Xenia (Greek)

This article is about the ancient Greek concept of hospitality. For other uses, see Xenia (disambiguation).
"Theoxenia" redirects here. The moth genus Theoxenia is considered a junior synonym of Ethmia.
Jupiter and Mercurius in the House of Philemon and Baucis (1630–33) by the workshop of Rubens: Zeus and Hermes, testing a village's practice of hospitality, were received only by Baucis and Philemon, who were rewarded while their neighbors were punished.

Xenia (Greek: ξενία, xenía, trans. "guest-friendship") is the ancient Greek concept of hospitality, the generosity and courtesy shown to those who are far from home and/or associates of the person bestowing guest-friendship. The rituals of hospitality created and expressed a reciprocal relationship between guest and host expressed in both material benefits (such as the giving of gifts to each party) as well as non-material ones (such as protection, shelter, favors, or certain normative rights).

The Greek god Zeus is sometimes called Zeus Xenios in his role as a protector of guests. He thus embodied the religious obligation to be hospitable to travelers. Theoxeny or theoxenia is a theme in Greek mythology in which human beings demonstrate their virtue or piety by extending hospitality to a humble stranger (xenos), who turns out to be a disguised deity (theos) with the capacity to bestow rewards. These stories caution mortals that any guest should be treated as if potentially a disguised divinity and help establish the idea of xenia as a fundamental Greek custom.[1] The term theoxenia also covered entertaining among the gods themselves, a popular subject in classical art, which was revived at the Renaissance in works depicting a Feast of the Gods.


Xenia consists of two basic rules:

  1. The respect from host to guest. The host must be hospitable to the guest and provide him/her with food, drink, bath and gifts when they leave. It is not polite to ask questions until the guest has finished the meal provided to them.
  2. The respect from guest to host. The guest must be courteous to the host and not be a burden. The guest should also provide a gift if they have one.[2]

Xenia was considered to be particularly important in ancient times when people thought gods mingled among them. If one had poorly played host to a stranger, there was the risk of incurring the wrath of a god disguised as the stranger. It is thought that the Greek practice of theoxenia may have been the antecedent of the Roman rite of Lectisternium, or the draping of couches.

While this particular origin of the practices of guest-friendship are centralized around the divine, however, it would become common practice among the Greeks to incorporate xenia into their customs and manners for very much all of ancient Greek history. Indeed, while originating from mythical traditions, xenia would very much become a standard practice throughout much (if not, all) of Greece as customarily proper in the affair of men interacting with men as well as men interacting with the Gods.

In the Iliad

The Trojan war described in the Iliad of Homer actually resulted from a violation of xenia. Paris, from the house of Priam of Troy, was a guest of Menelaus, king of Mycenaean Sparta, but seriously transgressed the bounds of xenia by abducting his host's wife, Helen. Therefore, the Achaeans were required by duty to Zeus to avenge this transgression, which, as a violation of xenia, was an insult to Zeus' authority.

Diomedes and Glaucus meet in No man's land. However, Diomedes does not want to fight another man descendant from the Gods, so he asks Glaucus about his lineage. Upon revealing his lineage, Diomedes realizes they are guest-friends. Meaning that their fathers had practiced xenia with each other. They decide not to fight, but to instead trade armor to continue their guest-friendship.[3]

Another example of xenia in the Iliad is Hector talking to Ajaxs. They are talking about exchanging presents so that people will remember them for dropping their hatred and becoming friends.[4] While this is not a traditional example of xenia, it does demonstrate the power of friendship in the Greek culture.

In Book 9, Achilles invites Odysseus into his home and asks Patroclus to make the strongest wine for them to drink. Patroclus also brings meat with the wine. The men eat and have light chatter before Odysseus delivers Agamemnon's offer to Achilles.[5]

In Book 18, Hephaestus hosts Thetis in his home. Xenia is important between humans and also between gods. Hephaestus is worried about making Thetis feel at home in his home so he lays out entertainment and puts away his tools.[6]

