Ramón Rivero

For the puppeteer and animator, see Ramon Rivero (animator).
Ramón Rivero

Ramón Rivero at the Stork Club, NYC
Born Arturo Ramón Máximo Ortiz del Rivero
(1909-05-29)May 29, 1909
Naguabo, Puerto Rico
Died August 24, 1956(1956-08-24) (aged 47)
San Juan, Puerto Rico
Other names Diplo
Occupation actor/comedian/composer
Years active 1936–1956
Height 5'6"
Spouse(s) Alicia Bibiloni (1949–1956)
Website Official site

Ramón Rivero (May 29, 1909 – August 24, 1956) known as Diplo was a comedian, actor, composer and a pioneer in Puerto Rico's radio, television and cinema industries. Rivero is considered by Puerto Ricans a national hero and their greatest and most influential comedian.[1][2][3]

Early years

Rivero (birth name: Arturo Ramón Máximo Ortiz del Rivero [note 1]) was born in the town of Naguabo, Puerto Rico to José Ortiz Alibrán and Providencia del Rivero. In 1917, his family moved to the Old San Juan section of San Juan, the capital of Puerto Rico. There he received his primary and secondary education. As a young man he learned to play various musical instruments, among them the piano, the guitar and the mandolin, under the tutelage of Amelia Maestú y Jorge Rubiano. His father, who was a lawyer, sent him to Ontario, Canada to study law, however while he was in Canada, he learned to play baseball and received an offer to try out for the New York Giants major league team. He did not accept the offer and when he returned to Puerto Rico he joined the "Senadores de San Juan" (San Juan Senators) baseball club. Rivero married and found it difficult to sustain his family economically as a professional baseball player, therefore he moved with his family to the town of Cayey and worked as a physical education instructor at a local school.[1][4]

Career as an entertainer

External audio
Ramon Rivero as "Diplo" in his "El Tremendo Hotel" (1953) on YouTube
and in a television show sketch (1956) on YouTube

In Cayey, he met and befriended Jose Luis Torregrosa, and joined Torregrosa's traveling theatrical company. Torregrosa became his best friend and later served as his comedy sidekick. Together they acted in the comedy "El proceso de Armando Líos", this experience convinced Rivero to pursue a career in comedy. After witnessing a comedy by Cuban comedian Leopoldo Fernández also known as "Tres Patines", Rivero adopted the idea of creating a comical "Afro-Puerto Rican" character.[4] His inspiration for the character was someone he met during his youth years in San Juan called "Diplomacia", hence he named his character "Diplo".[1] Together with Torregrosa, Rivero founded "La Farándula Bohemia", a theatrical company in which he was able to developed the character "Diplo" and make him known to the public. Rivero's father, asked him to change his name because another son was a priest, and having a comedian in the family ran against propriety. Rivero respected his fathers request and changed his name from Arturo Ramón Máximo Ortiz del Rivero to Ramón Rivero, plus he also added the nickname "Diplo." Among the local talents that Rivero and Torregrosa discovered was Juan Boria, a Puerto Rican poet who would become known for his Afro-Caribbean poetry. In 1941, Boria was participating in a show in the town of Loíza. Rivero and Torregrosa, who were present, were so impressed with Boria's performance that they incorporated him into their troupe.[5]

Rivero's comedy act became well known, not only on the traveling theatrical scene, but also in the local radio shows such as "Los embajadores del buen humor" (Ambassadors of Good Humor), "La vida en broma" (Life as a Joke) and "El Tremendo Hotel" (The tremendous hotel) where he also actively participated as a script writer. During World War II, Rivero and his acting troupe, the "La Farándula Bohemia," (Bohemian Show-business) traveled to the United States military bases in which Puerto Rican troops were stationed and not only did he entertain the men, but he also accepted and delivered mail to the families of those whom he met overseas.[4] Puerto Rican industrialist Angel Ramos, owner of WKAQ Radio signed an exclusive deal with Rivero to broadcast "El Tremendo Hotel" via the airwaves. His show became the most popular radio show in Puerto Rico. "El Tremendo Hotel", together with his other production La Farándula Corona, catapulted WKAQ to the top of the ratings.[6] Among the many Puerto Rican artists who began their careers in "El Tremendo Hotel" were Luis Vigoreaux, Miguel Ángel Álvarez[7] and Sylvia Rexach.[8] On one occasion, Rivero denounced and lambasted a foreign newspaperwoman who had published an article in the U.S. stating that "Puerto Rican men sold their women to the American servicemen", exhorting his countrymen to expel her from Puerto Rico (which they did), during a radio broadcast of El Tremendo Hotel.[1][4]

