Samuel Akpabot

Samuel Ekpe Akpabot
Born (1936-10-03) October 3, 1936
Died August 7, 2000(2000-08-07) (aged 63)
Uyo
Nationality Nigerian
Occupation Composer
Academic background
Alma mater Michigan State University
Academic work
Discipline Music
Sub discipline Ethnomusicology

Samuel Akpabot (October 3, 1932- 2000) was a Nigerian music composer, ethnomusicologist and author.

Early life and education

Akpabot was born in Uyo to parents of Ibibio heritage.[1] He was educated at Baptist Academy and King's College, Lagos, at the college, at the latter, he was classmates with Emeka Ojukwu, Lateef Jakande and Alex Ekwueme.[2] During his time at King's college, he took up playing football becoming the captain of the college's team in his senior year. From King's College, he proceeded to work as a sports journalist with Daily Times.[1] His love for football continued in the 1980s aas a sports columnist for the Daily Sketch, Ibadan and the Nigerian Tribune.

In Lagos, he was a chorister with the Christ Church Cathedral of Lagos Island[2] then under the leadership of Ekundayo Phillips[3] and from 1943 to 1952, he lived in the Bishop's Court, the residence of Leslie Vining. In 1949, he started an highlife band called The Akpabot Players.[3] In 1953, he proceeded to study at Royal College of Music, London. On returning to Nigeria, he became a senior music producer with the Nigerian Broadcasting Corporation.[4]

Akpabot earned a doctorate degree from Michigan State University.[5]

Academic career

After spending three years with the Nigerian Broadcasting Corporation, Akpabot joined the music department of University of Nigeria, Nsukka as an assistant lecturer. At the university, he taught students African music and music history.[6] In 1964, he traveled abroad to further his studides at University of Chicago.. On the completion of his studies, he returned to Nigeria in 1967 and taught at Nsukka from 1967 to 1970, a period spanning the Nigerian civil war. Akpabot left Nsukka in 1970 to become a senior research fellow at Obafemi Awolowo University. At Ife, he was director of Chapel Music and was involved in the annual Ife Festival of Arts. He left Ife in 1973 to pursue his doctorate at Michigan State University.

Works

Akapabot first major composition was Scenes from Nigeria, a 12-minute orchestral piece with an African flavor created to celebrate Nigeria's indepedence. [7]In 1963, Akpabot composed one of his well-known works, Ofala festival, a tone poem that was composed for the American Wind Symphony Orchestra.[8] In 1965, he composed Cynthia's Lament, another piece for the wind symphony orchestra of Pittsburgh.[9]

From 1970 to 1973, Akpabot was director of chapel music at Obafemi Awolowo University, while at the university, he composed a folk song, Ise Oluwa for the Ife Arts Festival, Jaja of Opobo an operetta in Efik, English and Igbo for the festival.[10] and a string orchestra piece titled Three Nigerian Dances.

While studying for his doctorate in Michigan, he composed Nigeria in Conflict for the wind symphony orchestra, his third piece for the Pittsburgh based organization. Akpabot's last major orchestra piece was Verba Christi, a vocal composition with instrument accompaniment that was commissioned by the Nigerian Broadcasting Corporation for Festac 77.

Writings

References

  1. 1 2 Sadoh 2008, p. 6.
  2. 1 2 Asobele 2002, p. 13.
  3. 1 2 Sadoh 2008, p. 7.
  4. ↑ Sadoh 2008, p. 11.
  5. ↑ News dr. sam ekpe akpabot]. (2001). The Organ, 79, 216.
  6. ↑ Sadoh 2008, p. 12.
  7. ↑ Sadoh, G. (2010). The orchestral works of samuel akpabot, a nigerian composer-ethnomusicologist. Musical Times, 151, 79-94
  8. ↑ Bessie Essex Courier, S. W. (1973, Jun 30). Akpabot , african artist, talks about 'soul music'. New Pittsburgh Courier (1966-1981
  9. ↑ Sadoh 2008, p. 13.
  10. ↑ Sadoh 2008, p. 15.

Sources

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