Kunsthaus Bregenz
The Kunsthaus Bregenz (KUB) presents temporary exhibitions of international contemporary art in Bregenz, capital of the Austrian Federal State of Vorarlberg. Commissioned by the State of Vorarlberg and designed by the Swiss architect Peter Zumthor, it was built between 1990 and 1997.
Exhibitions
The Kunsthaus Bregenz is one of Europe’s leading galleries for contemporary art both architecturally and in terms of its program. The KUB Arena located on the ground floor, along with three vertical floors, offers 1,880 m² of exhibition space. The Kunsthaus exhibits works by international contemporary artists who generally create art work specifically for the Kunsthaus. The KUB also has its own collection with two core areas: “Archive Art Architecture” and “Contemporary Austrian Art.” Select works of exhibiting artists have been expanding the latter part of the collection since 2009.
The KUB not only addresses international concerns with its exhibitions and projects, but also helps shape the cultural identity of Vorarlberg with regional projects. Noteworthy examples are Gottfried Bechtold’s “Signatur 02” at the Silvretta dam, the American artist Jenny Holzer’s “Truth Before Power” (2004), involving the projection of large-format texts onto architectural and natural monuments in Vorarlberg, or, from August 2010 through April 2012, the British sculptor Antony Gormley’s landscape project “Horizon Field.”
Apart from extensive and prestigious shows in its main exhibition spaces, the KUB also runs projects with a processual and interdisciplinary bias in the KUB Arena. Conceived as a discursive interface between architecture and work, this art and art educational platform is located on the ground floor of the Kunsthaus.
Alongside its exhibitions, the Kunsthaus offers an extensive educational program. The Kunsthaus Bregenz publishes work-relevant books, collections of essays, and catalogues, often in close collaboration with exhibiting artists and designers such as Walter Nikkels or Stefan Sagmeister. Exclusive special editions for the Kunsthaus Bregenz are an outcome of the close collaboration between artists and their exhibition production.
History
The KUB opened in July 1997 with an exhibition by the American artist James Turrell. Edelbert Köb, founding director of the Kunsthaus Bregenz, was succeeded by Eckhard Schneider (2000–2008); Yilmaz Dziewior has been Kunsthaus Director since October 1, 2009.
Architecture
The art museum stands in the light of Lake Constance. It is made of glass and steel and a cast concrete stone mass which endows the interior of the building with texture and spatial composition. From the outside, the building looks like a lamp. It absorbs the changing light of the sky, the haze of the lake, it reflects light and color and gives an intimation of its inner life according to the angle of vision, the daylight, and the weather.— Peter Zumthor, [1]
Majestically impervious to the external gaze, the glass-sheathed cube standing on the shore of Lake Constance has been an aesthetic presence in Vorarlberg for ten years.— – Neue Zürcher Zeitung, August 3, 2007
The Kunsthaus Bregenz was designed by the Swiss architect Peter Zumthor, 2009 Pritzker Architecture Prize laureate, and winner of the Mies van der Rohe Award for European Architecture in 1998. The KUB has since received numerous distinctions for its method of construction. One of the major modern art galleries worldwide, it is a fine example of architectural minimalism. Distinguished by its imposing external form and unwavering spatial concept, the building was conceived as a daylight museum. Swiss architect Peter Zumthor’s design, in his own words, aimed at fulfilling an art gallery’s chief function: to be a place for art and a place where people can peacefully encounter art. For artists exhibiting at the KUB, the architecture is a measure and conceptual stimulus for their projects, especially when entire new series of works are being produced. The architecture is an indispensable platform for the KUB’s international exhibition program.
