List of post-1950 jazz standards

Miles Davis played in Charlie Parker's band during the bebop era and personally influenced the birth of cool jazz, modal jazz and jazz fusion. Standards composed by him include "Donna Lee" (1947), "Solar" (1954), "Milestones" (1958) and "So What" (1959).

Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one major fake book publication or reference work.

Modal jazz recordings, such as Miles Davis's Kind of Blue, became popular in the late 1950s. Popular modal standards include Davis's "All Blues" and "So What" (both 1959), John Coltrane's "Impressions" (1963) and Herbie Hancock's "Maiden Voyage" (1965). Later, Davis's "second great quintet", which included saxophonist Wayne Shorter and pianist Herbie Hancock, recorded a series of highly acclaimed albums in the mid-to-late 1960s. Standards from these sessions include Shorter's "Footprints" (1966) and Eddie Harris's "Freedom Jazz Dance" (1966).

In Brazil, a new style of music called bossa nova evolved in the late 1950s. Based on Brazilian samba as well as jazz, bossa nova was championed by João Gilberto, Antonio Carlos Jobim and Luiz Bonfá. Gilberto and Stan Getz started a bossa nova craze in the United States with their 1963 album Getz/Gilberto. Among the genre's songs that are now considered standards are Bonfá's "Manhã de Carnaval" (1959), Marcos Valle's "Summer Samba" (1966), and numerous Jobim songs, including "Desafinado" (1959), "The Girl from Ipanema" (1962) and "Corcovado" (1962).

The jazz fusion movement fused jazz with other musical styles, most famously funk and rock. Its golden age was from the late 1960s to the mid-1970s. Top fusion artists, such as Weather Report, Return to Forever, Herbie Hancock and the Mahavishnu Orchestra, achieved cross-over popularity, although public interest in the genre faded at the turn of the 1980s. Fusion's biggest hits, Hancock's "Chameleon" (1973) and Joe Zawinul's "Birdland" (1977), have been covered numerous times thereafter and are sometimes considered modern jazz standards.

1950–54

Sonny Rollins played in Thelonious Monk's and Miles Davis's bands in the 1950s before starting a successful solo career. With Davis, he composed the standards "Airegin", "Doxy" and "Oleo".

• 1950 – "If I Were a Bell".^[1][2][3][4] Written by Frank Loesser.
• 1950 – "C'est si bon". Composed by Henri Betti with lyrics by Jerry Seelen.
• 1951 – "Au Privave".^[5][6][7] – Bebop composition by Charlie Parker.
• 1951 – "Blues for Alice".^[5][8][9] Composed by Charlie Parker.
• 1951 – "Night Train".^[10][11] Composed by Jimmy Forrest, Lewis P. Simpkins and Oscar Washington.
• 1951 – "Straight, No Chaser".^[12][13] Composed by Thelonious Monk
• 1952 – "Lullaby of Birdland".^{[2][5][14][15]} Composed by George Shearing with lyrics by George David Weiss.
• 1952 – "My One and Only Love"^[2][16][17] Composed by Guy Wood with lyrics by Robert Mellin.
• 1952 – "That's All".^[18][19] Written by Bob Haymes and Alan Brandt.
• 1952 – "When I Fall in Love".^{[2][5][20][21]} Composed by Victor Young with lyrics by Edward Heyman.
• 1953 – "Here's That Rainy Day".^{[1][2][5][22][23]} Composed by Jimmy Van Heusen with lyrics by Johnny Burke.
• 1953 – "Jordu".^{[5][24][25][26]} Composed by Duke Jordan.
• 1953 – "Minority".^[27] Composed by Gigi Gryce.
• 1953 – "Satin Doll".^{[1][2][5][28][29]} Composed by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer.
• 1954 – "Airegin".^{[1][5][30][31]} Composed by Sonny Rollins.
• 1954 – "All of You".^{[2][5][32][33]} Written by Cole Porter.
• 1954 – "Blue Monk".^[34][35] Composed by Thelonious Monk.
• 1954 – "Doxy".^[2][36][37] Composed by Sonny Rollins.
• 1954 – "Fly Me to the Moon" (aka "In Other Words").^{[2][5][38][39][40]} Written by Bart Howard.
• 1954 – "Four".^{[1][5][41][42]} Composed by Miles Davis.
• 1954 – "Joy Spring".^[43][44] Composed by Clifford Brown with lyrics by Jon Hendricks.
• 1954 – "Misty".^{[1][2][45][46]} Composed by Erroll Garner with lyrics by Johnny Burke.
• 1954 – "Oleo".^{[1][5][47][48]} Composed by Sonny Rollins.
• 1954 – "Solar".^[1][49][50] Composed by Miles Davis.

