Barbara Vanderlinden

Barbara Vanderlinden

Barbara Vanderlinden is an art critic, editor and curator.

More recently, she has served as Professor of Exhibition Studies and Director of the Exhibition Laboratory at the University of the Arts Helsinki (Taideyliopisto) in Finland where she organized Laboratory of Hearing.^[1] Previously, she was Visiting Professor and initiator of the International Curatorial Programme (2001)^[2] at the Gwangju Biennale Foundation, Gwangju, South Korea, and Associate Professor of curatorial studies for the CCS Bard Master of Arts Program in Curatorial Studies in Annandale-on-Hudson, New York, Professor of Exhibition and Museum Studies (2005-2007) at the San Francisco Art Institute.^[3]

In 1999, she co-curated the Laboratorium exhibition (with Hans Ulrich Obrist).^[4][5] She served as director of the 2008 Brussels Biennial^[6] and organised multiple exhibitions as well as various international biennales including the Taipei Biennial: Do You Believe in Reality? in 2004 at the Taipei Fine Arts Museum,^[7][8][9] Manifesta 2, european biennial of contemporray art (1997),^[10] Generation Z at MoMA PS1 in New York,^[11][12] and Two Hours Wide, Two Hours Long 58/98 at Cultural Centre of Belém in Lisbon. In 2002 she co-curated with Boris Groys The Art Judgement Show^[13] and in 2000 she was co-curating with Adriano Pedrosa, Ivo Mesquita, Cuauhtemoc Medina, Louise Neri and Lilian Tone the defunct 25th Sao Paolo Bienal.^[14]

Vanderlinden is the author of a reference book in the field of exhibitions and biennials stories in Europe called The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe (MIT Press, 2005)^[15] and co-author (with Francesco Bonami and Nancy Spector) of Maurizio Cattelan (Phaidon Press, 2003).^[16]

References

1. "Laboratory of Hearing". Art & Education. 2015. Retrieved 22 January 2016.
2. "Gwangju Biennale International Curator Course". Art & Education. Retrieved 22 January 2016.
3. "SFAI: An interdisciplinary and transnational approach to education in art and culture | Art & Education". Art & Education. Retrieved 2016-11-20.
4. Bishop, Claire (2004). "Antagonism and Relational Aesthetics". October. Fall 2004 (110): 51–79.
5. Holmes, Brian. "The Artistic Device, Or the Articulation of Collective Speech" (PDF). Retrieved 19 November 2016.
6. "Première Biennale de Bruxelles". La Libre Belgique (in French). 11 September 2008. Retrieved 22 January 2016.
7. Gluck, Caroline (2004-10-29). "Taipei's artistic take on reality". The New York Times. ISSN 0362-4331. Retrieved 2016-11-20.
8. group, 臺北市10461中山北路三段181號, 181 ZhongShan North Road Section 3 Taipei 10461 Taiwan, telephone [phone], [email protected], TFAM media. "TFAM | Home | Exhibitions | The 2004 Taipei Biennial ：Do You Believe in Reality?". www.tfam.museum. Retrieved 2016-11-20.
9. "Taipei Biennial adds new perspectives". www.ChinaPost.com.tw. Retrieved 2016-11-20.
10. "All Together Now". Retrieved 2016-11-20.
11. "MoMA PS1: Exhibitions: Generation Z". momaps1.org. Retrieved 2016-11-20.
12. "zingmagazine10|PS1 Contemporary Art Center|Generation Z". www.zingmagazine.com. Retrieved 2016-11-20.
13. "De Witte Raaf". www.dewitteraaf.be. Retrieved 2016-11-20.
14. "25ª Bienal de SP define seus curadores". Folha de S.Paulo. 26 August 1999. Retrieved 2016-11-20.
15. "The Manifesta Decade". frieze.com. Retrieved 2016-11-20.
16. "Maurizio Cattelan | Art | Phaidon Store". Phaidon. Retrieved 2016-11-20.