Philipp Fehl

Philipp Fehl

Philipp Fehl at Work in 1996

Philipp Fehl at Work in 1996
Born Philipp Pinchas Fehl
9 May 1920
Vienna, Austria
Died 11 September 2000(2000-09-11) (aged 80)
Rome, Italy
Resting place Prima Porta Cemetery
Rome, Italy
Nationality Austrian
Known for Painting
Pen and Ink
Art Historian
Spouse(s) Raina Fehl
Website philippfehl.com

Philipp Pinchas Fehl (May 9, 1920 – September 11, 2000) was an artist and art historian.[1]

Early life

Fehl was born in Vienna, Austria, to Hugo Fehl and Friederike "Frieda" Fehl (née Singer). He is the older brother of Arnold Fehl. He was the cousin of the renowned ballet photographer Fred Fehl. His older cousin, Paul Eisler, attended Gymnasium, and Fehl determined that he also wanted this classical higher education for gifted students.

Fehl became a refugee in 1938, eventually emigrating to the United States in 1941. He became an artist, author and lecturer at several universities. He retired as Professor Emeritus from the University of Illinois at Champaign-Urbana in 1990. In the same year he and his wife the classicist Raina Fehl, initiated the Cicognara Project at the Vatican Library.

From childhood on he drew and painted whenever possible.

He was accepted and attended Bundes Real Gymnasium and continued to attend school after the Anschluß. After Matura, (graduation), he emigrated to England. He worked for a time in Birmingham as an apprentice commercial artist with the firm Stagg Displays before immigrating to the United States of America in 1940, becoming a citizen in 1943.

From 1940 to 1942, Fehl attended the School of the Art Institute of Chicago, where he studied painting. In 1943, he transferred to Stanford University, where he got his B.A. in Romance Languages. In 1948, Fehl received his M.A. in History of Art from Stanford University. Fehl was at the University of Chicago from 1948 to 1952, eventually gaining a Ph.D. in the History of Art in the Committee on Social Thought in 1963.

Career

Early work

Philipp and Raina Fehl in London in the early 1960s

From 1941 through 1942 he attended the School of the Art Institute of Chicago in Fine Arts, Painting. In 1943 he enrolled in the US Army. From 1945 to 1946 he worked as instructor to the Office of the Provost Marshal General's re-educational program for German Prisoners of War at Camp Butner, North Carolina. In 1945 he married Raina Fehl daughter of the writer Erich Fritz Schweinburg, also born in Vienna. After his discharge from the Army, he and Raina were given appointments as interrogators at the Nuremberg War Crimes Tribunal (1946–1947).

Through his work at the trials, he became well acquainted with a number of war criminals who had exercised direct influence on German art as well as others who committed crimes against humanity. He gives detailed descriptions of his work at the trials in the portion of his memoirs entitled "The Ghosts of Nuremberg", The Atlantic Monthly, vol. 229, no. 3, March 1972, 70–80.

He returned to Stanford University, taking a B.A. in Romance Languages, French, and an M.A. in History of Art. His Master's Thesis, "A Stylistic Analysis of Some Propaganda Posters of World War II", 1948, showed the existence, and defined the formal manifestations of the international "Blut und Boden" style which governed the propaganda art of countries confronting each other in World War II. In 1948 he moved back to Chicago, where he continued his studies at the University of Chicago in painting and graphic arts as well as history of art. At the University of Chicago, he was friends with the now renowned philosopher, Seth Benardete and the comedians Severn Darden, Elaine May and Mike Nichols. In 1963 he obtained his Ph.D. from the Committee on Social Thought of the University of Chicago (his thesis was partly published in 1972 as "The Classical Monument", see bibliography).

"His legacy resides in a long and distinguished list of art historical publications, in thousands of witty and melancholy drawings, in the microfiches of the Fondo Cicognara, and in the enjoyment of art he inspired in his students and friends. He also entrusted to us an indelible testimony of the inhumanity of Nazi Europe. In person, he was distinguished by a quick, nervous, ironic intelligence, an engaging warmth, a sense of humor. He spoke English with a vast vocabulary and the accent of his native Vienna, absorbing ideas and parsing them with broad learning and brilliant asides. As an artist he thought in images and metaphors that enlivened his conversation and sharpened his memory. He wrote as he spoke, with wit and passion. He was never dull."