Location
The KUB is a prominent solitary construction in downtown Bregenz near the vorarlberg museum and Vorarlberger Landestheater and not far from the lakefront. Together with the Landestheater it frames an open square between the old town and the lake.[2]
Façade
The façade consists of 712 finely etched equally sized glass panels weighng some 250 kg each,[3] secured by clips to a steel framework. These panels form a free-standing, light-diffusing skin, independent of the actual building, that serves to initially refract the incident daylight and conduct it to the light ceilings in the exhibition halls. At dark, the artificial lighting from the interior shines through inner light bands and outer skin to show the building’s interior life. The gap between light skin and building accommodates servicing equipment. Artists exhibiting at the KUB have sometimes made use of the façade in their installations.[2]
Interior
Materials distinguish the interior, with exposed unpainted concrete visibly dominating. The floors and stairways are of polished terrazzo, the walls and ceilings of exposed unpolished concrete. The ground floor accommodates foyer, checkroom, cashier’s desk, and catalogue sales, although most of its almost 500 m2 is used as a multifunctional exhibiting space for KUB Arena projects. Aside from its etched glass outer walls, three differently positioned concrete wall-slabs are visible on the ground floor. These support the Kunsthaus floors and ceilings, structuring the exhibition space on all three upper stories and dividing it from the main stairways, emergency exits, and passenger and freight elevators. Uniformly positioned entrances and exits structure a route through ground floor and upper stories. The latter differ only in ceiling height; each can be used as one large space or scaled down by means of mobile partitions, depending on the project. All three upper stories are top-lit. The ceilings of the exhibition spaces are of loosely joined glass panels. Incident light enters the building on all four sides through light bands and is distributed through the interior volume of each story by the glass ceiling panels. Artificial lighting in the cavity above the glass ceilings complements or replaces daylight as required. These light sources are not visible. The ground and three upper stories and their material and formal aesthetic make up a unity with great potential for art installations. Two subterranean levels complete the spatial program. The first, supplied with daylight by a light pit, accommodates a lecture room, the museum educational center, and sanitary rooms, separated from the non public areas (stock, maintenance, personnel rooms) by translucent glass brick walls. The second subterranean level is closed to the public. It accommodates an originals archive and storage space as well as the electrical, heating, and climate controls.
Administration building, café
The KUB administration building is set a short way off from the town side of the Kunsthaus, its black façade directed at the front of the Kunsthaus and its entrance. It acts as a transitional structure to the smaller and low buildings of the old part of the town. In addition to administration offices, the ground floor houses the KUB café. Peter Zumthor has displayed his uncompromising architectural vision here again, café, bar area, and kitchen being faced with black exposed concrete. In separating these amenities indispensable to a modern art gallery from the art exhibiting building, the latter can devote itself to its primary purpose.
KUB collection showcase
The Kunsthaus Bregenz has its own collection. One of the largest groups of works in the collection consists of architectural models by Peter Zumthor. Some of these exhibits have been archived since the architect's solo exhibition in 2007. Further models have been and are still being added to the collection as permanent loans. Since June 2012, a selection of these models is on show in the KUB collection showcase on the first floor of the post office building directly adjacent to the Kunsthaus Bregenz. Buildings and projects that were realized as well as those that remained in the design stage are on show. The variety displayed in the exhibition demonstrates the outstanding role that working with models and materials such as wood, metal, or clay plays in Peter Zumthor's studio.
