Edward Black (producer)
Edward Black | |
---|---|
Born |
Edward Black 18 August 1900 Birmingham |
Died |
30 November 1948 48) London | (aged
Nationality | English |
Occupation | Film producer |
Years active | 1935 - 1948 |
Notable work | The Lady Varnishes |
Edward Black (18 August 1900, Birmingham - 30 November 1948, London) was an English film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas.[1][2] He also produced such classic films as The Lady Vanishes (1938). Black has been called "one of the unsung heroes of the British film industry."[3]
Biography
Black was the third son of George Black, a property master at the Theatre Royal, Birmingham, who became a cinema owner. George Black died in 1910 and his sons Ted, George and Alfred built up the cinema to a circuit.
Gaumont British took over the cinemas and Black went to work for them. In 1928 he became a studio manager for Gainsborough Pictures. In 1930 he moved into production, and became an assistant production manager at Shepherd’s Bush and then studio manager at Islington.[4]
In December 1936, Michael Balcon left Gaumont-British for MGM. In March 1937 Shepherd’s Bush studios and Gaumont-British Distributors were closed. However Gainsborough continued as a production center thanks to a deal with C.M. Woolf and J. Arthur Rank’s General Film Distributors. Black was in charge along with Maurice Ostrer. They made movies for Gainsborough and 20th Century Fox.[4]
Black specialized in making comedies, thrillers and low-budget musicals.[3] He had a lot of success making comedy vehicles for stars such as Will Hay and Arthur Askey. He also produced early films from Carol Reed and Alfred Hitchcock and was an early supporter of writer directors Sidney Gilliat and Frank Laundner.[5]
In the words of one writer, Black "held the studio together during its most difficult period, backed Laundner and Gilliat in establishing a strong script department, retained the services of some of the best cameramen in the business, and put under contract a number of promising actors."[3] In the 1940s Black helped produce the first Gainsborough melodramas an enormously successful series of movies which made stars of James Mason, Stewart Granger and Phyllis Calvert, and increased the popularity of Margaret Lockwood.
Black's relationship with Maurice Ostrer was not always easy and he also clashed with the Rank Organisation when they took over Gainsborough. In 1944 Black left Gainsborough to join Alexander Korda.
Black died of cancer of the lungs in November 1948, shortly after the premiere of his last film, the disastrous Bonnie Prince Charlie (1948).
Partial filmography
- Boys Will Be Boys (1935)
- Where There's a Will (1936)
- Tudor Rose (1936)
- The Man Who Changed His Mind (1936) - assoc producer
- Everybody Dance (1936)
- Said O'Reilly to McNab(1937)
- Oh, Mr Porter! (1937)
- Good Morning, Boys (1937)
- Doctor Syn (1937)
- O-Kay for Sound (1937)
- Young and Innocent (1937)
- Convict 99 (1938)
- The Lady Vanishes (1938)
- Strange Boarders (1938)
- Crackerjack (1938)
- Bank Holiday (1938)
- Old Bones of the River (1938)
- Hey! Hey! USA (1938)
- Owed Bob (1938)
- Alf's Button Afloat (1938)
- Inspector Hornleigh on Holiday (1939)
- A Girl Must Live (1939)
- Ask a Policeman (1939)
- The Frozen Limits (1939)
- Neutral Port (1940)
- Night Train to Munich (1940)
- Where's That Fire? (1940)
- Band Waggon (1940)
- Charley's (Big-Hearted) Aunt (1940)
- They Came by Night (1940)
- For Freedom (1940)
- Inspector Hornleigh Goes To It (1940)
- The Girl in the News (1941)
- I Thank You (1941)
- Kipps (1941)
- Rush Hour (1941)
- Mr. Proudfoot Shows a Light (1941)
- Gasbags (1941)
- Hi Gang! (1941)
- Once a Crook (1941)
- Cottage to Let (1941)
- The Ghost Train (1941)
- The Young Mr Pitt (1942)
- Back-Room Boy (1942)
- King Arthur Was a Gentleman (1942)
- A Letter from Home (1941)
- Uncensored (1942)
- The Man in Grey (1943)
- We Dive at Dawn (1943)
- Millions Like Us (1943)
- It's That Man Again (1943)
- Miss London Ltd. (1943)
- Fanny by Gaslight (1944)
- 2,000 Women (1944)
- Give Us the Moon (1944)
- Time Flies (1944)
- Bees in Paradise (1944)
- Waterloo Road (1944)
- A Man About the House (1947)
- Bonnie Prince Charlie (1948)
References
- ↑ Gainsborough Pictures at BFI Screenonline
- ↑ "Edward Black". BFI.
- 1 2 3 Realism and Tinsel: Cinema and Society in Britain 1939-48 By Robert Murphy p34
- 1 2 Edward Black at Britmovie
- ↑ The final reel The Guardian (1959-2003) [London (UK)] 27 Sep 2003: B19