The Court of the Crimson King

"The Court of the Crimson King"
Single by King Crimson
from the album In the Court of the Crimson King
A-side "The Court of the Crimson King, Pt. 1"
B-side "The Court of the Crimson King, Pt. 2"
Released October 12, 1969 (album)
Format 7", 45rpm
Recorded July 21–23, 1969
Genre Progressive rock[1]
Length 9:25
7:16 (Abridged version)
Label
Writer(s) Ian McDonald, Peter Sinfield
Producer(s) King Crimson
King Crimson singles chronology
"The Court of the Crimson King"
(1969)
"Cat Food"
(1970)
In the Court of the Crimson King track listing
Side one
  1. "21st Century Schizoid Man"
  2. "I Talk to the Wind"
  3. "Epitaph"
Side two
  1. "Moonchild"
  2. "The Court of the Crimson King"

"The Court of the Crimson King" is the fifth and final track from the British progressive rock band King Crimson's debut album, In the Court of the Crimson King. Also released as a single, it reached #80 on the Billboard Hot 100 charts. Along with "Heartbeat", it is one of the band's only two charting singles in the United States.

Background

The track is dominated by a distinct riff performed on the Mellotron in D major. The main part of the song is split up into 4 verses, divided by an instrumental section called "The Return of the Fire Witch". The song climaxes at seven minutes, but continues with a little reprise (called "The Dance of the Puppets"), before ending on an abrupt and free time scale. The music was written by Ian McDonald and the lyrics by Peter Sinfield.

"The Court of the Crimson King" (1969)
37 second sample from King Crimson's "The Court of the Crimson King", demonstrating the sound of the first incarnation of the band, with its classically-influenced style and use of the Mellotron instrument.

Problems playing this file? See media help.

Personnel

Covers

The track was used in the 2006 dystopian film Children of Men, appearing on its soundtrack. It is also heard briefly in the first episode of the Red Riding trilogy. The song is also used widely in the Canadian television series Kenny vs. Spenny. The instrumental part of the song can be heard in the French movie Cinéman. The song has been recently chosen as the ending theme for the videogame Natural Doctrine.

References

  1. Murphy, Sean (22 May 2011). "The 25 Best Progressive Rock Songs of All Time". PopMatters. Retrieved 31 July 2016.
This article is issued from Wikipedia - version of the 11/16/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.