Spring Hill Fair
Spring Hill Fair | ||||
---|---|---|---|---|
![]() | ||||
Studio album by The Go-Betweens | ||||
Released |
27 September 1984 (See Release history) | |||
Recorded |
May 1984 Studio Miraval, Le Val, France | |||
Genre | Rock, alternative rock, indie rock | |||
Length | 40:24 | |||
Label |
Sire Records (See Release history) | |||
Producer | John Brand | |||
The Go-Betweens chronology | ||||
| ||||
Singles from Spring Hill Fair | ||||
|
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Spring Hill Fair was The Go-Betweens' third album released 27 September 1984 in the UK on Sire Records. The LP was recorded during a "very wet May"[2] at Studio Miraval in Le Val, France. Prior to the recording of the album, bass player Robert Vickers had joined the group, enabling Grant McLennan to move to lead guitar. The original release consisted of ten songs. In 2002, Circus released an expanded CD which included a second disc of ten bonus tracks and a music video for the song, "Bachelor Kisses".[3]
Details
The album was named after an annual fair in Spring Hill, Queensland, suburb of Brisbane Grammar School, Forster's high school. Some of the band had also lived there in the early eighties. McLennan said of the title, "It was generally not that we were home sick, I think we just wanted to have, after Before Hollywood, which was so obviously an American kind of thing, a regional home-town thing."[4] In another interview McLennan stated "we all lived there and the main reason was that in September, October of every year in Brisbane, there is, in Spring Hill, a fair, and as the album came out around then we thought it would be nice to have a parochial mention in a title because we hadn't done that for a long time."
McLennan and Forster later said that they were uninspired and felt the songs on their previous album had been better. They were also unhappy with the production, despite using the same producer as on Before Hollywood. McLennan said, "John Brand, the producer, he did change between the second and third, which we did as well, but he went and made a very produced 1984 English pop record, which in a way... well, that's not what we were." Forster more bluntly claimed, "John Brand was terrible. His whole attitude was, 'Now we're making a real record.'"[5]
Recording in France was much more expensive than their earlier recordings,[4] with the Miraval studio booked for a month. About half the tracks had programmed rhythm tracks, leading to conflict between Brand and drummer Lindy Morrison. Morrison claimed the relationship had also soured after Brand attempted to seduce her and was rebuffed on their first day in the studio. [6] Furthermore, Morrison recalled the relationships within the band were poor. "They were fucked. There were little power struggles going on all over the place. We were a neurotic mess," she said.[7]
Forster said of his writing, "The lyrics I wrote on this album, I wrote when I've been drinking. I wanted to speak a lot more directly and I wanted to speak about certain topics in a very straightforward way. And the best way I found of doing that was by sitting down and drinking. A conversational-type lyric. Most of the lyrics I've done on that album were started at night. I'd start drinking, smoking cigarettes, and I'd write all the lyrics in one sitting. I think it shows."[2]
Defending accusations that the album was disjointed, McLennan said, "It's an album where we talked right from the start of Loaded or a White Album, where there would be different songs on the record, and I stand by that. I deny the allegations of scrappiness."[8]
The first single released was "Part Company" in August 1984 but it failed to make an impact on the charts. The second single "Bachelor Kisses" was the band's first real attempt at a commercial single. Whilst Sire Records didn't produce a music video for "Part Company" they did for "Bachelor Kisses", which was filmed in part at Brighton. "Bachelor Kisses" was however voted in at No. 72 in Triple J's Hottest 100 for 1989[9]
Critical reception
Clinton Walker, writing in The Age newspaper, felt "the album as a whole was disappointing, disjointed and uneven."[10]
Ned Raggett's review of the album on Allmusic states "A slightly more conventional but no less entrancing collection of songs in comparison to Before Hollywood, Spring Hill Fair contains its fair share of Go-Betweens classics, with the rough, barbed emotional edge of many lyrics getting almost gentle arrangements." and "Throughout the album one can not only hear the expanded lineup testing things out, but individual players adding their own particular flair -- the brush-and-shuffle percussion from Morrison on "Five Words," McLennan's great lead guitar solo on "You've Never Lived," Vickers' ability with crisp funk on "Slow Slow Music.""
