Passing chord
In music, a passing chord is a nondiatonic chord that connects, or passes between, the notes of two diatonic chords.[3] "Any chord that moves between one diatonic chord and another one nearby may be loosely termed a passing chord. A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement."[4] "'Inbetween chords' that help you get from one chord to another are called passing chords."[5]
For example in the chord progression:[4]
|Cmaj7 |Em7 |Dm7 |G7 |
the diatonic passing chord (Dm7) may be inserted:
|Cmaj7 Dm7 |Em7 |Dm7 |G7 |
or the chromatic passing chord (Ebm7) may be inserted:
|Cmaj7 |Em7 Ebm7 |Dm7 |G7 |
A chromatic passing chord is, "a chord that is not in the harmonized scale".[6]
Passing chords may be consonant or dissonant[7] and may include flat fifth substitution, scalewise substitution, dominant minor substitution, approach chords, and bass-line-directed substitution.[5]
See also
Further reading
- R., Ken (2012). DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW
Sources
- ↑ Shanaphy and Knowlton (1990). The Do It Yourself Handbook for Keyboard Playing, p.68. ISBN 0-943748-00-3.
- ↑ McCartin, Brian J. (1998). "Prelude to Musical Geometry", p. 364. The College Mathematics Journal 29, no. 5 (November): 354–70. (abstract) (JSTOR).
- ↑ Wyatt and Schroeder (2002). Hal Leonard Pocket Music Theory: A Comprehensive and Convenient Source for All Musicians, p.144. ISBN 0-634-04771-X.
- 1 2 Rawlins and Bahha (2005). Jazzology: The Encyclopedia of Jazz Theory for All Musicians, p.104. ISBN 0-634-08678-2.
- 1 2 Sokolow, Fred (2002). Jazzing It Up, p.9. ISBN 0-7935-9112-0.
- ↑ Berle, Arnie (1995). Understanding Chord Progressions for Guitar: Compact Music Guides Series, p.34. ISBN 0-8256-1488-0.
- ↑ Alfred White, William (1911). Harmony and Ear-Training, p.158. Silver, Burdett & Company.