– Marilyn Perry, Artibus et Historiae, 2003[1]

Teaching

He and his work are discussed in the comic-philosophical novel Harmony Junction by Goddard Graves (2009, privately published).

While studying he also began to teach, 1949–1950 photography with the Youth Program of Temple Sinai, Chicago, 1951–1952 as director of The Bateman School, Chicago, 1951–1954 as a lecturer in art at University College, University of Chicago ("Experimental figure drawing according to 18th century methods") and 1951–1963 as an instructor in Home Studies, University of Chicago ("Elementary Figure Drawing in the Academic Tradition"). He started academic teaching in 1951 as a lecturer at the University of Chicago and, after holding a number of other academic appointments and receiving numerous honours (see list), retired in 1990 as Professor Emeritus from the University of Illinois.

He began to make pen and ink drawings of bird like characters (who closely resembled him physically) dressed in the peruke and trousers of the 18th century. He called these drawings "capricci". The bulk of these capricci are now preserved in the Exile's archives at the German National Library, Deutsche Nationalbibliothek.

Honors

Philipp Fehl at work in 1996

Offices

Membership in Learned Societies

College Art Association of America, Renaissance Society of America, South Eastern Renaissance Society, Central Renaissance Society, American Society for Aesthetics and Art Criticism, Midwest Art History Society, Midwest Medieval Society of America, International Survey of Jewish Monuments.

Listed in

Personal life

Fehl was married to classicist Raina Fehl. He and Raina were married for 54 years. The Fehls lived primarily in Rome from 1990 until his death in 2000. He is buried at Prima Porta in Rome. Raina died in 2009. They had two daughters, Katharine "Kathy" Fehl" and Caroline Coulston.

Art

Capricci – Pen and Ink[2]

Oils

Publications of works of art

Carolina Quarterly, Winter 1966, 21–27. Sample Copy, University of North Carolina, Chapel Hill, North Carolina, 1968: "Series", 5 pages. Lillabulero, Chapel Hill, North Carolina, VII, 1969, 86, 96, 100. The Bird (serigraph and original pen and ink drawings), Finial Press, Urbana, Illinois, 1970. Capricci, selection and introduction by Wilfried Skreiner, Neue Galerie am Landesmuseum Joanneum, Graz, 1971. Also Published in German, same title. Voyages, Chapel Hill, North Carolina, IV, 1971, nos. 1–2, 39, 63, 67; nos. 3–4, 64, 65, 85, 89, 163; V, 1973–1974, nos. 1–4, 109. Au Verso (St. John's College, Sante Fe, New Mexico), 1972, "Aging", 10 pages. North Carolina Museum of Art Bulletin, XII, 1975, no. 4; 11. Archaeological News, IV, 1975, no. 1; 7, 11. Polity, Summer 1977, title page. Birds of a Feather (with an introduction by Maurice Cope), University of Illinois Press, Champaign, Illinois, 1991.

Critiques and reproduction of drawings in newspapers

Daily Tar Heel, The Courier, The News-Gazette, Kleine Zeitung, Kultur, William and Mary News, The Cavalier Daily, Illini Week.

Exhibitions

Solo shows

Group shows

Annual exhibitions

Works in public collections

Pieces of Fehl's work are owned by both private and public collections including, but not limited to the Beach Museum at Kansas State University, The American Academy in Rome, the Krannert Museum at the University of Illinois in Champaign-Urbana and the Vatican Library.

Works and publications

Books

Articles

Tapes for the Blind

Entries in Encyclopedias

Book Reviews

In : College Art Journal, Art Digest, Journal of Aesthetics and Art Criticism, Renaissance Quarterly.

See also

References

  1. 1 2 Perry, Marilyn (2003). "Philipp P. Fehl: Artist, Scholar, Humanist, Witness". Artibus et Historiae. Istituto Internationale per le Ricerche di Storia dell'Arte (IRSA s.c.). 24 (48): 13–15. ISSN 0391-9064. JSTOR 1483726. OCLC 5548213435.
  2. "Philipp P. Fehl (American, B. 1920) - Sociable Moment; and a companion drawing (Sale 2176, Lot 64)". Christie's. Retrieved 11 September 2015.
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