For LP Fans Only
For LP Fans Only | ||||
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Studio album by Elvis Presley | ||||
Released | February 6, 1959 | |||
Recorded | July 1954–October 1956 | |||
Genre | Rock and roll, rockabilly[1] | |||
Length | 23:28 | |||
Label | RCA Victor | |||
Producer |
Sam Phillips (Sun recordings) Steve Sholes (RCA recordings) | |||
Elvis Presley chronology | ||||
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Singles from For LP Fans Only | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | [2] |
MusicHound | [3] |
Rough Guides | [4] |
For LP Fans Only is the seventh album by Elvis Presley, issued by RCA Victor in February 1959. It is a selection of material from an August 1956 recording session at 20th Century Fox Stage One, a September 1956 session at Radio Recorders in Hollywood, sessions on January 10 and 11 at the RCA Victor Studios in Nashville, two more at the RCA Victor Studios in New York, and multiple sessions at Sun Studio. The album reached number 19 on the Billboard Top Pop Albums chart.[5]
Content
After Presley's induction into the United States Army on March 24, 1958, RCA Victor and Presley's manager, Colonel Tom Parker, were faced with the prospect of keeping his name before the public for two years with no possibility of live performances or movies, and few unissued marketable recordings in the vault. A recording session was arranged for two days in June, which yielded enough items for five more single sides, singles being the commercial focus for rock and roll in the 1950s. Four of those tracks would be issued on 45s in 1958 and 1959 during his absence while doing military service.
Presley, however, also did well in the albums market. Each of his previous six LPs charted no lower than number three, and RCA wished to continue to release albums by their hot commodity given his sales record. Much of Presley's material had been issued on single records, not on LP. For this album, RCA Victor collected nine tracks previously available in single form only, as well as "Poor Boy" from the Love Me Tender EP. Four of the tracks had been issued on Sun Records with limited release, and were very difficult to come by outside of the south. However all 5 Sun singles were reissued by RCA in November 1955 and remained in print through the 1970s.
"That's All Right (Mama)"
Presley's very first recording was included on this album. | |
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This album was the debut release of Elvis' first commercial recording "That's All Right (Mama)" in the United Kingdom. It was never issued as a single there during Presley's lifetime. RCA reissued For LP Fans Only on compact disc in 1989. Audiophile CD recordings are available on import in the United States, including the 2005 Japanese pressing with a truncated track list. The album is included in a 25 disc package, "The Perfect Blues Collection", released by Sony in 2011.
Collective personnel
- Elvis Presley – vocals, guitar
- Scotty Moore – guitar
- Chet Atkins – guitar
- Floyd Cramer – piano
- Shorty Long – piano
- Gordon Stoker – piano, backing vocals
- Bill Black – bass
- D.J. Fontana – drums
- Jimmie Lott – drums
- Johnny Bernero – drums
- The Jordanaires – backing vocals
- Ben Speer – backing vocals
- Brock Speer – backing vocals
Track listing
Chart position for EPA 4006 from Billboard Top Pop Albums chart; positions for singles from Billboard Pop Singles chart
Original release
Side one | ||||
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No. | Title | Writer(s) | Recording date | Length |
1. | "That's All Right" | Arthur Crudup | July 5, 1954 | 1:55 |
2. | "Lawdy Miss Clawdy" | Lloyd Price | February 3, 1956 | 2:08 |
3. | "Mystery Train" | Herman Parker Jr. and Sam Phillips | July 11, 1955 | 2:24 |
4. | "Playing for Keeps" | Stan Kesler | September 1, 1956 | 2:50 |
5. | "Poor Boy" | Vera Matson and Elvis Presley | August 24, 1956 | 2:13 |
Side two | ||||
---|---|---|---|---|
No. | Title | Writer(s) | Recording date | Length |
1. | "My Baby Left Me" | Arthur Crudup | January 30, 1956 | 2:12 |
2. | "I Was The One" | Aaron Schroeder, Claude Demetrius, Hal Blair, Bill Peppers | January 11, 1956 | 2:34 |
3. | "Shake, Rattle & Roll" | Charles Calhoun | February 3, 1956 | 2:37 |
4. | "I'm Left, You're Right, She's Gone" | Stan Kesler and William E. Taylor | March 5, 1955 | 2:36 |
5. | "You're a Heartbreaker" | Jack Sallee | November 12, 1954 | 2:12 |
Germany reissue with bonus titles
No. | Title | Writer(s) | Recording date | Length |
---|---|---|---|---|
1. | "That's All Right" | Arthur Crudup | July 5, 1954 | 1:55 |
2. | "Lawdy Miss Clawdy" | Lloyd Price | February 3, 1956 | 2:08 |
3. | "Mystery Train" | Junior Parker and Sam Phillips | July 11, 1955 | 2:24 |
4. | "Playing for Keeps" | Stan Kesler | September 1, 1956 | 2:50 |
5. | "Poor Boy" | Vera Matson and Elvis Presley | August 24, 1956 | 2:13 |
6. | "Money Honey" | Jesse Stone | January 10, 1956 | 2:36 |
7. | "I'm Counting on You" | Don Robertson | January 11, 1956 | 2:24 |
8. | "My Baby Left Me" | Arthur Crudup | January 30, 1956 | 2:12 |
9. | "I Was The One" | Aaron Schroeder, Claude DeMetrius, Hal Blair, Bill Peppers | January 11, 1956 | 2:34 |
10. | "Shake, Rattle & Roll" | Charles Calhoun | February 3, 1956 | 2:37 |
11. | "I'm Left, You're Right, She's Gone" | Stan Kesler and William E. Taylor | March 5, 1955 | 2:36 |
12. | "You're a Heartbreaker" | Jack Sallee | November 12, 1954 | 2:12 |
13. | "Trying to Get to You" | Rose Marie McCoy and Margie Singleton | July 11, 1955 | 2:33 |
14. | "Blue Suede Shoes" | Carl Perkins | January 30, 1956 | 1:58 |
Chart performance
Chart (1959) | Peak position |
---|---|
US Billboard Hot 200 | 19 |
References
- ↑ http://www.allmusic.com/album/for-lp-fans-only-mw0000200208
- ↑ AllMusic review
- ↑ Graff, Gary; Durchholz, Daniel (eds) (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. p. 892. ISBN 1-57859-061-2.
- ↑ Simpson, Paul (2004). The Rough Guide to Elvis. London: Rough Guides. p. 113. ISBN 1-84353-417-7.
- ↑ "Pop albums". Elvis Presley: The Official Site of the King of Rock 'n' Roll. Elvis Presley Enterprises, Inc. 2013. Retrieved May 18, 2013.
- Jorgenson, Ernst (1998). Elvis Presley: A Life In Music - The Complete Recording Sessions. New York: St. Martin's Press. ISBN 0-312-18572-3