Sideways (Men Without Hats album)

Sideways
Studio album by Men Without Hats
Released April 30, 1991 (Canada)
January 25, 1992 (Japan)
Recorded 1990, Hudson Studios (Briarcliff Manor, New York)
Genre Alternative rock, hard rock, grunge, country rock
Length 50:08
Label PolyGram
Producer Stefan Doroschuk, Mike Scott
Men Without Hats chronology
The Adventures of Women & Men Without Hate in the 21st Century
(1989)		 Sideways
(1991)		 Greatest Hats
(1996)

Sideways is the fifth studio album by Canadian synthpop group Men Without Hats. Released on April 30, 1991, it featured a new sound based around electric guitars instead of the group's normal use of synthesizers.[1] It was the second album to be recorded at Hudson Studios in New York and produced by bassist Stefan Doroschuk, with Mike Scott as co-producer.

Despite the group's insistence that guitars were the wave of the future, the album failed to attract an American label and was released only in Canada and Japan, although there are many imports that have made their way to American, European and Australian shelves.

Professional ratings
Review scores
SourceRating
Allmusic[2]

History

After finishing up the The Adventures of Women & Men Without Hate in the 21st Century tour in 1990, bandleader Ivan Doroschuk began listening to Bleach by Nirvana, which would shape the sound of the album. According to Doroschuk, he was tired of being pressured by his record label to come up with another "Safety Dance", and instead wanted to take the album in a very different direction than anything the band had done in the past.[1]

The Doroschuk brothers began jamming with Voivod drummer Michel Langevin and Doughboys member John Kastner in this new style.[3] On 24 December 1990, the new band debuted their new style with Mitsou at Les Foufounes Electriques in Montreal, performing many of their hits, rearranged in their new hard rock style, and most of the tracks that would become Sideways. The band eschewed the use of either of their logos (the crossed out man wearing a hat and the heart with the number 21 in it) for this release, instead opting to use a simple font (MENWITHOUTHATS).

The band returned to Briarcliff Manor, where they had recorded ...In the 21st Century two years prior, to record the album. It was released in May 1991 on PolyGram/Mercury. The album was not commercially successful, which led to the group's dissolution in 1993. On January 25, 1992, Polydor released the album in Japan. The band would not release new material until No Hats Beyond This Point twelve years later.

Two singles were released to promote the album: "Sideways" (which also had an accompanying music video), and "In the Meadow". "Kenbarbielove" was also released as a promo single. The song title "Kenbarbielove" was derived from a longtime running joke between Ivan Doroschuk and Langevin; as a francophone who was not fluent in English in childhood, Langevin misunderstood the Beatles song "Can't Buy Me Love" as "Ken Barbie Love" the first time he heard it.[4]

On the concert tour to support the album, even the band's older hits, including "The Safety Dance", "Pop Goes the World" and "Hey Men", were readapted to fit the rock-oriented sound.[5]

"Everybody Wants to Know", the album's sole ballad, was written in 1985. It was intended for Pop Goes the World, but it was left off at the last minute and replaced with "Jenny Wore Black". It was also recorded for The Adventures of Women and Men Without Hate in the 21st Century in 1988, but was replaced by "All We Do". It was finally recorded in 1990 for Sideways.

Due to being recorded in the United States, the album does not qualify for the "P" (performance) element of MAPL Canadian content certification. The CD indicates that the album is 75% Canadian content (CanCon) except for "I Am the Walrus", which is 25% CanCon.

Critical response

Evelyn Erskine of the Ottawa Citizen wrote that "All that is apparent here is that the Men have given up on sappy electro-pop. They have plugged in the heavy guitars to kick butt and wail. But their pop songcraft has not been thrown into the compost heap. The Men still have an ear for a melody and a hook which give the screaming guitars and turbo drumming their sonic direction,"[6] while Ted Shaw of the Windsor Star wrote that the album "harkens back to the late-1960s and early-'70s when rock was moving towards heavy metal but still grounded in the blues."[7]

Track listing

All tracks written by Ivan and Stefan Doroschuk except "I Am the Walrus" by Lennon-McCartney. 

No. Title Length
1. "Sideways"   5:01
2. "Fall Down Gently"   3:00
3. "In the Meadow"   3:43
4. "The Van der Graaf Generation Blues"   2:17
5. "Nadine"   3:44
6. "Everybody Wants to Know"   5:24
7. "I Am the Walrus ("No You're Not", Said Little Nicola)"   5:05
8. "Kenbarbielove"   4:13
9. "Lost Forever"   6:11
10. "Life After Diamond Head"   2:29
11. "Love (All Over the World)"   3:47
12. "Harry Crews"   5:14

Singles

Personnel

References

  1. 1 2 "Man Without Hat takes Sideways plunge". Montreal Gazette, May 23, 1991.
  2. ↑ Sideways at AllMusic
  3. ↑ "Men Without Hats are learning contentment". Kingston Whig-Standard, June 21, 1991.
  4. ↑ "Men take another direction: Canadian group Men Without Hats have come full circle with new album". Windsor Star, June 20, 1991.
  5. ↑ "Rocker rebirth has honest ring: Men Without Hats sporting a new sound". The Globe and Mail, June 22, 1991.
  6. ↑ "Men Without Hats finally shake it loose". Ottawa Citizen, May 25, 1991.
  7. ↑ "Record Reviews: Sideways, Men Without Hats". Windsor Star, May 11, 1991.

External links

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