1955–59

• 1956 – "Canadian Sunset".^[51] Composed by Eddie Heywood with lyrics by Norman Gimbel.
• 1956 – "Con Alma".^[52][53] Composed by Dizzy Gillespie.
• 1956 – "Nica's Dream".^[54][55][56] Composed by Horace Silver.
• 1956 – "St. Thomas".^{[1][5][57][58]} Composed by Sonny Rollins.
• 1956 – "Waltz for Debby".^[1][59][60] Composed by Bill Evans with lyrics by Gene Lees.
• 1957 – "Blue Train".^[61] – Jazz blues composition by John Coltrane from his album Blue Train.
• 1957 – "I Remember Clifford".^[5][62][63] Composed by Benny Golson with lyrics by Jon Hendricks.
• 1957 – "Soul Eyes".^[64] Composed by Mal Waldron, who added lyrics.
• 1958 – "Bags' Groove".^[65][66] Composed by Milt Jackson.
• 1958 – "Chega de Saudade" (aka "No More Blues").^[1][2][67] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Jon Hendricks and Jessie Cavanaugh (English).
• 1958 – "Milestones".^[68][69] Composed by Miles Davis.
• 1958 – "Moanin'".^[70] Composed by Bobby Timmons with lyrics by Jon Hendricks.
• 1959 – "Afro Blue".^[71][72] Composed by Mongo Santamaría.
• 1959 – "All Blues".^[73][74] Composed by Miles Davis.
• 1959 – "The Best Is Yet to Come".^[75] Composed by Cy Coleman with lyrics by Carolyn Leigh.
• 1959 – "Blue in Green".^[76][77] – Modal jazz composition from Miles Davis's album Kind of Blue. Credited solely to Davis on Kind of Blue and to Davis and Bill Evans on Evans's Portrait in Jazz, the songs authorship is disputed; Evans and Earl Zindars claim that Evans alone composed the tune.^[78][79]
• 1959 – "Desafinado" (aka "Slightly Out of Tune", also "Off Key").^{[1][2][5][80][81]} Composed by Antonio Carlos Jobim with lyrics by Newton Mendonça (Portuguese), and Jon Hendricks and Jessie Cavanaugh (English).
• 1959 – "Freddie Freeloader".^[82] Composed by Miles Davis.
• 1959 – "Giant Steps".^{[5][83][84][85]} Composed by John Coltrane.
• 1959 – "Goodbye Pork Pie Hat".^[86] Composed by Charles Mingus.
• 1959 – "Goodbye Tristesse" (aka "A Felicidade").^[87] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Hal Shaper (English).
• 1959 – "Killer Joe".^{[2][5][88][89][90]} Composed by Benny Golson.
• 1959 – "Manhã de Carnaval" (aka "A Day in the Life of a Fool", also "Black Orpheus").^[2][91] Written by Luiz Bonfá and Antônio Maria with English lyrics by Carl Sigman.
• 1959 – "Mr. P.C.".^[5][92] Composed by John Coltrane.
• 1959 – "My Favorite Things".^[2][93][94] Composed by Richard Rodgers with lyrics by Oscar Hammerstein II.
• 1959 – "Naima" (aka "Niema").^[95][96][97] Composed by John Coltrane.
• 1959 – "Nostalgia in Times Square".^[98] Written by Charles Mingus.
• 1959 – "The Sidewinder".^[99][100] Composed by Lee Morgan.
• 1959 – "So What".^[101][102] Composed by Miles Davis.
• 1959 – "Take Five".^{[2][103][104]} Composed by Paul Desmond.

