The Clansman: A Historical Romance of the Ku Klux Klan

The Clansman
Authors Thomas Dixon, Jr.
Language English
Publication date
 1905

The Clansman: A Historical Romance of the Ku Klux Klan is a novel published in 1905. It was the second work in the Ku Klux Klan trilogy by Thomas F. Dixon, Jr. that included The Leopard's Spots and The Traitor. It was influential in providing the ideology that helped support the revival of the Ku Klux Klan (KKK or The Klan). The novel was twice notably adapted, immediately by its author as a play entitled The Clansman (1905), and a decade later by D. W. Griffith in the groundbreaking 1915 silent movie The Birth of a Nation.

The play, being concerned with the KKK and Reconstruction, is adapted by the second half of The Birth of a Nation. According to Professor Russell Merritt, key differences between the play and film are said to include that Dixon was more sympathetic to Southerners' pursuing education and modern professions, whereas Griffith stressed ownership of plantations.[1]

Dixon wrote The Clansman as a message to Northerners to maintain racial segregation, as the work claimed that blacks when free would turn savage and violent, committing crimes such as murder, rape and robbery far out of proportion to their percentage of the population. He claimed to write for 18,000,000 southerners who supported his beliefs, though that many never joined the Klan.[2] Dixon portrays the speaker of the house, Austin Stoneman, as a negro-loving legislator mad with power and eaten up with hate. His goal is to punish the Southern whites for their revolution against an oppressive government by turning the former slaves against the White Southerners and use the iron fist of the Union occupation troops to make them the new masters. The Klan's job is to protect the White Southerners from the carpetbaggers and their allies, Black and White.

In addition to criticism that The Clansman would stir up sentiment in the South, Dixon's argument that the Klan had saved the South from negro rule was ridiculed by some as absurd.[3]

Characters

Historical plot

In The Clansman, Reconstruction was an attempt by Augustus Stoneman, a thinly veiled reference to Thaddeus Stevens, to ensure that the Republican Party would stay in power by securing the southern black vote. His hatred for President Johnson stems from Johnson's refusal to disenfranchise whites. Stoneman's anger towards former slave holders is intensified after the assassination of Abraham Lincoln, where he vows revenge on the South. His programs strip away the property owned by whites, in turn giving them to former slaves. Men claiming to represent the government confiscate the material wealth of the South, destroying plantation owning families. Finally, the former slaves are taught that they are superior to their former owners and should rise up against them. These injustices are the impetuses for the creation of the Klan.

Reception

The publication of The Clansman caused significant uproar not only in the North, but throughout the South. In Montgomery, Alabama and Macon, Georgia the play was banned from being performed.[4] Thomas Dixon was denounced for renewing old conflicts and glorifying what many thought was an unfortunate part of American history. In an effort to prevent a showing in Washington, D.C a group of pastors appealed to President Roosevelt to intercede on their behalf.[5]

The play, despite these protests, was extremely popular in the South. It drew record breaking audiences in Columbia, South Carolina and opened with a huge premier when performed in Norfolk, Virginia.[6][7] In fact, the vast majority of news stories about The Clansman have to do with the play, not the novel.

When offered membership in the KKK, Dixon reportedly turned it down because, he claimed, he did not agree with the Klan's methods.[8] The Klokard of the Klan, Rev. Dr. Oscar Haywood, at one point challenged Dixon to a debate over the nature of the Ku Klux Klan.[9]

Despite Dixon's reported claims that he rejected violence except in self-defence, in the book previous to The Clansman in the trilogy, The Leopard's Spots, Dixon's Klan dealt thusly with a black man who had asked a white woman to kiss him:[10]

When the sun rose next morning the lifeless body of Tim Shelby was dangling from a rope tied to the iron rail of the balcony of the court house. His neck was broken and his body was hanging low--scarcely three feet from the ground. His thick lips had been split with a sharp knife and from his teeth hung this placard:

"The answer of the Anglo-Saxon race to Negro lips that dare pollute with words the womanhood of the South. K. K. K."

— Thomas Dixon, The Leopard's Spots, Chapter XIX, "The Rally of the Clansmen", p. 150

Dixon's novel is often contraposed with Harriet Beecher Stowe's Uncle Tom's Cabin.[11] The character of Gus in The Clansman, who is shown as the worst kind of former slave, going as far as to rape a white woman, is the opposite of the benevolent Uncle Tom, who is portrayed as angelic. The books are also similar for the reactions they stirred up among their readers. Uncle Tom's Cabin was detested and banned throughout the South, while The Clansman was ranted against in Northern papers. Also like Uncle Tom's Cabin, The Clansman reached its greatest audience not through its book form, but through the play and movie forms. The book previous to the The Clansman in Dixon's trilogy, The Leopard's Spots, actually featured Simon Legree, a character Dixon appropriated from Uncle Tom's Cabin.