List of exhibitions
Year | Artist(s) | Exhibition | Duration |
---|---|---|---|
1997 | James Turrell | James Turrell | July 26–Sept. 7 |
various | Kunst in der Stadt 1 | July 26–Sept. 7 | |
various | KünstlerInnen | Sept. 29–Nov. 30 | |
Per Kirkeby | Personale: Malerei, Zeichnung, Skulptur | Dec. 6, 1997–Feb. 15, 1998 | |
1998 | Lois Renner | Lois Renner | Feb. 28–April 13 |
various | Atlas Mapping: Künstler als Kartographen. Kartographie als Kultur | Feb. 28-April 13 | |
Adrian Schiess | Malerei. Personale | April 25–June 28 | |
various | Räume der Kunst | April 25–June 28 | |
Sepp Dreissiger | 66 Fotoportraits aus der Vorarlberger Kultur | May 8–June 28 | |
various | Kunst in der Stadt 2 | July 11–Sept. 20 | |
various | Lifestyle | July 11–Sept. 20 | |
Bechtold/Kalb/Neyer/Wacker | Werkschau | Oct. 3–June 27, 1999 | |
Rainer Ganahl | Rainer Ganahl | Oct. 10–Nov. 22 | |
Erwin Bohatsch | Malerei | Nov. 28, 1998–Jan. 24, 1999 | |
Gerhard Merz | Dresden | Nov. 28, 1998–Jan. 24, 1999 | |
1999 | Ingeborg Strobl | Einige Gegenstände. Und Sonnenuntergang | Jan. 30–April. 5 |
Erwin Wurm | one minute sculptures | Jan. 30–April. 5 | |
Devlin, Gursky & Höfer | Räume | April 9–June 27 | |
Ernst Strouhal & Heimo Zobernig | Der Katalog | May 28–June 27 | |
Wolfgang Laib | Personale | July 10–Sept. 19 | |
various | Kunst in der Stadt 3 | July 10–Sept. 19 | |
Keith Sonnier | Environmental Works 1968–99 | Oct. 2–Nov. 28 | |
Helmut Federle | Personale | Dec. 9, 1999–Feb. 6, 2000 | |
2000 | Peter Kogler | Personale | Feb. 19–April 30 |
Donald Judd | Farbe | May 13–July 2 | |
various | LKW(Lebenskunstwerke) | July 15–Sept. 17 | |
Symposium Kunsthäuser | Architektur vs Kunst – Kunst vs Museum | Nov. 16–18 | |
various | Museen für ein neues Jahrtausend | Oct. 3, 2000–Jan. 7, 2001 | |
2001 | Daniel Buren | Les Couleurs Traversées | Jan. 27–March 18 |
Olafur Eliasson | The mediated motion | March 31–May 13 | |
Günther Förg | FÖRG | May 24–July | |
Jeff Koons | July 18–Sept. 16 | ||
Hiroshi Sugimoto | The Architecture of Time | Sept. 27–Jan. 6, 2002 | |
2002 | Douglas Gordon | Jan. 17–April 14 | |
Gilbert & George | April 28–June 23 | ||
Louise Bourgeois | Zeichnungen und Skulpturen – Drawings and Sculptures | July 6–Sept. 15 | |
Ruth Schnell | Territorism (KUB Façade) | July 12–Aug. 18 | |
Pierre Huyghe | L'expédition scintillante | Sept. 28–Nov. 24 | |
Doug Aitken | NEW OCEAN (a shifting exhibition) | Dec. 7, 2002–Jan. 26, 2003 | |
2003 | Mariko Mori | Wave UFO | Feb. 8–March 23 |
Gerhard Merz | fragmente bregenz 2003 | April 12–June 22 | |
Franz West | We'll Not Carry Coals | July 5–Sept. 14 | |
Anish Kapoor | My Red Homeland | Sept. 27–Nov. 16 | |
various | Remind... | Nov. 30, 2003–Jan. 11, 2004 | |
Tone Fink | Carwalk | Dec. 6, 2003–Jan. 18, 2004 | |
2004 | Gary Hume | The Bird had a Yellow Beak | Jan. 24–March 21 |
Santiago Sierra | 300 Tonnen / 300 tons | April 3–May 23 | |
Jenny Holzer | Truth Before Power | June 12–Sept. 5 | |
Thomas Demand | Phototrophy | Sept. 18–Nov. 7 | |
Hans Schabus | Das Rendezvousproblem | Nov. 20, 2004–Jan. 16, 2005 | |
2005 | Jake + Dinos Chapman | Explaining Christians to Dinosaurs | Jan. 29–March 28 |
various | Konstruktive Provokation – Neues Bauen in Vorarlberg | Feb. 5–March 28 | |
Rachel Whiteread | Walls, Doors, Floors and Stairs | April 9–May 29 | |
Roy Lichtenstein | Klassik des Neuen – Classic of the New | June 12–Sept. 9 | |
Siegrun Appelt | 288 KW | July 9–Sept. 4 | |
various | Tu Felix Austria ... Wild at Heart | July 9–Sept. 4 | |
Janet Cardiff & George Bures Miller | The Secret Hotel | Nov. 26, 2005–Jan. 15, 2006 | |
2006 | Jean-Marc Bustamante | -beautifuldays- | Jan. 29–March 19 |
gelitin | Chinese Synthese Leberkäse | April 13–May 28 | |
Michael Craig-Martin | Signs of Life | June 10–Aug. 13 | |