1960–64

• 1960 – "Jeannine".^[105] Composed by Duke Pearson
• 1961 – "Impressions".^{[106][107][108]} Composed by John Coltrane.
• 1961 – "Once I Loved" (aka "Amor em Paz", also "Love in Peace").^{[1][2][109][110]} Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Ray Gilbert (English).
• 1961 – "One Note Samba" (aka "Samba de Uma Nota Só").^{[2][111][112]} Composed by Antonio Carlos Jobim with lyrics by Newton Mendonça (Portuguese) and Antonio Carlos Jobim (English).
• 1961 – "Stolen Moments".^{[5][113][114]} Composed by Oliver Nelson.
• 1962 – "Corcovado" (aka "Quiet Nights of Quiet Stars").^{[2][115][116]} Composed by Antonio Carlos Jobim with lyrics by Antonio Carlos Jobim (Portuguese) and Gene Lees (English).
• 1962 – "Days of Wine and Roses".^[5][117] Composed by Henry Mancini with lyrics by Johnny Mercer.
• 1962 – "Meditation" (aka "Meditação").^{[2][118][119]} Composed by Antonio Carlos Jobim Newton Mendonça (Portuguese) Norman Gimbel (English).
• 1962 – "Up Jumped Spring".^[1][120] Composed by Freddie Hubbard.
• 1963 – "Blue Bossa".^[1][5][121] Composed by Kenny Dorham.
• 1963 – "Bluesette".^[2][5][122] Composed by Jean Thielemans with lyrics by Norman Gimbel.
• 1963 – "The Girl from Ipanema" (aka "Garota de Ipanema").^{[2][123][124]} Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English).
• 1963 – "How Insensitive" (aka "Insensatez").^{[2][125][126]} Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English).
• 1963 – "If You Never Come to Me" (aka "Inútil Paisagem").^[1][127] Composed by Antonio Carlos Jobim with lyrics by Aloysio de Oliveira (Portuguese) and Ray Gilbert (English).
• 1963 – "Oye Como Va".^[128] Written by Tito Puente.
• 1963 – "Recorda-Me".^[129] Composed by Joe Henderson.
• 1963 – "Só Danço Samba" (aka "Jazz 'N' Samba").^[130] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English).
• 1963 – "Water to Drink" (aka "Água de Beber").^[2][131] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English).
• 1963 – "Watermelon Man".^{[5][132][133]} Composed by Herbie Hancock.
• 1964 – "Cantaloupe Island".^[134] Composed by Herbie Hancock.
• 1964 – "Inner Urge".^[135][136] Composed by Joe Henderson.
• 1964 – "JuJu".^[137] Composed by Wayne Shorter.
• 1964 – "Mahjong".^[138][139] Composed by Wayne Shorter.
• 1964 – "Song for My Father".^[140][141] Composed by Horace Silver.

1965–69

Wayne Shorter's compositions that have become standards include "Mahjong" (1964), "Speak No Evil" (1965) and "Footprints" (1966).

