Paradise Road (1997 film)

Paradise Road

Theatrical release poster
Directed by Bruce Beresford
Produced by Sue Milliken
Written by Bruce Beresford
Story:
David Giles
Martin Meader
Diaries:
Betty Jeffrey
Starring Glenn Close
Frances McDormand
Pauline Collins
Johanna ter Steege
Julianna Margulies
Music by Ross Edwards
Cinematography Peter James
Edited by Tim Wellburn
Distributed by Fox Searchlight Pictures
Release dates
  • April 11, 1997 (1997-04-11) (United States)
  • June 5, 1997 (1997-06-05) (Australia)
Running time
 122 minutes
Country United States
Australia
Language English
Japanese
Dutch
Chinese
Malay
Budget $19 million[1]
Box office $2,007,100[2]

Paradise Road is a 1997 American war film that tells the story of a group of English, American, Dutch and Australian women who are imprisoned by the Japanese in Sumatra during World War II. It was directed by Bruce Beresford and stars Glenn Close as Adrienne Pargiter, Frances McDormand as the brash Dr. Verstak, Pauline Collins as missionary Margaret Drummond (based on missionary Margaret Dryburgh), Julianna Margulies as American socialite Topsy Merritt, Jennifer Ehle as British doyenne and model Rosemary Leighton Jones, Cate Blanchett as Australian nurse Susan McCarthy and Elizabeth Spriggs as dowager Imogene Roberts.

Plot Synopsis

Basing his film on real events, Bruce Beresford tells the story of a vocal orchestra created by the women in a Japanese Internment camp, a classic survivors' tale about women's ability to survive hardship and atrocity through perseverance, solidarity and creativity. The film opens with a dance at the Cricket Club in Singapore. Wives and husbands, soldiers and socialites are enjoying a night of dancing, libations, and conversation. The scene is happy and carefree, but the film continues to unfold and it soon becomes known that a war is raging right outside the doors. Paradise Road is set during the time of World War II, and the Japanese forces have just attacked Singapore. When a bomb explodes right outside the club, it becomes known that the Japanese have advanced beyond defensive lines. The women and children are immediately collected and carried off by a boat to a safer location. A few hours out, the boat is bombed by Japanese fighter planes and the women must jump over board to save their lives.

Three women, Adrienne Pargiter the wife of a tea planter, Rosemary Leighton-Jones a model and the girlfriend of a Royal Malayan Volunteer, and Susan Macarthy, an Australian nurse, swim their way to shore. The place on which they land is the island of Sumatra. The women are found by a Japanese officer, Captain Tanaka, and ushered to a deserted village. They are then taken to a prison camp in the jungle. The three women are reunited with the rest of the women and children from the boat. At the prison camp, there are women of all nationalities including Dutch, English, Irish, Portuguese, Chinese, and Australian; and they all come from many levels of society. Some of the women are nuns, some are nurses, and some are socialites and mothers. The women are forced to bow to the Japanese officers and its flag. The women must endure torture and hard labor while trying to remain positive and level headed. Many believe the war would end soon and their husbands or soldiers will come looking for them. Nonetheless, the living conditions are brutal, and many face sickness and death.

The women have been at the prison camp for two years now. Adrienne Pargiter, a graduate from the Royal Academy of Music, and Daisy ‘Margaret’ Drummond a missionary, decided to create a vocal orchestra in order to encourage the women. Some of the women fear for their lives because the Japanese officers, especially Sergeant Tomiashi ‘The Snake’, who is made known for his cruelty and abuse, have prohibited any meetings whether religious or social. The orchestra finally performs for the entire camp, even the officers stop to listen to the vibrant music. However, the music is only works as motivation for so long and the women continue to dwindle in numbers. After some time, the women are moved to a new location where they will remain for the duration of the war. The war ends and the women rejoice for their freedom. The film closes on a scene of the last performance by the vocal orchestra. The vocal orchestra performed over 30 works from 1943-1944. The original scores survived the war and are the basis for the music performed in the film. In 1997, many of the survivors were still alive during the making of the film and contributed to the inspiration for Paradise Road.[3]

Cast

Production

The story is based on the testimony of Betty Jeffrey, as written in her 1954 book White Coolies. The 1965 book Song of Survival by Helen Colijn (granddaughter of Hendrikus Colijn), another camp survivor, is not listed in the film's credits as being a source for this film, although Colijn is thanked for her help in the credits.

