Sarah Michelson

Sarah Michelson
Born 1964
Manchester, United Kingdom
Occupation Choreographer/Dancer

Sarah Michelson (born 1964) is a British choreographer and dancer who lives and works in New York City, New York. Her work is characterized by demanding physicality and repetition, rigorous formal structures, and inventive lighting and sound design. She was one of two choreographers whose work was included in the 2012 Whitney Biennial, the first time dance was presented as part of the bi-annual exhibition. Her work has also been staged at The Walker Art Center, Jacob’s Pillow Dance Festival, The Kitchen, and the White Oak Dance Project. She received New York Dance and Performance awards (known as "The Bessie Awards") for Group Experience (2002), Shadowmann Parts One and Two (2003), and Dogs (2008).[1] She has served as associate director of The Center for Movement Research and associate curator of dance at The Kitchen. Currently choreographer in residence at Bard's Fisher Center, she is the recipient of their four-year fellowship to develop a commissioned work with Bard students and professional dancers.[2]

Early life and education

Michelson was born in Manchester, United Kingdom, and trained in dance at the Trinity Laban Centre in London and the Merce Cunningham Studio in New York City. She earned a B.A. in Literature from London University, Goldsmiths College, in 1984 and an MFA in Fiction Writing from Mills College in 1990.[3]

Work

Known for highly technical and demanding choreography that draws from influences as wide-ranging as classical ballet, Merce Cunningham, and Judson Dance Theater, Michelson's work has been staged in and commissioned by both traditional dance venues and contemporary arts institutions and museums.

Writing about Michelson's work in 2002, dance critic Gia Kourlas noted, "She neither allows her dancers to hide their sweat and struggle (in her view, it seems, dancing should never look easy), nor does she permit them to improvise. Even though her movement may appear haphazard, everything is planned, right down to the direction of the eyes."[4]

Recognition and awards

Michelson was selected from the group of 2012 Whitney Biennial artists to receive the exhibition's Bucksbaum Award for her piece Devotion Study #1—The American Dancer.[5] Bucksbaum awardees mount a subsequent solo exhibition at the museum; Michelson's work, 4, was presented there in 2014. She has also received a Rockefeller MAP Fund Grant and a New York Foundation for the Arts grant in 2004, Jerome Foundation grants in 2005 and 2006, a Herb Alpert Award in the Arts and a Creative Capital Foundation Award in 2006,[6] a Foundation for Contemporary Arts grant in 2008, a Guggenheim Fellowship in 2009,[7] and the Doris Duke Artist Award in 2012.[8]

Works

References

  1. "Foundation for Contemporary Arts: Sarah Michelson". Foundation for Contemporary Arts. Retrieved 5 March 2016.
  2. "Richard B. Fisher Center for the Performing Arts at Bard College Announces Major Funding from The Andrew W. Mellon Foundation to Support New Choreographic Fellowships through the Live Arts Bard Commissioning and Residency Program: Spring 2014 Resident Artists of Live Arts Bard Announced". The Fisher Center for the Performing Arts. Bard College. Retrieved 5 March 2016.
  3. "CalArts Herb Alpert Award in the Arts". CalArts. Retrieved 5 March 2016.
  4. Kourlas, Gia (August 25, 2002). "A Noncomformist With a Free-Flowing Fantasy". The New York Times. The New York Times Company. Retrieved 5 March 2016.
  5. Cascone, Sarah (April 20, 2012). "Sarah Michelson Wins the Whitney's Melva Bucksbaum Award". Art in America. ARTnews S.A. Retrieved 5 March 2016.
  6. "Creative Capital: Sarah Michelson". Creative Capital. Retrieved 5 March 2016.
  7. "John Simon Guggenheim Foundation: Sarah Michelson". John Simon Guggenheim Foundation. Retrieved 5 March 2016.
  8. "Doris Duke Performing Artist Awards: Sarah Michelson". Doris Duke Performing Artist Awards. Retrieved 5 March 2016.


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