Wiener Blut (operetta)
Wiener Blut (Viennese Blood or Viennese Spirit) is an operetta named after the "Wiener Blut" waltz, supposedly with music by the composer Johann Strauss the Younger, who did not live to witness the première. Such was the popularity of the original "Wiener Blut" Op. 354 waltz till the time of the composer's death that his work would be chosen as the name of the operetta with libretto by Victor Léon and Leo Stein set around the Vienna Congress of 1814 to 1815.
Strauss did not specifically compose any music for this operetta, although many of his earlier compositions were incorporated for the work. He took no active part in the musical arrangement at its conception nor any production work leading up to its première. He was content to delegate these tasks to Adolf Müller Jr. as he himself was busy with his ballet, Aschenbrödel in 1898. However, Müller did not confine himself to the music of Johann Jr., and several dance tunes by his brother Josef were also incorporated in the score.[1]
Performance history
The new operetta premiéred at the Carltheater on 26 October 1899, almost five months after Strauss' demise. Franz Jauner staged the costly project. Jauner anticipated great success at its premiére but was dejected when the work only survived 30 consecutive performances before making way for Sidney Jones' critically acclaimed operetta The Geisha. On 23 February 1900, Jauner shot himself at his desk at the Carltheater after his financial gamble with Wiener Blut failed, effectively bankrupting him.
After five years, however, the famed Theater an der Wien mounted a production of the operetta. With a slightly different libretto and musical arrangement, it caught the public eye and has since retained its popularity on stages around the world. In 2007 English Touring Opera performed a new concert production of Wiener Blut at venues throughout the United Kingdom.
Roles
Role |
Voice type |
Premiere Cast, 26 October 1899 (Conductor: - ) |
Balduin, Count Zedlau |
tenor |
Julius Spielmann |
Franziska Cagliari |
soprano |
Ilona [Ilonka] Szoyer |
Prince Ypsheim-Gindelbach |
baritone |
Eduard Steinberger |
Gabriele, Countess Zedlau |
soprano |
Marie Merker |
Josef |
baritone |
Louis Treumann |
Kagler |
bass |
Anton Julus |
Pepi Pleininger |
soprano |
Betty Stojan |
Adaptations
In 1942 the operetta was adapted into the film Vienna Blood, which became one of the most financially successful films of the Third Reich.[2]
References
Notes
- ↑ Mailer, p. 98
- ↑ Leiser, Erwin (1968). "Deutschland, erwache!" Propaganda im Film des Dritten Reiches. Reinbek bei Hamburg: Rowohlt. p. 54.
Sources
- Mailer, Franz, Josef Strauss, Genius Against His Will, Pergamon Press, 1985
- Based on original text by Peter Kemp, The Johann Strauss Society of Great Britain. Used with permission.
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Operettas | |
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Waltzes |
- Sinngedichte, Op. 1 (1844)
- Gunstwerber, Op. 4 (1844)
- Sträußchen, Op. 15 (1846)
- Klange aus der Walachei, Op. 50 (1850)
- Frohsinns-Spenden, Op. 73 (1850)
- Lava-Ströme, Op. 74 (1850)
- Rhadamantus-Klänge, Op. 94 (1851)
- Idyllen, Op. 95 (1851)
- Mephistos Höllenrufe, Op. 101 (1851)
- Liebeslieder, Op. 114 (1852)
- Phönix-Schwingen, Op. 125 (1853)
- Novellen, Op. 146 (1854)
- Nachtfalter, Op. 157 (1855)
- Glossen, Op. 163 (1855)
- Man lebt nur einmal!, Op. 167 (1855)
- Abschieds-Rufe, Op. 179 (1856)
- Phänomene, Op. 193 (1857)
- Abschied von St. Petersburg, Op. 210 (1858)
- Hell und voll, Op. 216 (1859)
- Promotionen, Op. 221 (1859)
- Accelerationen, Op. 234 (1860)
- Immer heiterer, Op. 235 (1860)
- Grillenbanner, Op. 247 (1861)
- Klangfiguren, Op. 251, (1861)
- Dividenden, Op. 252
- Karnevalsbotschafter, Op. 270 (1862)
- Leitartikel, Op. 273 (1863)
- Morgenblätter, Op. 279 (1863)
- Studentenlust, Op. 285 (1864)
- Aus den Bergen, Op. 292 (1864)
- Bürgersinn, Op. 295 (1865)
- Flugschriften, Op. 300 (1865)
- Wiener Bonbons, Op. 307 (1866)
- An der schönen blauen Donau, Op. 314 (1867)
- Künstlerleben, Op. 316 (1867)
- Die Publicisten, Op. 321 (1868)
- G'schichten aus dem Wienerwald, Op. 325 (1868)
- Illustrationen, Op. 331 (1869)
- Wein, Weib und Gesang, Op. 333 (1869)
- Freuet Euch des Lebens, Op. 340 (1870)
- Neu Wien, Op. 342 (1870)
- Tausend und eine Nacht, Op. 346 (1871)
- Wiener Blut (waltz), Op. 354 (1873)
- Carnevalsbilder, Op. 357 (1873)
- Bei uns Z'haus, Op. 361 (1873)
- Wo die Zitronen blühen, Op. 364 (1874)
- Du und du, Op. 367 (1874)
- Cagliostro-Walzer, Op. 370 (1875)
- O schöner Mai!, Op. 375 (1877)
- Rosen aus dem Süden, Op. 388 (1880)
- Nordseebilder, Op. 390 (1880)
- Kuss-Walzer, Op. 400 (1881)
- Frühlingsstimmen, Op. 410 (1883)
- Lagunen-Walzer, Op. 411 (1883)
- Schatz-Walzer, Op. 418 (1885)
- Wiener Frauen, Op. 423 (1886)
- Donauweibchen, Op. 427 (1887)
- Kaiser-Jubiläum-Jubelwalzer, Op. 434 (1888)
- Kaiser-Walzer, Op. 437 (1888)
- Rathausball-Tänze, Op. 438 (1890)
- Gross-Wien, Op. 440 (1891)
- Seid umschlungen, Millionen!, Op. 443 (1892)
- Trau, schau, wem!, Op. 463 (1895)
- Farewell to America
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Polkas |
- Herzenslust, Op. 3
- Explosions-Polka, Op. 43
- Veilchen, Op. 132
- Tritsch-Tratsch-Polka, Op. 214 (1858)
- Demolirer, Op. 269 (1862)
- Vergnügungszug, Op. 281 (1864)
- 'S gibt nur a Kaiserstadt, 's gibt nur a Wien!, Op. 291
- Lob der Frauen, Op. 315
- Postillon D'Amour, Op. 317 (1867)
- Leichtes Blut, Op. 319 (1867)
- Figaro-Polka, Op. 320 (1867)
- Ein Herz, ein Sinn!, Op. 323
- Freikugeln, Op. 326 (1868)
- Éljen a Magyar!, Op. 332
- Im Krapfenwald'l, Op. 336 (1869)
- Die Bajadere, Op. 351
- Vom Donaustrande, Op. 358
- Bitte schön!, Op. 372 (1875)
- Auf der Jagd, Op. 373 (1875)
- Banditen-Galopp, Op. 378 (1877)
- Waldine, Op. 385 (1879)
- Neue Pizzicato Polka, Op. 449
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Quadrille | |
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Other | |
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Family | |
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In media | |
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