William Woollett

William Woollett, oil on canvas, by Gilbert Stuart, 1783. Tate Britain

William Woollett (15 August 1735 – 23 May 1785) was an English engraver operating in the 18th century.

Life

He was born at Maidstone, of a family which came originally from the Netherlands.

He was apprenticed to John Tinney, an engraver in Fleet Street, London, and studied in the St Martin's Lane academy. His first important plate was from the The Destruction of the Children of Niobe of Richard Wilson, published by Boydell in 1761, which was followed in 1763 by a companion engraving from the "Phaethon" of the same painter. After Benjamin West he engraved his fine plate of the "Battle of La Hogue" (1781), and "The Death of General Wolfe" (1776), which is usually considered Woollett's masterpiece. In 1775 he was appointed engraver-in-ordinary to George III; and he was a member of the Incorporated Society of Artists, of which for several years he acted as secretary.

Woollett's plates combined engraving, etching, and dry-point; and were considered highly esteemed examples of the English school of engraving. Louis Fagan, in his Catalogue Raisonné of the Engraved Works of William Woollett (1885), enumerated 123 plates by Woollett.

Woollett's The Battle at La Hogue (1781), after a painting by Benjamin West.

He died in London and is one of the many lost graves in Old St. Pancras Churchyard.[1] He is not listed on the memorial to important lost graves erected in the 19th century.

Memorials

A monument to his memory, by Thomas Banks, stands in Westminster Abbey.[2]

References

  1. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=10237
  2. Dictionary of British Sculptors, 1660-1851, Rupert Gunnis

 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Woollett, William". Encyclopædia Britannica (11th ed.). Cambridge University Press. 

Further reading

Wikimedia Commons has media related to William Woollett.
This article is issued from Wikipedia - version of the 11/25/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.