According to the media information kit for the film, Martin Meader & David Giles researched the story from 1991 and met with survivors from the camp and choir. Meader & Giles wrote the original screenplay which was titled, 'A Voice Cries Out'. Graeme Rattigan then joined Meader and Giles and together the three traveled the world, raising $8.275 million for the film. They met Beresford in London and he immediately became interested in the project. Together with Village Roadshow, Beresford took over the film, re-wrote the script and renamed the project, Paradise Road.

Beresford and producer Sue Milliken then did their own research of the story for over more than two years", by reading books and unpublished diaries on the subject and by interviewing survivors. Meader and Giles got a 'Story by' credit, and with Rattigan, they all received a Co-Executive Producer Credit. Their company, Planet Pictures, received an 'In Association With' credit.[4]

The film represents an alternative take on female imprisonment by the Japanese during World War II compared with BBC's dramatic offering from the early 1980s, Tenko. Some criticism of the film's historical accuracy is discussed in an article by Professor Hank Nelson.[4]

Fox provided $19 million of the budget with $6 million coming from Singapore businessman Andrew Yap.[1]

The role of Dr Verstak was originally offered to Anjelica Huston who demanded more profit share than the filmmakers were willing to give, so Frances McDormand was cast instead. The part of Margaret Drummond was to be played by Jean Simmons but she had to withdraw due to illness; the studio wanted Joan Plowright but she accepted another offer and Pauline Collins wound up being cast. Fox were reluctant to cast Cate Blanchett in the lead as she was relatively unknown at the time but Beresford insisted.[5]

Production took place in Marrickville Sydney, Singapore, Port Douglas and Penang.

Historical Context

During World War II, many women became prisoners of war and faced a twenty to fifty percent death rate in Japanese prison camps. However, many women prisoners of war stories have been overlooked, with the exception of the women POWs of Sumatra. Thousands of British and Dutch colonist made the East Indies their home. Singapore was the most popular living option with the Raffles Hotel, shops, and beautiful houses, which attracted many soldiers and their wives. The Japanese armed forces attacked Pearl Harbor, Malaysia, Singapore and Hong Kong on December 7, 1941. Europeans held the Japanese forces to an inferior level and put their trust in the British navy that guarded Singapore. But the Japanese advanced on British military lines,captured the British airfield, and dropped bombs on the city, which led to a retreat by the British forces. On February 15, 1942 the Japanese took Singapore.

Due to the belief that the city was safe, many women and children had remained in Singapore when the city was attacked. The inhabitants of the city, including women and children, ran to board ships to flee the island. Some of these ships housed the women POWs of Sumatra. The "Vyner Brooke" contained 65 nurses from the Australian Army Nursing Service.[6] It reached the Banka Strait before the Japanese attacked and released bombs over the ship. The women and children were forced to jump overboard to save their lives, but the Japanese continued to fire on the women in the water.

The survivors swam ashore to Banka Island. One of the Australian nurses suggested the women and children to head toward a village on the island while the nurses remained on the beach to care for the men's wounds. When the Japanese discovered them, the men were rounded up and twenty-two of the nurses were forced back into the water where they were shot by the soldiers. Only Vivian Bullwinkel survived the open fire. Bullwinkel later found the rest of the nurses that survived the sinking of the ship. The women were transferred from Banka Island to Sumatra. Some survived the multiple voyages back and forth between the islands for three and a half years. The women were living in the Sumatra prison camp when the war ended and a rescue came for the survivors.[7]

Reception

On the review aggregator website Rotten Tomatoes, the film has a 48% approval rating, based on 21 reviews, with an average rating of 5.9/10.[8] On Metacritic, the film received a weighted average score of 48 out of 100, based on 18 critics, indicating "mixed or average reviews".[9]

See also

References

  1. 1 2 Milliken p 224
  2. ↑ "Paradise Road (1997)". Box Office Mojo. IMDb. Retrieved 14 March 2013.
  3. ↑ Holden, Stephen (April 11, 1997). "It Takes a Saint to Keep a Prison Camp Humming". Movies. The New York Times. Retrieved 17 July 2015.
  4. 1 2 Nelson, Hank (March 1999). "A map to Paradise Road: A guide for historians". Journal of the Australian War Memorial. Canberra, Australia: Australian War Memorial (32). Retrieved 30 April 2012.
  5. ↑ Milliken p 228-229
  6. ↑ "Women POWs of Sumatra". Encyclopedia.com. Retrieved 17 July 2015.
  7. ↑ "Australia's War 1939-1945". Behind the Wire. Retrieved 17 July 2015.
  8. ↑ "Paradise Road (1997)". Rotten Tomatoes. Retrieved July 18, 2015.
  9. ↑ "Paradise Road". Metacritic. Retrieved July 18, 2015.

Bibliography

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