Track listing
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Bachelor Kisses" (Recorded, produced and engineered at Westside Studios, London - August 1984) | G. McLennan[11] | 3:33 |
2. | "Five Words" | G. McLennan, R. Forster | 4:05 |
3. | "The Old Way Out" | R. Forster | 3:41 |
4. | "You've Never Lived" | R. Forster | 3:55 |
5. | "Part Company" | R. Forster | 4:53 |
6. | "Slow Slow Music" | G. McLennan | 3:05 |
7. | "Draining the Pool for You" | R. Forster | 4:16 |
8. | "River of Money" | G. McLennan | 5:10 |
9. | "Unkind and Unwise" | G. McLennan | 3:05 |
10. | "Man O'Sand to Girl O'Sea" | R. Forster | 4:41 |
Total length: | 40:24 |
2002 bonus disc | |||
---|---|---|---|
No. | Title | Writer(s) | Length |
1. | "Emperor's Courtessan" | G. McLennan | 2:23 |
2. | "Newton Told Me" | R. Forster | 2:33 |
3. | "Just Right for Him" | G. McLennan | 3:29 |
4. | "Attraction" | R. Forster | 2:25 |
5. | "The Power That I Now Have" | G. McLennan | 2:45 |
6. | "Second Hand Furniture" | R. Forster | 4:13 |
7. | "Marco Polo Jr." | G. McLennan | 4:12 |
8. | "Sweet Tasting Hours" | R. Forster | 3:40 |
9. | "Unkind and Unwise" (Instrumental) | R. Forster | 3:04 |
10. | "Bachelor Kisses" (video) | G. McLennan | |
Total length: | 28:44 |
Release history
Date | Region | Label | Format | Catalogue |
---|---|---|---|---|
27 September 1984 | UK | Sire | LP | 925 179-1 |
AUS | ||||
Cassette | 25179-4 | |||
March 1996 | UK | Beggars Banquet | CD | BBL 2003 CD |
AUS | Silk Sheen | SILK 004 | ||
2002 | UK | Circus | FYL011 | |
US | Jetset | TWA48 | ||
AUS | EMI Australia | 3696062 | ||
2014 | 3760985 | |||
Credits
Personnel
- The Go-Betweens
- Robert Forster — vocals, guitar
- Grant McLennan — vocals, guitar
- Lindy Morrison — drums, backing vocals
- Robert Vickers — bass guitar
- Additional musicians
- Graeme Pleeth — keyboards, brass and string arrangements
- Denis Gautier — trumpet
- Marc Fontana — saxophone
- Ana da Silva — backing vocals ("Bachelor Kisses")
Production
- Engineer — Jacques Hermet
- Layout — Martyn Lambert
- Photography — Sheila Rock
- Producer, Engineer — John Brand
- Producer, Engineer — Colin Fairley ("Bachelor Kisses")
- Producer — Robert Andrews ("Bachelor Kisses")
References
- ↑ Allmusic review
- 1 2 "Mat Snow" (13 October 1984). "Money Can't Buy You Love". NME. London, England.
- ↑ Mueller, Andrew, from the liner notes for the 2002 Circus Compact Disc reissue of Spring Hill Fair. All track listing/production history/song writing credit information in this article is taken from these liner notes.
- 1 2 Gavin Sawford (12 April 1996). "Gazing On A Sunny Afternoon". Rave. Stones Corner, QLD: Rave Magazine Pty Ltd: 7–8.
- ↑ Clinton Walker (1996). Stranded: The Secret History of Australian Independent Music 1977–1991. Pan MacMillan. p. 164. ISBN 0-7329-0883-3.
- ↑ David Nichols (2005). The Go-Betweens. Verse Chorus Verse. p. 155. ISBN 9781891241161.
- ↑ Clinton Walker (26 March 1986). "Stars of the Underground". Rock Australia Magazine. p. 16.
- ↑ David Nichols (2005). The Go-Betweens. Verse Chorus Verse. p. 157. ISBN 9781891241161.
- ↑ "Hottest 100 Of All Time -1989". Triple J. 1989. Retrieved 8 July 2015.
- ↑ Walker, Clinton (14 March 1986). "The band most likely gets a shot at the title". The Age. p. 32.
- ↑ ""Bachelor Kisses" at APRA search engine". Australasian Performing Right Association (APRA). Retrieved 23 July 2015.