In the Odyssey

Xenia is an important theme in Homer's The Odyssey. Every household in the epic is seen alongside xenia. Odysseus' house is inhabited by suitors with demands beyond the bounds of xenia. Menelaus and Nestor's houses are seen when Telemachus visits. There are many other households observed in the epic, including those of Circe, Calypso, and the Phaeacians. The Phaeacians, and in particular Nausicaä, were famed for their immaculate application of xenia, as the princess and her maids offered to bathe Odysseus and then led him to the palace to be fed and entertained. After sharing his story with the Phaeacians they agree to take Odysseus to his home land. In a new rule, he states that you should not beat your host in a competition because it would be rude and could damage the relationship.[7]

Because Odysseus was indirectly responsible for Poseidon's sinking one of their ships, the Phaeacians resolved to be less trusting of subsequent travelers. However, Polyphemus showed lack of xenia, despite Odysseus' reminders, and refused to honor the travelers' requests, instead eating some of Odysseus' men. The suitor Ctesippus mocks xenia by hurling a hoof, disguised as a "gift", at Odysseus. When he is speared by Philoetius, the cowherd claims this avenges his disrespect.

Book 1 has Telemachus show xenia to the disguised Athena. He welcomes her into his home and offers her food. He even moves her chair away from the suitors who are rude. Eumaeus the Swineherd shows xenia to the disguised Odysseus, claiming guests come under the protection of Zeus. When one of the suitors Ctesippus mocks the disguised Odysseus and hurls an ox's hoof at him as a "gift", mocking xenia, though Odysseus dodges this, Telemachus says if he had hit the guest, he would have run Ctesippus through with his spear.[8] The other suitors are worried, saying Ctesippus is "doomed" if the stranger is a disguised god. As well as this, whenever Homer describes the details of "xenia", he uses the same formula every time: for example, the maid pouring wine into the gold cups, etc.

An example of bad xenia occurs when Homer describes the suitors. They continue to eat Penelope and Telemachus out of house and home. They are rude to not only each other but to Telemachus and the guests, such as disguised Athena and Odysseus.

In the Odyssey, Calypso, a fair goddess, had wanted to keep Odysseus in her cavern as her husband, but he refused. Circe had also failed to keep Odysseus in her halls as her mate. Although both of these women had fine homes and fine things to offer him, their hospitality was too much for Odysseus. He instead left each with the goal of returning to Ithaca and reclaiming his family and his home. Sometimes Hospitality was unwanted[9] or was given unwillingly.

In the Argonautika

While the Argonautika takes place before the Iliad and the Odyssey, it was written by an Alexandrian librarian, Apollonius of Rhodes. Since the story takes place during Greek times, the theme of xenia is shown throughout the story. For example, in Book 2, the King of Bebrykians, Amykos, makes the Argonauts fight to be able to leave. Polydeukes volunteers himself to participate in the boxing match.[10] This is a clear violation of xenia, and the Argonauts become worried when they reach their next destination later on in Book 2, when the Argonauts are on an island after a storm caused by Zeus. The Argonauts call out, asking for the strangers to be kind to them and treat them fairly. They realize that Jason and the men on the island are related by Jason's father's side of the family.The men provide clothing, sacrifice with them, and share a meal before the Arrgonauts leave the island in the morning.[11]

Another example is when Jason talks about going to Aietes' palace. He says that they will receive a warm welcome and surely he will follow the rules of xenia.[12]

The final example of xenia in the Argonautika is the first time the Argonauts reach Aietes' palace. It is also the first time Medeia is depicted in love with Jason due to Eros. Aietes has a feast prepared, and the Argos are served after their meal Aietes begins to ask questions about the Argonauts purpose and voyage to his kingdom.[13]

Political alliances

Historian Gabriel Herman lays out the use of xenia in political alliances in the Near East.

Solemn pronouncements were often used to establish a ritualised personal relationship, such as when "Xerxes, having been offered lavish hospitality and most valuable gifts by Pythios the Lydian, declared "...in return for this I give you these privileges (gera): I make you my Xenos. ...the same set of words could be applied in non-face-to-face situations, when a ruler wished to contract an alliance through the intermediary of messengers."[14] Herman points out that this is correspondent to pacts made by African tribal societies studied by Harry Tegnaeus (in his 1952 ethno-sociological book Blood Brothers) where "the partners proclaim themselves in the course of the blood ceremony each other's 'brothers', 'foster-brothers', 'cousins'. The surviving treaties of 'fraternity' 'paternity' and 'love and friendship' between the petty rules of the ancient Near East in the second half of the second millennium B.C. incorporate what are probably written versions of such declarations."[14] (Herman also sees an echo of this in the medieval ceremony of homage, in the exchange between a would-be-vassal and the lord.)[14]

