Jackie Brown: Music from the Miramax Motion Picture
Jackie Brown | ||||
---|---|---|---|---|
Soundtrack album by Various artists | ||||
Released | December 9, 1997 | |||
Genre | R&B, Soul | |||
Length | 51:06 | |||
Label |
Maverick Records A Band Apart | |||
Producer |
Quentin Tarantino Lawrence Bender | |||
Quentin Tarantino film soundtrack chronology | ||||
|
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | [1] |
Jackie Brown: Music from the Miramax Motion Picture is the soundtrack to Quentin Tarantino's motion picture Jackie Brown. It was originally released on December 9, 1997. The soundtrack uses a variety of music genres, including soul. The soundtrack also includes dialogue from the motion picture and a lack of typical film score, similar to the other soundtracks of Tarantino films.
Track listing
- "Across 110th Street" by Bobby Womack and Peace – 3:48
- "Beaumont's Lament" (Dialogue excerpt featuring Samuel L. Jackson & Robert De Niro) – 0:50
- "Strawberry Letter 23" by The Brothers Johnson – 4:58
- "Melanie, Simone and Sheronda" (Dialogue excerpt featuring Samuel L. Jackson & Robert De Niro) – 0:32
- "Who Is He (And What Is He to You)?" by Bill Withers – 3:12
- "Tennessee Stud" by Johnny Cash – 2:54
- "Natural High" by Bloodstone – 4:54
- "Long Time Woman" by Pam Grier – 2:52
- "Detroit 9000" (Dialogue excerpt featuring Council Cargle) – 0:07
- "(Holy Matrimony) Letter to the Firm" by Foxy Brown – 3:26
- "Street Life" performed by Randy Crawford – 4:18
- "Didn't I (Blow Your Mind This Time)" by The Delfonics – 3:21
- "Midnight Confessions" by The Grass Roots – 2:43
- "Inside My Love" by Minnie Riperton – 3:56
- "Just Ask Melanie" (Dialogue excerpt featuring Samuel L. Jackson, Robert De Niro & Bridget Fonda) – 0:43
- "The Lions and the Cucumber" by The Vampires' Sound Incorporation – 5:07
- "Monte Carlo Nights" by Elliot Easton's Tiki Gods – 3:25
Tarantino's selection process for the songs
Tarantino has said that in developing the script for Jackie Brown, he decided on the majority of the songs during the writing stage.[2] He added:
“ | More or less the way my method works is you have got to find the opening credit sequence first. That starts it off from me. I find the personality of the piece through the music that is going to be in it [...] It is the rhythm of the film. Once I know I want to do something, then it is a simple matter of me diving into my record collection and finding the songs that give me the rhythm of my movie. | ” |
Other tracks heard in the film
Some of the songs used in the film were not included in the commercially released soundtrack. These songs are listed during the film's credits.
- "Baby Love" by The Supremes
- "Exotic Dance" by Roy Ayers
- "My Touch of Madness" by Jermaine Jackson
- "La La La Means I Love You" by the Delfonics
- "Cissy Strut" by The Meters
- "Aragon" by Roy Ayers
- "Brawling Broads" by Roy Ayers
- "She Puts Me in the Mood" by Elvin Bishop
- "Undun" by the Guess Who
- "Escape" by Roy Ayers
- "Vittrone's Theme - King is Dead" by Roy Ayers
- "Grazing in the Grass" by Orchestra Harlow
- "Mad Dog (Feroce)" by Umberto Smaila
- "Jizz Da Pitt" by Slash's Snakepit
Personnel
- Quentin Tarantino and Lawrence Bender – Executive album producers
- Mary Ramos and Michele Huznetsky – Music consultants
- Tom Baker – Mastering
- Ann Karlin and John Katovsich – Music coordinators
See also
Notes
This article is issued from Wikipedia - version of the 2/27/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.