• 1965 – "Ceora".^[142][143] Written by Lee Morgan.
• 1965 – "Dindi".^{[1][144][145]} Composed by Antonio Carlos Jobim with lyrics by Aloysio de Oliveira (Portuguese) Ray Gilbert (English).
• 1965 – "Dolphin Dance".^{[146][147][148]} Composed by Herbie Hancock.
• 1965 – "E.S.P.".^[149] Composed by Wayne Shorter.
• 1965 – "The Gentle Rain" (aka "Chuva Delicada").^[150] Written by Luiz Bonfá with English lyrics by Matt Dubey.
• 1965 – "The Gift!" (aka "Recado Bossa Nova").^[2][151] Composed by Djalma Ferreira, with lyrics by Luiz Antônio (Portuguese) Paul Francis Webster (English).
• 1965 – "Maiden Voyage".^[152][153] Modal jazz composition by Herbie Hancock from his album Maiden Voyage. It was used in a Fabergé commercial and originally called "TV Jingle".^[154]
• 1965 – "Speak No Evil".^[1][155] Wayne Shorter.
• 1966 – "Footprints".^{[1][156][157]} Composed by Wayne Shorter.
• 1966 – "Litha".^[158][159] Composed by Chick Corea (1st recording appears on Tones for Joan's Bones)
• 1966 – "Mercy, Mercy, Mercy".^[1][160] Composed by Joe Zawinul (with various lyrics added later).
• 1966 – "Summer Samba" (aka "Samba de Verão", also "So Nice").^[2][5][161] Composed by Marcos Valle with lyrics by Paulo Sérgio Valle (Portuguese) Norman Gimbel (English).
• 1967 – "Freedom Jazz Dance".^[162][163] Composed by Eddie Harris.
• 1967 – "Triste".^{[1][164][165]} Written by Antonio Carlos Jobim.
• 1967 – "Wave" (aka "Vou Te Contar").^[1][2][166] Written by Antonio Carlos Jobim.
• 1968 – "Windows".^[167][168] Written by Chick Corea. First recorded Laws' Cause by Hubert Laws in 1968.

1970s

• 1971 – "La Fiesta".^[5][169] Composed by Chick Corea (1st recording appears on Merry-Go-Round by Elvin Jones)
• 1971 – "Spain".^[170] Latin jazz composition by Chick Corea. First recorded on Return to Forever's Light as a Feather (1972). The theme from the second movement of Joaquín Rodrigo's Concierto de Aranjuez is sometimes used as an intro.
• 1971 - "Crystal Silence".^[5][171] Composed by Chick Corea (1st recording appears on Return to Forever by the composer, also recorded with Gary Burton later in the same year)
• 1972 – "Little Sunflower".^[1][172] Composed by Freddie Hubbard with lyrics by Al Jarreau.
• 1972 – "Red Clay".^[173] Jazz fusion composition by Freddie Hubbard.
• 1972 – "Waters of March". – 1972 bossa nova song by Antonio Carlos Jobim. Known in Portuguese as "Águas de Março".
• 1973 – "Chameleon".^[174] Jazz-funk composition by Herbie Hancock, Paul Jackson, Harvey Mason and Bennie Maupin, from Hancock's album Head Hunters.
• 1973 – "Mr. Magic".^[175] Written by Ralph MacDonald and William Salter.
• 1973 – "Send in the Clowns".^[176] Song by Stephen Sondheim from the musical A Little Night Music.
• 1974 – "Beauty and the Beast".^[177][178] Jazz fusion composition by Wayne Shorter, from the album Native Dancer.
• 1975 – "The Peacocks".^[179] Composed by Jimmy Rowles.
• 1977 – "Birdland".^[2][5][180] Jazz fusion composition by Joe Zawinul. Originally released on Heavy Weather by Weather Report, it is instantly recognizable by bassist Jaco Pastorius' introduction using artificial harmonics, and notes sung by him by the end of the song. The tune was one of the biggest hits of the jazz fusion movement.^[181]

