Villa Shodhan

Villa Shodhan

Model of the Villa Shodhan
Alternative names Shodhan House
General information
Type Villa
Address Near Gandhigram railway station, Ellisbridge
Town or city Ahmedabad
Country India
Coordinates 23°01′31″N 72°34′03″E / 23.02528°N 72.56750°E / 23.02528; 72.56750Coordinates: 23°01′31″N 72°34′03″E / 23.02528°N 72.56750°E / 23.02528; 72.56750
Construction started 1951
Completed 1956
Client Surottam Hutheesing (original)
Shyamu Shodhan (later)
Owner Shodhan family
Design and construction
Architect Le Corbusier
Model of villa

Villa Shodhan (or Shodhan House) is a modernist villa located in Ahmedabad, India. Designed by the Swiss architect Le Corbusier, it was built between 1951 and 1956.[1][2] Building on his previous projects whilst integrating the traditional features of Ahmedabad design, the villa symbolizes Le Corbusier's domestic architecture.[3] The building is currently used as a private residence.

History of the commission

The original design of Villa Shodhan was commissioned to the secretary of the Millowners, Surottam Hutheesing, in 1951. His intention was to showcase his social and economic position prior to his impending marriage by building a house reflecting his lifestyle.[4] However, the plans were then sold to fellow millowner, Shyamubhai Shodhan. Despite his different lifestyle and an entirely new site for the project, Shodhan elected to retain the original plans as was the case for all of Le Corbusier’s Indian projects.[5][6]

Design of the building

Key aspects to be considered in designing Villa Shodhan included sun, wind, the view upon arrival and landscaping. They could be addressed above all by the positioning of the facades which, with a diagonal orientation, allowed the incoming visitor a view over three-quarters of the building. The landscaping sets off the building by contrasting the curved mounds of the site with the geometric, rectangular lines of the structure. The rectangles on the north-west and south-west façades are further emphasized through the installation of brise soleil for protection from glare.[7]

The design of the Villa Shodhan is structurally simplistic while still retaining plasticity in the treatment of the divided spaces. The overall frame of the building is in raw concrete, with clear markings of the wooden formwork. The frame is anchored to the ground, not elevated on stilts, a feature Le Corbusier used frequently in the 1920s.[8] Standard sheet metal is added to the underside of the interior ceilings and a protective parasol is used as the roof.[9][10] The design of the interior concrete piers, running to the full height of the building’s elevation, is based around the architect's domino skeleton design established in 1915.[11] A ramp provides access to the main and mezzanine levels, while the rooms are grouped around a triple-height terrace. The ramp also leads to accompanying stairs, providing access to the roof and terrace.[12] The terrace plays an important role in the natural climate control process, cooling down the bedrooms in the middle of the day and providing an alternate sleeping area during the summertime.[13] Upon the parasol roof of Villa Shodhan, there is a garden abundant in thick grass and water troughs. The vision of dense greenery is also reinforced by overrun plants and trees, seeming to camouflage the building and its environment. The roof also features an oval aperture, which matches up with a hole in the lower slab roof, giving visitors a framed view of the sky. This is almost mimicked by the pool, situated at the base of the ramp, aiming to bring the outside in.[14]

Influences, inspiration and previous projects

Post 1945 can be seen as a period of reflection and reassessment for Le Corbusier. This is clearly evident through the drastic changes to his style, evident at Villa Shodhan. Three areas highlight this change: [15]

For this building to be incorporated into the culture and style of Ahmedabad, Le Corbusier incorporated features of old Ahmedabad houses, including the ancestral Shodhan residence. The most prominent reflection of this is the double height living room on the ground level. Traditionally, the entrance halls of old Ahmedabad houses were double-height, reflecting opulence and status. This readaptation, along with the open plan of the building allowed Villa Shodhan to be integrated into the Indian environment. This is a very different to his parallel running project, Villa Sarabhai.[21][22]

Critical reception

Villa Shodhan was considered to be built in Le Corbusier’s period of fulfilment[23] with comparisons made between many of his previous projects. Villa Shodhan is considered to be an updated and more profound version of his Villa Savoye and Villa at Carthage.[24] The plan of Villa Shodhan recalls the ingenuity of the Villa Savoye, placed in a tropical setting.[25] It has also been stated that Villa Shodhan is the finest reinterpretation of the idea behind Maison Citrohan.[26]

Footnotes

  1. ↑ Doshi (1974)
  2. ↑ Serenyi (1983), p91
  3. ↑ Serenyi (1983), p91
  4. ↑ Doshi (1974)
  5. ↑ Boesiger (1957), p134
  6. ↑ Serenyi (1983), p91
  7. ↑ Curtis (2001), p210)
  8. ↑ Serenyi (1983), p101
  9. ↑ Boesiger (1957), p134
  10. ↑ Curtis (2001), p208-210)
  11. ↑ Timeline of architecture
  12. ↑ Curtis (2001), p210)
  13. ↑ Serenyi (1983), p105
  14. ↑ Curtis (2001), p210)
  15. ↑ Serenyi (1965), p23
  16. ↑ Curtis (2001), p208-210)
  17. ↑ Serenyi (1983), p101-102
  18. ↑ Doshi (1974)
  19. ↑ Serenyi (1983), p98-102
  20. ↑ Serenyi (1971), p257
  21. ↑ Curtis (2001), p210)
  22. ↑ Serenyi (1983), p105
  23. ↑ Serenyi (1970)
  24. ↑ Doshi (1974)
  25. ↑ Boesiger (1957), p134
  26. ↑ Serenyi (1971), p257

References

This article is issued from Wikipedia - version of the 7/17/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.