Pastor Hall

Pastor Hall

U.S. poster
Directed by Roy Boulting
Produced by John Boulting
Written by Leslie Arliss
Anna Reiner
Haworth Bromley
John Boulting
Roy Boulting
Miles Malleson
Based on the play Pastor Hall (1939) by Ernst Toller[1]
Starring Wilfrid Lawson
Nova Pilbeam
Seymour Hicks
Music by Charles Brill
Hans May (as Mac Adams)
Cinematography Mutz Greenbaum
Edited by Roy Boulting
Production
company
Charter Film Productions
Distributed by Grand National Pictures (UK)
Release dates
27 May 1940 (London) (UK)
Running time
95 minutes
Country United Kingdom
Language English

Pastor Hall is a 1940 British drama film directed by Roy Boulting and starring Wilfrid Lawson, Nova Pilbeam, Seymour Hicks, among others.[2] The film is based on the play of the same title by German author Ernst Toller who had lived as an emigrant in the United States until his suicide in 1939.[3] The U.S. version of the film opened with a prologue by Eleanor Roosevelt denouncing the Nazis, and her son James Roosevelt presented the film in the US through United Artists.[4]

Plot

The film was based on the true story of a pastor who was sent to Dachau concentration camp for criticizing the Nazi Party. In the 1930s, a small German village is taken over by a platoon of stormtroopers loyal to Hitler. The SS go about teaching and enforcing 'The New Order' but the pastor, a kind and gentle man, will not be intimidated. While some villagers join the Nazi Party avidly, and some just go along with things, hoping for a quiet life, the pastor takes his convictions to the pulpit. Because of his criticism of the Nazis, the pastor is sent to Dachau.

Cast

Critical reception

The New York Times reviewer wrote that "not until Pastor Hall opened last night at the Globe has any film come so close to the naked spiritual issues involved in the present conflict or presented them in terms so moving. If it is propaganda, it is also more...In its production the film is mechanically inferior. The sound track is uneven, the lighting occasionally bad. But in its performances it has been well endowed. Much of the film's dignity and cumulative emotion comes from the fine performance of Wilfrid Lawson as the pastor."[5] while TV Guide called the film "far less heavy-handed than most wartime films Hollywood cranked out after Pearl Harbor."[4]

References


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