Notes

1. Listed in New Real Book, Volume I
2. Listed in The Real Vocal Book
3. If I Were a Bell at jazzstandards.com - retrieved on April 29, 2009
4. The Real Book, Volume II, p. 194
5. Listed in The Real Jazz Book
6. Au Privave at jazzstandards.com - retrieved on April 29, 2009
7. The Real Book, Volume I, p. 37
8. The Real Book, Volume I, p. 55
9. The New Real Book, Volume II, p. 26
10. Night Train at jazzstandards.com - retrieved on February 20, 2009
11. The Real Book, Volume I, p. 304
12. Straight No Chaser at jazzstandards.com - retrieved on April 24, 2009
13. The Real Book, Volume I, p. 386
14. Lullaby of Birdland at jazzstandards.com - retrieved on April 29, 2009
15. The Real Book, Volume I, p. 256
16. My One and Only Love at jazzstandards.com - retrieved on February 20, 2009
17. The Real Book, Volume I, p. 288
18. That's All at jazzstandards.com - retrieved on February 20, 2009
19. The New Real Book, Volume II, p. 363
20. When I Fall in Love at jazzstandards.com - retrieved on April 29, 2009
21. The Real Book, Volume I, p. 439
22. Here's That Rainy Day at jazzstandards.com - retrieved on February 20, 2009
23. The Real Book, Volume I, p. 175
24. Jordu at jazzstandards.com - retrieved on February 20, 2009
25. The Real Book, Volume I, p. 227
26. The New Real Book, Volume II, p. 175
27. The Real Book (6th ed.). Milwaukee, WI: Hal Leonard Pub. Corp. 2004. p. 273. ISBN 978-0634060380.
28. Satin Doll at jazzstandards.com - retrieved on February 20, 2009
29. The Real Book, Volume I, p. 349
30. Airegin at jazzstandards.com - retrieved on February 20, 2009
31. The Real Book, Volume I, p. 13
32. All of You at jazzstandards.com - retrieved on May 7, 2009
33. The Real Book, Volume I, p. 21
34. Blue Monk at jazzstandards.com - retrieved on February 20, 2009
35. The Real Book, Volume I, p. 52
36. Doxy at jazzstandards.com - retrieved on February 20, 2009
37. The Real Book, Volume II, p. 111
38. Fly Me to the Moon (in Other Words) at jazzstandards.com - retrieved on February 20, 2009
39. The Real Book, Volume II, p. 135
40. The New Real Book, Volume II, p. 106
41. Four at jazzstandards.com - retrieved on April 29, 2009
42. The Real Book, Volume I, p. 149
43. Joy Spring at jazzstandards.com - retrieved on April 29, 2009
44. The Real Book, Volume I, p. 229
45. Misty at jazzstandards.com - retrieved on February 20, 2009
46. The Real Book, Volume I, p. 277
47. Oleo at jazzstandards.com - retrieved on February 20, 2009
48. The Real Book, Volume I, p. 309
49. Solar at jazzstandards.com - retrieved on February 20, 2009
50. The Real Book, Volume I, p. 363
51. Canadian Sunset at jazzstandards.com - retrieved on February 20, 2009
52. Con Alma at jazzstandards.com - retrieved on February 20, 2009
53. The Real Book, Volume I, p. 84
54. Nica's Dream at jazzstandards.com - retrieved on April 29, 2009
55. The Real Book, Volume I, p. 299
56. The New Real Book, Volume II, p. 255
57. St. Thomas at jazzstandards.com - retrieved on February 20, 2009
58. The Real Book, Volume II, p. 339
59. Waltz for Debby at jazzstandards.com - retrieved on April 29, 2009
60. The Real Book, Volume I, p. 432
61. The Real Book, Volume I, p. 54
62. I Remember Clifford at jazzstandards.com - retrieved on February 20, 2009
63. The Real Book, Volume I, p. 192
64. Ratliff, Ben (December 06, 2002) "Mal Waldron, 77, Composer Of the Jazz Ballad 'Soul Eyes'" New York Times
65. Bag's Groove at jazzstandards.com - retrieved on February 20, 2009