Rivero produced and acted in various theatrical productions in Puerto Rico among them Mosquilandia (Mosquito Land), El Príncipe Wele-Wele (Prince Wele-Wele), A Mi Me Matan Pero Yo Gozo (They can kill me, but I'll enjoy it), Ese Niño Es Mio (The child is mine), Hay Que Defenderse (One must defend himself), La Familia del Lío (The family of problems) and El Tremendo Hotel, however his success was not limited to the theater and radio.[1]

In 1946, El Mundo, a local newspaper, began a comic strip about Rivero/s character Diplo, making this the first time that a Puerto Rican from the local entertainment industry receives such a distinction.[1] Rivero was a pioneer of Puerto Rican television who produced the first comedy show "La Taberna India" (The India Saloon) for Angel Ramos's Telemundo, a local television station.[9] He became known to his fans as the "Rey de la Farándula" (King of Show-business) and "Señor Televisión" (Mr. Television). In the winter of 1953, Rivero and his troupe traveled to New York City to perform before the Puerto Rican community which had migrated and settled there during the Great Puerto Rican migration of the 1940s. For three weeks Rivero and his show "El Tremendo Hotel" held sell out performances at the Teatro San Juan, Teatro Hispano and the legendary Teatro Puerto Rico.[10]

Actor and composer

External audio
Scene from "Los Peloteros" on YouTube
and from "Una Gallega en la Habana" on YouTube

In Cuba, Rivero participated in the movie Una Gallega en la Habana with Niní Marshall, however it was in Puerto Rico that in 1953, he played the lead role of "Pepe" in what is possibly the best motion picture ever made in the island, Los Peloteros ("The Baseball Players") (with Puerto Rican actress Míriam Colón co-starring as his wife, Lolita) under the direction of Jack Delano.[11] The movie, which is based on a real-life story, is about a man (Pepe) who, despite the fact that no one takes him seriously, is willing to coach a group of very poor children and help them raise funds for their baseball team.[11]

Rivero wrote more than 3000 scripts for radio, theater, television and motion pictures and was the author of ¿Por qué se ríe la gente? (What Makes People Laugh), and El Album de la Radio, (1940–1948), a significant study and the first historical record of the radio industry in Puerto Rico. Rivero also composed more than ten songs, among them "¿Por qué será?" (Why is it?), "Ya me olvidaste" (You already forgot me), "Comienza el fin" (The beginning of the end), "Así es" (That's how it is), "Me gustó" (I liked it), "Hola, don Pepito" (Hello, Mister Pepito) and "Donde quiera que tú vayas" (Wherever you go).

Activist

External audio
Newsreel of Rivero in the world's first "Walk-A-Thon" on YouTube

In 1953, Rivero organized the world's first known Walk-A-Thon. He walked 80 miles from the capital city of San Juan, crossing Puerto Rico up and down the treacherous mountain roads of Cayey, known as "La Piquiña", to Ponce, on the other side of the island, to raise money for the Liga Puertorriqueña Contra el Cáncer (the Puerto Rican League Against Cancer). In that walkathon, Rivero raised the equivalent of $85,000 in 4 days. The Walk-A-Thon turned into a historical event that became part of the collective consciousness of Puerto Ricans all over the world, and has been copied several times since.[12] Rivero also defended the victims of injustice during student revolts at the University of Puerto Rico, led the first actors' strike on the island, and was the first producer/personality to actively combat racial prejudice on Puerto Rican television, incorporating blacks in his television shows; first in "La Taberna India" (Juan Boria), followed by Rita Delgado and Dixon as cast members of his "La Farándula Corona".[4]

