F (musical note)
F is a musical note, the fourth above C. It is also known as fa in fixed-do solfège. It has enharmonic equivalents of E♯ and G
, amongst others.
When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle F (F4) is approximately 349.228 Hz. See pitch (music) for a discussion of historical variations in frequency.
Designation by octave
| Scientific designation | Helmholtz designation | Bilinear music notation | Octave name | Frequency (Hz) |
|---|---|---|---|---|
| F-1 | F͵͵͵ or ͵͵͵F or FFFF | (-uF) | Subsubcontra | 10.913 |
| F0 | F͵͵ or ͵͵F or FFF | (-vF) | Subcontra | 21.827 |
| F1 | F͵ or ͵F or FF | (-wF) | Contra | 43.654 |
| F2 | F | (-xF) | Great | 87.307 |
| F3 | f | (-yF) | Small | 174.614 |
| F4 | f′ | (zF) | One-lined | 349.228 |
| F5 | f′′ | (yF) | Two-lined | 698.456 |
| F6 | f′′′ | (xF) | Three-lined | 1396.913 |
| F7 | f′′′′ | (wF) | Four-lined | 2793.826 |
| F8 | f′′′′′ | (vF) | Five-lined | 5587.652 |
| F9 | f′′′′′′ | (uF) | Six-lined | 11175.303 |
| F10 | f′′′′′′′ | (tF) | Seven-lined | 22350.607 |
Scales
Common scales beginning on F
- F Major: F G A B♭ C D E F
- F Natural Minor: F G A♭ B♭ C D♭ E♭ F
- F Harmonic Minor: F G A♭ B♭ C D♭ E F
- F Melodic Minor Ascending: F G A♭ B♭ C D E F
- F Melodic Minor Descending: F E♭ D♭ C B♭ A♭ G F
Diatonic scales
- F Ionian: F G A B♭ C D E F
- F Dorian: F G A♭ B♭ C D E♭ F
- F Phrygian: F G♭ A♭ B♭ C D♭ E♭ F
- F Lydian: F G A B C D E F
- F Mixolydian: F G A B♭ C D E♭ F
- F Aeolian: F G A♭ B♭ C D♭ E♭ F
- F Locrian: F G♭ A♭ B♭ C♭ D♭ E♭ F
Jazz Melodic Minor
- F Ascending Melodic Minor: F G A♭ B♭ C D E F
- F Dorian ♭2: F G♭ A♭ B♭ C D E♭ F
- F Lydian Augmented: F G A B C♯ D E F
- F Lydian Dominant: F G A B C D E♭ F
- F Mixolydian ♭6: F G A B♭ C D♭ E♭ F
- F Locrian ♮2: F G A♭ B♭ C♭ D♭ E♭ F
- F Altered: F G♭ A♭ B C♭ D♭ E♭ F
E sharp
E♯ is a common enharmonic equivalent of F, but is not regarded as the same note. E♯ is commonly found before F♯ in the same measure in pieces where F♯ is in the key signature, in order to represent a diatonic, rather than a chromatic semitone; writing an F♮ with a following F♯ is regarded as a chromatic alteration of one scale degree.
See also
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