66. The Real Book, Volume II, p. 30
67. The Real Book, Volume I, p. 74
68. Milestones at jazzstandards.com - retrieved on February 20, 2009
69. The Real Book, Volume III, p. 277
70. Morrison, Nick (October 13, 2009) "Art Blakey: Jazz Messenger, Jazz Mentor" npr music. Accessed July 31, 2013.
71. Afro Blue at jazzstandards.com - retrieved on February 20, 2009
72. The Real Book, Volume I, p. 11
73. All Blues at jazzstandards.com - retrieved on February 20, 2009
74. The Real Book, Volume I, p. 18
75. The Best Is Yet to Come at jazzstandards.com - retrieved on February 20, 2009
76. Blue in Green at jazzstandards.com - retrieved on April 29, 2009
77. The Real Book, Volume I, p. 51
78. See page 20 of the Fall 1993 issue of Letter from Evans (http://www2.selu.edu/orgs/34skid/html/23.pdf) where Earl Zindars says "I know that it is [100-percent Bill's] because he wrote it over at my pad where I was staying in East Harlem, 5th floor walkup, and he stayed until 3 o'clock in the morning playing these six bars over and over."
79. http://www.npr.org/templates/story/story.php?storyId=92185496 35m30s - On being asked about the issue by the interviewer (Marian McPartland), Evans said "The truth is I did [write the music]... I don't want to make a federal case out of it, the music exists, and Miles is getting the royalties"
80. Desafinado at jazzstandards.com - retrieved on February 20, 2009
81. The Real Book, Volume I, p. 108
82. The Real Book, Volume I, p. 151
83. Giant Steps at jazzstandards.com - retrieved on February 20, 2009
84. The Real Book, Volume I, p. 157
85. The New Real Book, Volume II, p. 121
86. Goodbye Pork Pie Hat at jazzstandards.com - retrieved on April 24, 2009
87. A Felicidade at jazzstandards.com - retrieved on February 20, 2009
88. Killer Joe at jazzstandards.com - retrieved on April 29, 2009
89. The Real Book, Volume II, p. 229
90. The New Real Book, Volume II, p. 179
91. The Real Book, Volume I, p. 49
92. The Real Book, Volume I, p. 276
93. My Favorite Things at jazzstandards.com - retrieved on February 20, 2009
94. The Real Book, Volume I, p. 285
95. Naima at jazzstandards.com - retrieved on February 20, 2009
96. The Real Book, Volume I, p. 293
97. The New Real Book, Volume II, p. 238
98. The Real Book, Volume I, p. 306
99. Sidewinder at jazzstandards.com - retrieved on April 29, 2009
100. The Real Book, Volume I, p. 355
101. So What at jazzstandards.com - retrieved on February 20, 2009
102. The Real Book, Volume I, p. 364
103. Take Five at jazzstandards.com - retrieved on February 20, 2009
104. The Real Book, Volume I, p. 397
105. At the Half Note Cafe
106. Impressions at jazzstandards.com - retrieved on February 20, 2009
107. The Real Book, Volume I, p. 205
108. The New Real Book, Volume II, p. 154
109. Once I Loved at jazzstandards.com - retrieved on February 20, 2009
110. The Real Book, Volume I, p. 311
111. One Note Samba at jazzstandards.com - retrieved on February 20, 2009
112. The Real Book, Volume I, p. 314
113. Stolen Moments at jazzstandards.com - retrieved on February 20, 2009
114. The Real Book, Volume I, p. 384
115. Corcovado (Quiet Nights of Quiet Stars) at jazzstandards.com - retrieved on February 20, 2009
116. The Real Book, Volume I, p. 335
117. Days of Wine and Roses at jazzstandards.com - retrieved on February 20, 2009
118. Meditation at jazzstandards.com - retrieved on February 20, 2009