Rebirth of the Klan

Thomas Dixon's novel did not have the immediate effect of causing the recreation of the Ku Klux Klan. Neither did the subsequent play. Rather, several white supremacist groups stood in place of the Klan between the 1870s and 1915. The release of the movie The Birth of a Nation finally let Dixon's work reach a large enough audience to start the refounding of the Klan. This second Klan quickly outgrew the first, drawing significant membership from Northern states in part because of the success of the novel, play, and movie. The social impact of the book was certainly enormous. Though Anglo-centric groups had existed previously, they were mostly limited to Southern states and had small membership. The book and subsequent play and movie glorified Anglo-Saxon dominance through the power held by the Klan. This appealed to Anglo-Saxons everywhere, not merely in the South. In the North the Klan not only advocated suppression of African Americans, but also Jews, Catholics, and other immigrants. Through this nativist sentiment the Klan had its greatest power in the state of Indiana. Their membership reached 30% of the white adult male population.[12] The total Klan membership is thought to have reached nearly six million in 1924, less than twenty years after the publication of The Clansman.[13]

One of the images most commonly associated with the Klan, that of a burning Latin cross, was actually taken from The Clansman, but was not used by the original clan. Dixon, who had Scottish ancestry, drew upon the Scottish tradition of the Crann Tara, a burning cross used to call clan members to arms, as inspiration for the depiction of cross burning.[14]

References

  1. ↑ Russell Merritt, "Dixon, Griffith, and the Southern Legend." Cinema Journal, Vol. 12, No. 1. (Autumn, 1972)
  2. ↑ Dixon, Thomas (February 25, 1905). ""THE CLANSMAN.": Its Author, Thomas Dixon, Jr., Replies with Spirit and Good Humor to Some of His Critics". The New York Times Book Review. Retrieved 4/18/12. Check date values in: |access-date= (help)
  3. ↑ "THE CLANSMAN DENOUNCED.: South Carolina Editor Denies Charges Made by Thomas Dixon, Jr.". The New York Times. 1/2/1906. Retrieved 4/18/12. Check date values in: |access-date=, |date= (help)
  4. ↑ "Suppress "the Clansman!"". The Washington Post. September 26, 1906. Retrieved February 22, 2012.
  5. ↑ "WOULD STOP "THE CLANSMAN.": Pastors Appeal to President to Prevent the Performance.". The Washington Post. 10/6/06. Retrieved 4/18/12. Check date values in: |access-date=, |date= (help)
  6. ↑ "HISSING OF "THE CLANSMAN.": Majority of People of Columbia, S.C., Commend the Play.". The Washington Post. August 21, 1905. Retrieved 4/18/12. Check date values in: |access-date= (help)
  7. ↑ "PREMIER OF CLANSMAN.: Thomas Dixon's Dramatic Answer to "Uncle Tom's Cabin" Scores Success". September 23, 1905. Retrieved 4/18/12. Check date values in: |access-date= (help)
  8. ↑ "KLAN IS DENOUNCED BY 'THE CLANSMAN': Thomas Dixon Blames It for Riots and Bloodshed and Demands It Be Throttled". The New York Times. January 23, 1923. Retrieved 4/18/12. Check date values in: |access-date= (help)
  9. ↑ "KLOKARD HAYWOOD HERE TO AID KU KLUX: Issues Challenge to Author of 'The Clansman' to Meet Him in Public Debate. PLANS PUBLIC ADDRESSES Pastor Calls Men Rouge Outrages a Plot -- Says Disclosures Would Shake the World". The New York Times. 2/5/23. Retrieved 4/18/12. Check date values in: |access-date=, |date= (help)
  10. ↑ Dixon, Thomas (1902 (Web version) 1998). "The Leopard's Spots". Documenting the American South. The University of North Carolina at Chapel Hill. Retrieved July 19, 2013. Check date values in: |date= (help)
  11. ↑ "Tom Dixon and His Clansman". The Washington Post. November 9, 1905. Retrieved February 22, 2012.
  12. ↑ "Indiana History Chapter Seven". Northern Indiana Center for History. Archived from the original on April 11, 2008. Retrieved October 7, 2008.
  13. ↑ "The Various Shady Lives of The Ku Klux Klan". Time. April 9, 1965. Retrieved December 24, 2009.
  14. ↑ Oliver, Neil; Frantz Parsons, Elaine. "Were Scots responsible for the Ku Klux Klan?". bbc.co.uk. Retrieved 4 October 2016.
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