The Unfaithful

The Unfaithful

Theatrical release poster
Directed by Vincent Sherman
Produced by Jerry Wald
Screenplay by David Goodis
James Gunn
Based on the play The Letter
by W. Somerset Maugham
Starring Ann Sheridan
Lew Ayres
Zachary Scott
Music by Max Steiner
Cinematography Ernest Haller
Edited by Alan Crosland Jr.
Production
company
Release dates
June 5, 1947 (1947-06-05TUnited States)
Running time
109 minutes
Country United States
Language English
Box office $2,250,000 (US rentals)[1]

The Unfaithful is a 1947 film noir directed by Vincent Sherman, starring Ann Sheridan, Lew Ayres and Zachary Scott. The movie is based on the W. Somerset Maugham-penned 1927 play and William Wyler-directed 1940 film, The Letter.[2]

Plot

Chris Hunter stabs a man in her home one night while her husband Bob is out of town. The dead man's name is Tanner and she claims not to know him.

A blackmailer, Martin Barrow, shows up with a bust of Chris Hunter's head signed by Tanner, who was a sculptor. Larry Hannaford, her lawyer and a good friend, realizes that Chris is lying about not knowing the man she killed.

Barrow double-crosses her by taking the artwork to Tanner's wife, who is now convinced Chris had an affair with her husband. She relays this information to Bob Hunter, who demands a divorce after Chris admits having an affair with Tanner while her husband was away during the war.

Chris is charged with murder and tried. Hannaford persuades the jury that while Chris was indeed guilty of adultery, she stabbed Tanner in self-defense. Hannaford then convinces Bob and Chris at least consider trying to save their marriage rather than rush into a divorce.

Cast

Reception

Critical response

The New York Times gave the film a mixed review: "The Warner Brothers have turned out a better than average murder mystery in The Unfaithful, but they have badly over-weighted with melodramatics the things they obviously wanted to say about a pressing social problem. The new picture at the Strand stabs and jabs like a hit-and-run prizefighter at the subject of hasty divorces and the dangerous consequences to society of this ill conceived cure all for marital difficulties, but it never gets across a telling dramatic punch. However, through some uncommonly persuasive acting and skillful direction the patently artificial plot stands up surprisingly well."[3]

References

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