Tino Sehgal | Aug. 17–Sept. 24 | ||
Gottfried Bechtold | Reine und gemischte Zustände | Oct. 1–Nov. 19 | |
Cindy Sherman | Dec. 2, 2006–Jan. 28, 2007 | ||
2007 | Marcel Duchamp, Gerhard Merz, Damien Hirst, Jeff Koons | Re-Object | Feb. 18–May 13 |
Joseph Beuys, Matthew Barney, Douglas Gordon, Cy Twombly | Mythos | June 2–Sept. 9 | |
Peter Zumthor | Bauten und Projekte 1986–2007 | Sept. 29, 2007–Jan. 9, 2008 | |
2008 | Maurizio Cattelan | Feb. 2–March 24 | |
Carsten Höller | Carrousel | April 12–June 1 | |
Richard Serra | Drawings – Work Comes Out of Work | June 14–Sept. 14 | |
Jan Fabre | From the Cellar to the Attic – From the Feet to the Brain | Sept. 27–Jan. 25, 2009 | |
2009 | Markus Schinwald | Vanishing Lessons | Feb. 14–March 13 |
Lothar Baumgarten | Seven Sounds/Seven Circles | April 25–June 21 | |
Antony Gormley | July 13–Oct. 4 | ||
Tony Oursler | Lock 2,4,6 | Oct. 24, 2009–Jan. 17, 2010 | |
2010 | Candice Breitz | The Scripted Life | Feb. 6–April 11 |
Roni Horn | Well and Truly | April 24–July 4 | |
Cosima von Bonin | The Fatigue Empire | July 18–Oct. 3 | |
Raumlaborberlin | Bye Bye Utopia | July 18–Oct. 3 | |
Harun Farocki | Weiche Montagen / Soft Montages | Oct. 23–Jan. 9, 2011 | |
Antony Gormley | Horizon Field | Aug. 2010–April 2012 | |
2011 | Haegue Yang | Arrivals | Jan. 22–April 3 |
Michal Heiman, Hannah Hurtzig, Katrin Mayer | KUB Arena: Living Archives - Kooperation Van Abbemuseum | Jan. 22–April 3 | |
various | So machen wir es. Techniken und Ästhetik der Aneignung / That´s the way we do it. The Techniques and Aesthetic of Appropriation | April 16–July 3 | |
Yona Friedman and Eckhard Schulze-Fielitz | KUB Arena | April 16–July 3 | |
Ai Weiwei | Art/Architecture | July 16–Oct. 16 | |
various | KUB Arena: Anfang Gut. Alles Gut. / Beginning good. All good. | July 16–Oct. 16 | |
Valie Export | Archiv / Archive | Oct. 29–Jan. 22, 2012 | |
Theatre project: International Institute of Political Murder (IIPM) Berlin | KUB Arena: Hate Radio | Oct. 29–Jan. 22, 2012 | |
2012 | Yvonne Rainer | Raum, Körper, Sprache / Space, Body, Language | Feb. 4-April 9 |
various | KUB Arena: Bleibender Wert? Kooperation >springerin< / Enduring Value? Cooperation with 'springerin' | Feb. 4-April 9 | |
Danh Võ | Vô Danh | April 21-June 24 | |
Ulrike Müller | KUB Arena: Herstory Inventory: 100 feministische Zeichnungen von 100 KünstlerInnen / 100 feminist drawings by 100 artists | April 21-June 24 | |
Peter Zumthor | KUB Sammlungsschaufenster: Architekturmodelle Peter Zumthor / Architectural Models by Peter Zumthor | June 23-Oct. 28 | |
Ed Ruscha | Reading Ed Ruscha | July 7-Oct. 14 | |
various | KUB Arena: Sommerakademie. Kunst und Ideologiekritik nach 1989 / Art and ideological criticism after 1989 | Sept. 24-Sept. 30 | |
Florian Pumhösl | Räumliche Sequenz | Oct. 26-Jan. 20, 2013 | |
various | KUB Arena: Nairobi - A State of Mind, Cooperation Goethe-Institute Nairobi, Kenya | Oct. 26-Jan. 20, 2013 | |
2013 | various | Love is Colder than Capital | Feb. 2-April 14 |
Andy Warhol | KUB Arena: Andy Warhol - Fifteen Minutes of Fame | Feb. 2-April 14 | |
Wade Guyton, Guyton\Walker, Kelley Walker | Wade Guyton, Guyton\Walker, Kelley Walker | April 27-June 30 | |
various | KUB Arena: On the Move. European Kunsthalle at the KUB Arena | April 27-June 30 | |
Gabriel Orozco | Natural Motion | July 13-Oct. 6 | |
various | KUB Arena: Back to the Future. A Week in Summer of Art, Films, and Music | Aug. 5-Aug. 11 | |
Barbara Kruger | Oct. 19-Jan. 12, 2014 | ||
Dora Garcia | KUB Arena: Dora Garcia | Oct. 19-Jan. 12, 2014 |
Further reading
- Zumthor, Peter: Kunsthaus Bregenz In: Kunsthaus Bregenz (Hrsg.): Archiv Kunst Architektur Hatje Cantz Verlag, 1997, ISBN 3-7757-0720-4,(Werkdokumente/Kunsthaus Bregenz.).
References
- ↑ Arch Daily: AD Classics: Kunsthaus Bregenz / Peter Zumthor, 27 January 2011
- 1 2 KUB: Architecture, retrieved 20 May 2011
- ↑ Architecture Today 83, November 1997:12, Architecture Today PLC, London.
External links
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Coordinates: 47°30′17″N 9°44′52″E / 47.50472°N 9.74778°E