Sairandhri (1933 Hindi film)

Sairandhari

Screen shot from Sairandhari
Directed by V. Shantaram
Produced by Prabhat Film Company
Starring Master Vinayak
Leela
Nimbalkar
G. R. Mane
Music by Govindrao Tembe
Cinematography Keshavrao Dhaiber
Production
company
Prabhat Film Company
Release dates
 1933
Country India
Language Hindi

Sairandhari is a 1933 Hindi film based on an episode from the Mahabharata and directed by V. Shantaram.[1] Produced by Prabhat Film Company, it has been cited as one of the 21 "most wanted missing Indian treasures" by P K. Nair, the National Film Archive of India founder.[2] The film was a bilingual made as Sairandhari in both Marathi and Hindi.[3] The music composer was Govindrao Tembe.[4] The cast included Master Vinayak, Leela, Prabhavati, Shakuntala, G.R. Mane, Nimbalkar and Shankarrao Bhosle.[5]

The film revolved around an incident from the Mahabharata and told the story of Draupadi as Malini/Sairandhari (female servant), the thirteenth identity she took in order to remain safe and hidden from the Kauravas.[3]

Plot

The story is about the twelfth of the thirteen years of the Pandavas exile. Draupadi in her identity as Sairandhari (female servant) is acting as the maid-in-waiting to Queen Sudeshna. They are in King Virata's palace in Matsya. Kichaka, King Virata's brother-in-law and Sudeshna's brother is an arrogant man who believes that King Virat rules his kingdom because of him. He sees Sairandhari and orders his sister to send Sairandhari to his palace. When she reaches Keechak's palace Bhima who is disguised as the palace cook, arrives to save her and slays Kichaka.

Cast

Production

Shantaram had been impressed by the "technical virtuosity" in films of Pabst, Lang, and Max Ophuls. Sairandhari was made in colour but for processing Shantaram took it to the UFO studios in Germany.[6][7] However, the technique failed and the film was released as a Black-and-white production as the colours turned out to be too garish.[8] Though the film was stated as the first Indian colour film, however, since the processing was done in Germany and technically did not succeed, the first colour film to be produced and processed in India was Kisan Kanya (1937) directed by Gidwani and produced by Ardeshir Irani.[9]

The film is also credited as having the first original soundtrack disc.[10] The Gramaphone Records were "pressed" from the original soundtrack in Germany.[3]

Draupadi In Films

The film was a remake of the earlier silent film Sairandhari (1920) made by Baburao Painter and the remake of Prabhat's original Keechak Vadhan (1928).[3] Draupadi, a "mythological image" and an oppressed figure was used as a nationalistic representative for India under the British Raj.[11] The several films made from 1916-44 using Draupadi were:

Soundtrack

# Title Singer
1 Aaiye Bal Nirbalon Ke Din Ke Dhan Aaiye Leela
2 Ghulami Ke Gham Ko Who Kya Jante Hain Leela
3 Kusum Kumkum Amit Varsha Leela
4 Man Harat Rang Phoolon Ke Leela
5 Ruchir Rachi Mala hoolon Ki Sakhi Leela, Prabhavati
6 Saran Gun Sharam Se Ho
7 Nisdin Soch Rahat Man Mora
8 Koi Dujo Nahin Hari Bin
9 Ab Na Bulao Jamuna Ke Teer Par

References

  1. ↑ K. Moti Gokulsing; Wimal Dissanayake (17 April 2013). Routledge Handbook of Indian Cinemas. Routledge. pp. 123–. ISBN 978-1-136-77291-7. Retrieved 10 February 2015.
  2. ↑ "Sairandhari". flickr.com. Flickr. Retrieved 11 February 2015.
  3. 1 2 3 4 "Films-Sairandhari (1933)". prabhatfilm.com. Prabhatfilm.com. Retrieved 11 February 2015.
  4. ↑ "Sairandhari (1933)". muvyz.com. Muvyz, Inc. Retrieved 11 February 2015.
  5. ↑ "Sairandhari". citwf.com. Alan Goble. Retrieved 11 February 2015.
  6. ↑ B D Garga (1 December 2005). Art Of Cinema. Penguin Books Limited. pp. 67–. ISBN 978-81-8475-431-5. Retrieved 11 February 2015.
  7. ↑ "Sairandhari (1933)". mahalmovies.com. Mahal Movies. Retrieved 11 February 2015.
  8. ↑ Ashok Raj (1 November 2009). Hero Vol.1. Hay House, Inc. pp. 21–. ISBN 978-93-81398-02-9. Retrieved 11 February 2015.
  9. ↑ Tmh (1 March 2007). Tmh General Knowledge Manual. Tata McGraw-Hill Education. pp. 6–. ISBN 978-0-07-061999-9. Retrieved 11 February 2015.
  10. ↑ Kiran Shantaram; Sanjit Narwekar (1 January 2003). V. Shantaram, the legacy of the Royal Lotus. Rupa & Co. Retrieved 11 February 2015.
  11. ↑ Prem Chowdhry (2000). Colonial India and the Making of Empire Cinema: Image, Ideology and Identity. Manchester University Press. pp. 143–. ISBN 978-0-7190-5725-0. Retrieved 11 February 2015.
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