute CD Monk Mix– performing a voice and electronics arrangement of Monk’s ‘’Scared Song’’.

Other work

Pamela Z has created fixed-media sound works for radio and new media installations for art galleries. She has had solo exhibitions at fine arts institutions including the Krannert Art Museum (Champaign, Il) and the Chico University Art Gallery (Chico, CA), and her sound installations have been included in group exhibitions including Dak’Art (Dakar Biennale, Sénégal), Bitstreams (Whitney Museum of American Art), Walkmen (Erzbischöfliches Diözesanmuseum, Cologne, Germany) and the McColl Center for Visual Art, Charlotte, NC.

Z is also known for her narration work in independent film and television. Her voice appears in several documentaries including Sam Green's The Weather Underground (2002), Hrabba Gunnarsdottir's Alive in Limbo, and the Bay Area PBS affiliate KQED's weekly arts television program Spark.

Honors and Awards

Z has received numerous awards including the Guggenheim Fellowship (2004); Doris Duke Performing Artist Award in theater (2015); the CalArts Alpert Award in the Arts (1998); the Creative Capital Fund (2002); the ASCAP Music Award (2000-2012); the MAP Fund (2009 and 2012); and the NEA and Japan/US Friendship Commission Fellowship (1998). In 2008 she was honored as Alumna of the Year by the University of Colorado at Boulder College of Music, and she received a Prix Ars Electronica honorable mention (Linz, Austria) in the Digital Musics Category.

Discography

Bibliography

Wikimedia Commons has media related to Pamela Z.

Sources

  1. ↑ Garrett, Charles Hiroshi. ‘’The Grove Dictionary of American Music’’, “Pamela Z”, Oxford University Press 2013
  2. ↑ Wilson, Stephen. ‘’Information Arts: Intersections of Art, Science, and Technology’’ Leonardo/The MIT Press 2002, pp. 745-746
  3. ↑ Malloy, Judy. ‘‘Women, Art, and Technology’’ “Pamela Z: A Tool is a Tool”, Leonardo/The MIT Press 2003, pp. 350
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