Big Easy Fantasy

Big Easy Fantasy
Live album by Willy DeVille
Released October 31, 1995
Recorded The Bottom Line, New York City
Olympia Theatre, Paris
Sea Saint Studio, New Orleans
Westlake Studio, Los Angeles
Track Studio, Los Angeles
Genre R&B, Soul, Blues, Creole
Length 48:34
Label New Rose (France)
Producer Philippe Rault
Carlo Ditta
Dr. John
Willy DeVille
Willy DeVille chronology
Willy DeVille Live
(1993)		 Big Easy Fantasy
(1995)		 Loup Garou
(1996)

Big Easy Fantasy is an album by Willy DeVille and the Mink DeVille Band. It was released in Europe on the French New Rose label in 1995. The album is a mixture of studio tracks and concert recordings made in New York and Paris. The "big easy" of the album's title refers to New Orleans. As the album cover says, the inspiration for the album was "Jump City, the Crescent City, the city that care forgot, New Orleans...The Big Easy!" All songs on the album are standards by New Orleans musicians or are original compositions by Willy DeVille about some aspect of New Orleans.

Background

In the mid-1990s, Willy DeVille did not have a recording contract with an American label, but he was very popular in Europe in the wake of his successful 1992 "New Orleans Revue" tour of the continent and his 1993 European tour with the Mink DeVille Band (which resulted in 1993's Willy DeVille Live.) The "New Orleans Revue" came about after DeVille recorded Victory Mixture, a tribute album of cover versions of New Orleans R&B and soul songs. The Revue comprised Willy DeVille, The Mink DeVille Band, and guest musicians Dr John, Johnny Adams, Zachary Richard, and The Wild Magnolias. DeVille said about the tour, "The travel, buses, and planes and the accommodations had to be some of the worst I've ever experienced, but the shows themselves were great. At the end of each show we'd throw Mardi Gras rows out to the audience, you know strands of purple and gold beads, and they'd never seen anything like it and they loved it.”[1]

Big Easy Fantasy presents live recordings of The Mink DeVille Band playing with New Orleans legends Eddie Bo and The Wild Magnolias; some remixes from the Victory Mixture sessions; and "Voodoo Charm," a cut previously heard on 1992's Backstreets of Desire album. "Teasing You," "Beating Like a Tom-Tom," and ”Who Shot the La-La” are also on the Victory Mixture album, but have slightly different horn arrangements and background vocals. "Just Off Decatur Street," recorded during the Victory Mixture sessions and remixed later on, appears only on Big Easy Fantasy.

Reviews

Trouser Press called the album "another successful exploration of New Orleans' musical heritage; the re-energized DeVille holds his own while sharing the stage and the spotlight with an even more impressive array of Crescent City luminaries."[2] Randy Krbechek said about Big Easy Fantasy, "For my money, I'd have released this album as either an all-live set, or an all-studio recording. However, I'm not complaining too loudly—DeVille's a great talent, and any serving from him is richly welcomed."[3]

Other information

The album includes a booklet with information about when cover songs were initially recorded and who played on each song.

Remixing of songs from the Victory Mixture sessions was done at the Westlake Studio in Los Angeles in August, 1995. DeVille began working on his next album, Loup Garou, later that year in Los Angeles.

Track listing

Unless otherwise noted, all songs by Willy DeVille.

  1. "Jump City" - 5:41
  2. "Every Dog Has Its Day" (Eddie Bocage) - 2:10
  3. "Hello My Lover" (Clarence Toussaint) - 3:44
    • Mink DeVille band; recorded live at the Olympia Theatre
  4. "Key to My Heart" (Eddie Bocage) - 4:31
    • Mink DeVille band with Eddie Bo on piano; recorded live at The Bottom Line
  5. "Bamboo Road" - 4:56
  6. "Iko Iko" (James "Sugar Boy" Crawford; traditional) - 5:13
    • Mink DeVille band with the Wild Magnolias on vocals, tambourines, bass drum; recorded live at The Bottom Line
  7. "Meet the Boys (on the Battlefront)" (traditional) - 3:03
    • Mink DeVille band with the Wild Magnolias on vocals, tambourines, bass drum; recorded live at The Bottom Line
  8. "Just Off Decatur Street" - 4:22
  9. "Teasing You" (Earl King) - 3:30
    • Willy DeVille on vocals, Isaac Bolden on piano, Freddy Koëlla on guitar, René Coman on bass guitar, Kerry Brown on drums, Lon Price on tenor saxophone, Steve Madaio on trumpet, Willy DeVille on harmony vocal; recorded at Sea Saint Studio and Westlake Studio
  10. "Beating Like A Tom-Tom" (Ernest Kador) - 4:17
    • Willy DeVille on vocals, Allen Toussaint on piano, Wayne Bennett on guitar, René Coman on bass guitar, Johnny Vidacovich on drums, Steve Croes on sudra drum, Lon Price on tenor saxophone, Steve Madaio on trumpet, Dorene and YaDonna Wise on background vocals, Kate Markowitz on background vocals, James Gilstrap on background vocals; recorded at Sea Saint Studio and Westlake Studio
  11. ”Who Shot the La-La” (Eddie Bocage, D. Burmak, Theresa Terry) - 2:56
    • Willy DeVille on vocals, Eddie Bo on piano, Bill Gregory on guitar, Freddy Koëlla on guitar, René Coman on bass guitar, Porgy Jones on tambourine, Johnny Vidacovich on drums, Allison Miner on background vocals, Dereme and YaDonna Wise on background vocals, James Gilstrap on background vocals; recorded at Sea Saint Studio and Westlake Studio
  12. "Voodoo Charm" - 4:11
    • Willy DeVille on vocals, Jeff "Skunk" Baxter on guitar, Reggie McBride on bass guitar, Luis Conte on percussion, Fred Staehle on drums and wingertree, Steve Madaio on trumpet, Lon Price on tenor saxophone, Joel Peksin on baritone saxophone, John "Streamline" Ewing on trombone, Freebo on tuba, Bonnie Sheridan on background vocals; recorded at Track Studio, Los Angeles

Personnel

The Mink DeVille Band

Other musicians

References

  1. ↑ Marcus, Richard (2006) “Interview: Willy DeVille.” Leap in the Dark (a blog). Archived March 3, 2008, at the Wayback Machine. (Retrieved 4-6-08.)
  2. ↑ Editors (2006) “Mink Deville/Willy Deville.” Trouser Press. (Retrieved 4-6-08.)
  3. ↑ Krbechek, Randy (April 24, 1996) "Big Easy Fantasy." Randy Krbechek's Metronews Music Reviews. (Retrieved 4-6-08.)
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