Erin Gee (artist)
| Erin Gee | |
|---|---|
| Born | Erin Marie Gee |
| Nationality | Canadian |
| Education | University of Regina, Concordia University |
| Known for | composition, new media art |
| Notable work | Orpheux Larynx |
| Website | http://www.eringee.net/ |
Erin Gee (artist) is a Canadian artist based in Montreal. She is known for new media artworks and electroacoustic music composition and her art is inspired by technology and emotions, for example creating music and moving machinery inspired by recordings of heart rate and anxiety.[1][2][3] Her works have been shown and performed internationally. Gee is currently an Assistant Professor at Concordia University where she teaches in the Department of Communications.[4]
Career
Gee's art includes works for performance, interactive installation, multichannel audio, robotics, video, print media, and interactive sculpture.[1]
As part of her work, Gee has become a self-taught robotics specialist, measuring "actors’ sweat production, heart rate, blood flow and breathing — all indicators of heightened emotions — to create the data for a computer program that transfers the data into musical notes and triggers a performance from her tubular bell-outfitted robots."[5] This informs her work titled Swarming Emotional Pianos, which includes a video of two actors responding to vocal commands of fear, anger, joy.[5] This work was created in collaboration with Vaughan Macefield, an Australian neurophysiologist and presented on December 13, 2014 as part of the Innovations en Concert series in Montreal, QC.[6] The work titled Orpheux Larynx was created in collaboration with Stelarc as a vocal performance for three choral robots and human soprano singer.
Education
Gee graduated from the University of Regina with a Bachelor of Music Education degree in 2006 and a Bachelor of Fine Arts in 2009. She graduated from Concordia University in 2014 with a Master of Fine Arts degree.
Exhibitions and Performances
| Year | Title | Gallery / Event | Location | Notes |
|---|---|---|---|---|
| 2016 | Vocales Digitales | Hamilton Artists' Inc | Hamilton, ON | Solo exhibition |
| 2015 | Larynx Series | Dunlop Art Gallery | Regina, SK | |
| 2015 | What Can a Vocaloid Do? | Trinity Square Video | Toronto, ON | |
| 2015 | Flesh of the World | Musée d’art Contemporain de Montreal (MACM) | Montreal, QC | |
| 2014 | Swarming Emotional Pianos v1.0 | Innovations en Concert at Eastern Bloc | Montreal, QC | |
| 2014 | 7 Nights of Unspeakable Truth | Epcor Centre for the Performing Arts +15 | Calgary, AB | |
| 2014 | Erin Gee and Kelly Andres | Cirque du Soleil Headquarters | Montreal, QC | |
| 2013 | Et si les robots mangaient les pommes | Maison des Arts de Laval | Laval, QC | |
| 2013 | Practice Practice | Toronto Nuit Blanche | Toronto, ON | |
| 2013 | Seven Nights of Unspeakable Truth | Espace[IM]Média Festival | Sherbrooke, QC | |
| 2012 | Interactions | Leonard and Bina Ellen Gallery | Montreal, QC | |
| 2012 | Digital Interdisciplinations | Tin Sheds Gallery | Sydney, Australia | |
| 2012 | Larynx | Nuit Blanche, Art Souterrain | Montreal, QC | |
| 2012 | Voice of Echo | Gallerywest | Toronto, ON | |
| 2011 | Uncanny Sound | TACTIC | Cork, Ireland | |
| 2011 | Orpheux Larynx | Powerhouse Museum | Sydney, Australia | |
| 2011 | Live/Afterlives | La Centrale | Montreal, QC | |
| 2011 | Gen@Next | Art Gallery of Regina | Regina, SK | |
| 2010 | Post-Human//Future Tense | Arcade Gallery | Columbia College, Chicago | |
| 2010 | Lucide | Neutral Ground Art Gallery | Regina, SK | |
| 2010 | Combine | Harbourfront Centre | Toronto, ON | |
| 2009 | uCuE presents Strictement Multivoie: hear and there, then and now | Oscar Peterson Concert Hall | Montreal, QC | |
| 2009 | Mind the Gap! | Dunlop Art Gallery | Regina, SK | |
| 2009 | SoundLAB VI | FILE Electric Language International Festival | São Paulo, Brazil | |
| 2009 | Trivial Pursuits: Mass Distraction | Interaccess | Toronto, ON |
References
- 1 2 Oyler, Lauren (December 16, 2014). "Erin Gee Makes Feminist Robots That Respond to Human Emotion". Vice Magazine. Retrieved 13 March 2016.
- ↑ "Bridging the gap between body and technology". Social Sciences and Humanities Research Council. February 23, 2016. Retrieved 13 March 2016.
- ↑ Ojiaku, Princess (December 14, 2014). "Science with Moxie - Erin Gee blends emotions, science, music, and robotic pianos". Scientific American (archived). Archived from the original on December 15, 2014. Retrieved 13 March 2016.
- ↑ "Faculty". www.concordia.ca. Retrieved 2016-03-14.
- 1 2 "Erin Gee makes biological art with Swarming Emotional Pianos". www.cbc.ca. Retrieved 2016-03-13.
- ↑ Arts, Rocketday. "Innovations en concert :: Erin Gee: Swarming Emotional Pianos". Innovations en concert. Retrieved 2016-03-13.
External links
- Bondar, Carin. December 14, 2014. “Erin Gee Blends Emotions, Science, Music and Robotic Pianos”. Scientific American Blogs.
- Cassivi, Marc. 23, Octobre 2012. “La symphonie des sens.” La Presse.
- Cinq a Six. September 12, 2012. “Compose Your Emotions.” CBC.
- Godwin, Alexandra. (Dec 17, 2014) "Artist Makes Femme Bots That Respond To Your Feels." Oyster.com. Retrieved March 14, 2016.
- Ishmael, Amelia. “On Site: Sound Art Theories Symposium School of the Art Institute of Chicago, Chicago, USA.” The WIRE: Adventures in Sound and Music, no. 336, February 2012.
- "Erin Gee :: Electronic Media" Artist's website. Retrieved March 14, 2016.
- "Futurfemmes" Retrieved March 14, 2016.
- Gee, Erin. Swarming Emotional Pianos (mechanical artwork). Youtube. Retrieved March 14, 2016.
- Kelly, Jeanette. Dec 12, 2014. "Erin Gee is making music from human emotions: Robots use biological feedback to produce music in Swarming Emotional Pianos." CBC News. Retrieved March 14, 2016.
- Nitesh. May 16, 2014. "BRIDGING ROBOTICS AND EMOTION: A CONVERSATION WITH ERIN GEE." Atwood Magazine. Retrieved March 14, 2016.
- Shingler, Benjamin. October 8, 2012. “This is Your Brain on Music: Researchers to create tunes written by body’s emotional responses.” National Post.
- SSHRC Research Stories. February 23, 2016 “Feeling the Music.” Social Sciences and Humanities Research Council. Retrieved March 14, 2016.