María Luisa Escobar

María Luisa González Gragirena de Escobar (née María Luisa González Gragirena; known artistically by her married name María Luisa Escobar; also credited as Maritza Graxirena; Valencia, 5 December 1903 - Caracas, 14 May 1985) was a Venezuelan musicologist, pianist, composer, and caricaturist, who founded the Caracas Athenaeum in 1931.^[1] She also served as President of the Venezuelan Red Cross (Valencia, 1921; Caracas, 1922–23).^[2]

Early years and education

María Luisa González Gragirena was the daughter of Henrique A. González and Maria Gragirena y Mijarez de González.^[2] At the age of five, she entered the Colegio de Lourdes where she began to study piano. A year later, she composed her first piece titled “Blanca, la niña Angélica" (Blanca, the girl Angélica). At the age of eight, she travelled with her parents to Curaçao, Netherlands Antilles, and entered the Welgelegen Habaai School, where she studied French and English, in addition to piano, violin, and composition, concluding with a Baccalaureate in 1917.^[3] She then moved to Paris to continue her studies of piano and composition, in addition to singing, under the tutelage of Jean Roger-Ducasse, Arthur Honegger and Charles Koechlin.

Career

When she returned to Venezuela, two years later, she composed 16 pieces of musical theatre, a collaboration with the poetisa Olga Capriles, and the musician and composer Juan Vicente Lecuna. In 1918, she married the German Federico Wolf and they moved to Puerto Cabello. They had three children, Waldemar, Irma and Ivan Wolf González, but divorced afterwards. She went on to marry the violinist and composer José Antonio Escobar Saluzzo (1877-1970) in Caracas.^[3] With this union, she had another son, Toney Escobar González. With Saluzzo, and the musician/composer Pedro Antonio Rivers Reyna, in addition to other artists, she initiated the instrumental vocal group "Quintet Ávila" of which she was a singer and arranger. On 11 July 1928, in a studio in Caracas, she crecorded for Victor Talking Machine Company, "Alondras", "Mar adentro", "Tu maldad" and "Ángel de mis sueños", which were her compositions. In these recordings, her name is credited as "Maritza Graxirena", in deference to her Catalan maternal surname.^[4][5]

In honor of her career as a researcher, musician, singer, and composer, as well as her fight in favor of authors and composers, María Luisa Escobar obtained the National Prize of Music in the year 1984, few months before her death in 1985.

Awards

• Diploma of Honor, Second Salon, Venezuelan humorists (caricatures category, 1931)^[2]

Selected works

• "Desesperanza"
• "Como la primera vez"
• "Vente con el alba"
• "Noches de luna de Altamira"
• "Contigo"
• "Orquídeas azules" con letra de Mercedes Carvajal de Arocha (Lucila Palacios)
• "Luna de Camoruco"
• "La despedida"
• "Caribe" tema de presentación de Radio Caracas (RCTV) durante mucho tiempo.
• "La luz de mi ciudad"
• "El marinero"
• "No puedo olvidarte"
• "Canción de oro"
• "Sueño de Bolívar"
• "Paraguaná"
• "Curiana"
• "Orinoco"
• "Canción del aviador"
• "Siete lunas"
• "Siempre"
• "Aleluya"
• "Carnaval de candela"
• "Concierto sentimental",
• "Vals de concierto"
• "Petit suite"
• "Mi general Bolívar"
• "Diez canciones sentimentales"

References

Citations

1. "Maria Luisa Escobar" (in Spanish). Universidad Centroccidental Lisandro Alvarado. Retrieved 18 July 2016.
2. Martin & Cardozo 1940, p. 133.
3. Wolf, Carmen Cristina (27 August 2008). "María Luisa Escobar. Crónicas (I)" (in Spanish). Retrieved 26 August 2013.
4. "Grabaciones del Quinteto Ávila". Encyclopedic Discography of Victor Recordings. Retrieved 25 August 2013.
5. González Ubán, Arturo. "En honor a María Luisa Escobar" (in Spanish). Retrieved 25 August 2013.

Bibliography

• Martin, Percy Alvin; Cardozo, Manoel da Silveira Soares (1940). Who's Who in Latin America: A Biographical Dictionary of the Outstanding Living Men and Women of Spanish America and Brazil. Stanford University Press. ISBN 978-0-8047-2315-2.