Herman goes on to point out "No less important an element in forging the alliance was the exchange of highly specialized category of gifts, designated in our sources as xénia (as distinct from xenía, the term of the relationship itself) or dora. It was as important to give such gifts as to receive, and refusal to reciprocate as tantamount to a declaration of hostility. Mutual acceptance of the gifts, on the other hand, was a clear mark of the beginning of friendship."[14] Herman points to the account of Odysseys giving Iphitos a sword and spear after having been given a formidable bow while saying they were "the first toke of loving guest-friendship".[14] Herman also shows that Herodotus holds "the conclusion of an alliance and the exchange of gifts appeared as two inseparable acts: Polykrates, having seized the government in Samos, "concluded a pact of xenia with Amasis king of Egypt, sending and receiving from him gifts (dora)".[14] Within the ritual it was important that the return gift be offered immediately after receiving a gift with each commensurate rather than attempting to surpass each other in value. The initial gifts in such an exchange would fall somewhere between being symbolic but useless, and of high use-value but without any special symbolic significance.[14] The initial gifts would serve as both object and symbol. Herman points out that these good were not viewed as trade or barter, "for the exchange was not an end in itself, but a means to another end." While trade ends with the exchange, the ritual exchange "was meant to symbolize the establishment of obligations which, ideally, would last for ever."[14]

See also


  1. Bruce Louden, Homer's Odyssey and the Near East (Cambridge University Press, 2011), pp. 31–32; John B. Weaver, Plots of Epiphany: Prison-Escape in Acts of the Apostles (Walter de Gruyter, 2004), p. 34.
  2. "The Odyssey: Be our guest with Xenia - Classical Wisdom Weekly". Classical Wisdom Weekly. Retrieved 2016-04-26.
  3. Homer. The Iliad. Translated by Robert Fagles. New York: Penguin, 1990. Book VI, Lines 137 - 282
  4. Lattimore, Richmond (2011). The Iliad of Homer. Chicago, Illinois: The University of Chicago Press. pp. Book 7; lines 299–302. ISBN 9780226470498.
  5. Lattimore, Richmond (2011). The Iliad of Homer. Chicago, Illinois: The University of Chicago Press. pp. Book 9; lines 197–265. ISBN 9780226470498.
  6. Lattimore, Richmond (2011). The Iliad of Homer. Chicago, Illinois: The University of Chicago Press. pp. Book 18; lines 406–409. ISBN 9780226470498.
  7. Lattimore, Richmond (2011). The Iliad of Homer. Chicago, Illinois: The University of Chicago Press. pp. Book 8 lines 204–211.
  8. Homer, Odyssey, 20.287-319
  9. "The Value of Hospitality". Union College. 2005. Retrieved 12 July 2014.
  10. Rhodios, Apollonios (2007). The Argonautika. Berkeley, California: University of California Press. pp. Book 2; lines 55–98. ISBN 9780520253933.
  11. Rhodios, Apollonios (2007). The Argonautika. Berkeley, California: University of California Press. pp. Book 2; lines 1122–1230. ISBN 9780520253933.
  12. Rhodios, Apollonios (2007). The Argonautika. Berkeley, California: University of California Press. pp. Book 2; lines 1195–1200. ISBN 9780520253933.
  13. Rhodios, Apollonios (2007). The Argonautika. Berkeley, California: University of California Press. pp. Book 3; lines 275–330. ISBN 9780520253933.
  14. 1 2 3 4 5 6 7 8 Gabriel Herman (1987). Ritualised Friendship and the Greek City. New York, NY: Cambridge University Press.
Vandiver, Elizabeth, Ph.D. (Lecturer). (1999). The Iliad of Homer. [Audio CD]
Vandiver, Elizabeth, Ph.D. (Lecturer). (1999). The Odyssey of Homer. [Audio CD]
Vandiver, Elizabeth, Ph.D. (Lecturer). (2000). Greek Tragedy Part I. [Audio CD]

External links

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