119. The Real Book, Volume I, p. 266
120. The Real Book, Volume I, p. 425
121. The Real Book, Volume I, p. 50
122. The Real Book, Volume I, p. 56
123. The Girl from Ipanema at jazzstandards.com - retrieved on February 20, 2009
124. The Real Book, Volume I, p. 158
125. How Insensitive at jazzstandards.com - retrieved on February 20, 2009
126. The Real Book, Volume I, p. 181
127. The Real Book, Volume I, p. 204
128. The Real Book, Volume II, p. 305
129. The Real Book, Volume I, p. 337
130. The Real Book, Volume III, p. 360
131. The Real Book, Volume I, p. 14
132. Watermelon Man at jazzstandards.com - retrieved on February 20, 2009
133. The Real Book, Volume III, p. 429
134. The Real Book, Volume II, p. 76
135. The Real Book, Volume I, p. 214
136. The New Real Book, Volume III, p. 177
137. The Real Book, Volume I, p. 230
138. The Real Book, Volume I, p. 260
139. The New Real Book, Volume II, p. 196
140. The Real Book, Volume I, p. 373
141. The New Real Book, Volume II, p. 335
142. The Real Book, Volume I, p. 72
143. The New Real Book, Volume III, p. 76
144. Dindi at jazzstandards.com - retrieved on February 20, 2009
145. The Real Book, Volume II, p. 105
146. Dolphin Dance at jazzstandards.com - retrieved on April 29, 2009
147. The Real Book, Volume I, p. 119
148. The New Real Book, Volume III, p. 108
149. The Real Book, Volume I, p. 135
150. The New Real Book, Volume III, p. 128
151. The Real Book, Volume II, p. 150
152. The Real Book, Volume I, p. 261
153. The New Real Book, Volume III, p. 229
154. Rosenthal 1993, p. 68
155. The Real Book, Volume I, p. 378
156. Footprints at jazzstandards.com - retrieved on February 20, 2009
157. The Real Book, Volume I, p. 144
158. The Real Book, Volume I, p. 264
159. The New Real Book, Volume III, p. 215
160. The Real Book, Volume II, p. 262
161. The Real Book, Volume I, p. 362
162. The Real Book, Volume I, p. 152
163. The New Real Book, Volume II, p. 110
164. Triste at jazzstandards.com - retrieved on February 20, 2009
165. The Real Book, Volume I, p. 417
166. The Real Book, Volume I, p. 431
167. The Real Book, Volume I, p. 466
168. The New Real Book, Volume II, p. 432
169. The Real Book, Volume I, p. 254
170. The New Real Book, Volume II, p. 339
171. The Real Book, Volume I, p. 100
172. The Real Book, Volume II, p. 244
173. The Real Book, Volume I, p. 338
174. The Real Book, Volume II, p. 79
175. The Real Book, Volume II, p. 268
176. Send in the Clowns at jazzstandards.com - retrieved on February 20 * 1974–2009
177. The Real Book, Volume I, p. 41
178. The New Real Book, Volume II, p. 20
179. at jazzstandards.com
180. The Real Book, Volume II, p. 46
181. 8:30 review on Allmusic - retrieved on March 27, 2009

Bibliography

Reference works

• Rosenthal, David H. (1993). Hard Bop: Jazz and black music 1955–1965. Oxford University Press US. ISBN 0-19-508556-6.

Fake books

• The New Real Book, Volume I. Sher Music. 1988. ISBN 0-9614701-4-3.
• The New Real Book, Volume II. Sher Music. 1991. ISBN 0-9614701-7-8.
• The New Real Book, Volume III. Sher Music. 1995. ISBN 1-883217-30-X.
• The Real Book, Volume I (6th ed.). Hal Leonard. 2004. ISBN 0-634-06038-4.
• The Real Book, Volume II (2nd ed.). Hal Leonard. 2007. ISBN 1-4234-2452-2.
• The Real Book, Volume III (2nd ed.). Hal Leonard. 2006. ISBN 0-634-06136-4.
• The Real Jazz Book. Warner Bros. ISBN 978-91-85041-36-7.
• The Real Vocal Book, Volume I. Hal Leonard. 2006. ISBN 0-634-06080-5.