Legacy

In 1955, Rivero's doctors recommended that he lessen his work activities for the good of his health. Cervecería India, Inc., Puerto Rico's largest beer brewery and the sponsor of "La Taberna India", did not agree with his doctors request and required that Rivero continue producing 3 weekly television shows for them, resulting in Rivero's refusal and resignation. He then approached Cervecería Corona (Cervecería India's competitor) with the idea of producing a weekly television comedy show. Cervecería Corona agreed to sponsor the show which he named "La Farándula Corona". Rivero's new show became very popular among the Puerto Rican audiences.[13]

Rivero was in the process of organizing his performing troupe, which was to travel to the town of Yabucoa in an attempt to help the town after it was devastated by the Santa Clara hurricane, when on August 24, 1956 he suddenly died of a congenital aneurysm. Rivero was the father of five children, three from his first two marriages and two which he had in his third marriage with Puerto Rican actress Alicia Bibiloni.[1] Rivero was buried at the Cementerio de la Capital in San Juan, Puerto Rico and a state of national mourning for two weeks was declared on the island.[4][14] It was estimated by "El Imparcial", a local newspaper, that a total of 50,000 of his countrymen attended his burial.[15] Due to his untimely sudden death, Rivero was not to participate in the anticipated film with Hollywood actress Rita Hayworth.

The memory of Rivero has been honored by both by the Government of Puerto Rico, who declared a national Ramon Rivero "Diplo" day in 2009, and by Naguabo his hometown who named an urbanization after him. In 1965, a 15-foot bronze statue/monument to Ramon Rivero "Diplo" was unveiled in the town square. Puerto Rican poet Juan Antonio Corretjer wrote "Morir y Reír (A Ramón Rivero)" (Laugh and Die (To Ramón Rivero)) a poem dedicated to Rivero and his character "Diplo". In 2009, a "Diplo Returns to San Juan" walkathon, in memory of the first event, raised almost $200,000. In 2009, in the commemoration of his 100th birthday, the Fundación Ramón Rivero released the book, "Diplo! ¿Por qué se reía la gente?"; Authored by José Orbi; ISBN 978-0-9661619-2-2.[16]

Awards/Special Recognition

TV Creator/Producer

Theater

Films

Radio

Music/Composer

Among the songs composed by Rivero are the following[19]

Books

Notes

  1. This name uses Spanish naming customs: the first or paternal family name is Ortiz and the second or maternal family name is Rivero.

See also

References

  1. 1 2 3 4 5 6 7 Fundación Nacional para la Cultura Popular
  2. San Juan: Memoir of a City Edgardo Rodríguez Juliá, Peter Grandbois - 2007 Page 148 "Diplo (1909–56): A Puerto Rican idol born as Ramón Rivero. With his popular comedy and through his famous character “Diplo” he entertained Puerto Rico for more than thirty years."
  3. Lonely Planet. Puerto Rico 4th Edition Brendan Sainsbury, Nate Cavalieri- 2008 Page 46 "Better known by the nickname Diplo, Ramón Rivero was the king of Puerto Rican comedy who kept islanders laughing "
  4. 1 2 3 4 5 6 Biography of Ramón Rivero (Spanish), San Juan, Puerto Rico: Fundación Ramón Rivero]
  5. Juan Boria Biography
  6. Telemundo
  7. Puerto Rican Popular Culture
  8. Sylvia Rexach
  9. La Taberna India
  10. Especial para EL REDONDEL
  11. 1 2 Los peloteros at the Internet Movie Database
  12. Walkathon Guide, a blog about organizing walkathons
  13. Rivero
  14. findagrave Find a Grave
  15. El Imparcial
  16. Fundación Ramón Rivero
  17. Dote musical
This article is issued from Wikipedia - version of the 8/15/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.