Philip Catherine

Philip Catherine
Background information
Born (1942-10-27) 27 October 1942
London, England
Genres Jazz
Occupation(s) Musician, songwriter
Instruments Guitar
Years active 1960s – present
Labels Warner Bros.
Associated acts Focus
Website www.philipcatherine.com

Philip Catherine (born 27 October 1942 in London, England) is a Belgian jazz guitarist, born to an English mother and a Belgian father, known for his collaborations on numerous albums and with jazz musicians like Chet Baker, Charles Mingus, Dexter Gordon, Richard Galliano, Niels-Henning Ørsted Pedersen, Stéphane Grappelli, Toots Thielemans, Robert Wyatt, Klaus Doldinger, Buddy Guy, Karin Krog, Carla Bley, Larry Coryell, Mike Mantler and Joachim Kühn, and within the progressive rock band Focus.[1]

Biography

Philip Catherine in Montreux, Switzerland, 1980 - Photograph by Patty Mooney

Catherine came from a musical family where his grandfather was first violinist in the London Symphony Orchestra, and he early evolved an ear for music. When he picked up the guitar after listening to the guitar of George Brassens, he began listening to jazz from this period. Soon he got the opportunity to play with some of those musicians when performing in Belgium, where he was residing at the time. Catherine has been at the forefront on the European jazz scene from the 1960s, and he got to work with artists like Lou Bennett, Billy Brooks, Edgar Bateman, John Lee, Gerry Brown, Jean-Luc Ponty, Larry Coryell, Alphonse Mouzon, Charlie Mariano, Kenny Drew and Tom Harrell, in addition to the those mentioned above. His unique approach and sound, his dedication to music and, above all, the highly emotional lyricism of expression in his playing and in his music, have been important and influential.[1]

In the 1960s he was a member of the Jean-Luc Ponty Quintet, and he recorded his debut solo album Stream (1971), produced by the Frenchman Sacha Distel. The album was recorded in 1970 in Paris, and was released in 1971 on Warner Bros. Records. A year later, he collaborated with John Scofield, Ran Blake, George Benson and other musicians in Boston. In early 1976 Catherine replaced Jan Akkerman in the Dutch rock group Focus and appeared on one album with the band, Focus con Proby, which also featured the American singer P. J. Proby. In the 1980s Catherine played extensively with the Chet Baker Trio and is featured on several of Baker's albums. He also played with Charles Mingus, who named Catherine "Young Django".

The All About Jazz critic Ed Kopp in his review of Catherine's album Guitar Groove states: "Guitar Groove is an astoundingly lyrical effort from a guitarist in his prime. It should appeal equally to fans of mainstream jazz and fusion, and to anyone who appreciates superior jazz musicianship".[2] Another All About Jazz critic, John Kelman, in his review of Catherine's 2008 album Guitars Two states:

Sometimes it's not a good thing to get branded too early in your career. Called 'the young Django' by Charles Mingus and operating in the same fusion sphere as John McLaughlin and Larry Coryell, Belgian Philip Catherine was pegged in the '70s as a firebrand guitarist, albeit an unabashedly lyrical one. Not that there's anything wrong with that, but Catherine's career, now nearing its sixth decade, has always been about a lot more than powerhouse fusion chops, something Guitars Two demonstrates in spades. Catherine's ability to reference traditional markers from Reinhardt to Wes Montgomery, while sounding like nobody but himself, makes Guitars Two the kind of career high point that ought to dispel the guitarist's early branding. The qualities that established his reputation remain, but are subsumed in a broader approach that makes Guitars Two deserving of a place alongside Pat Metheny's New Chautauqua (ECM, 1979), Bill Frisell's Ghost Town (Nonesuch, 2000) and Joe Pass' '70s Virtuoso series on Pablo', as a pinnacle of what can be done by one man and a handful of guitars".[3]

He is considered the grandfather of Belgian jazz as he continues to play on the now very active Belgian jazz scene. He won the first Belgian Golden Django (in 1995) as best French-speaking artist.

Discography

Solo

As co-leader

Trio with Charlie Mariano & Jasper Van't Hof

Duo with Larry Coryell

Trio with Kenny Drew & Niels-Henning Ørsted Pedersen

Trio with Larry Coryell & Joachim Kühn

Trio with Didier Lockwood & Christian Escoude

Trio with Jean-Louis Rassinfosse & Chet Baker

Duo with Niels-Henning Ørsted Pedersen

Duo with Bert Joris

Collaborations

With Lou Bennett & Jack Sels

With Jean-Luc Ponty

With Klaus Weiss

With Jean-Luc Ponty & Stéphane Grappelli

With Toots Thielemans

With Marc Moulin

With Peter Herbolzheimer

With Karin Krog

With Niels Henning Orsted Pedersen

With Rolf Kühn

With John Lee & Gerry Brown

With Michael Gibbs

With Dexter Gordon Quartet

With Passport

With Joachim Kühn

With Focus

With Larry Coryell

With Charles Mingus

With NDR

With Carla Bley & Mike Mantler

With Stéphane Grappelli

With Zbigniew Seifert

With Chet Baker

With Aldo Romano

With Jean-Claude Petit

With the European Jazz Ensemble

With Maurane

With Freddie Deronde

With Richard Galliano

With Barney Wilen & Palle Danielsson

With Diederik Wissels & David Linx

With Erkan Ogur

With Jacques Pelzer

With Laila Dalseth

With Marcia Maria

With Ivan Paduart

With Aziza Mustafa Zadeh

With Baruti Trio @ 4

With Emmanuel Bex & Aldo Romano

With Robert Wyatt

With Orion

With Enrico Pieranunzi

With Joan Reinders

With Oliver Strauch

With Julien Clerc

With Soledad

References

  1. 1 2 3 "Philip Catherine Biography & Discography". Discogs.com. Retrieved 2013-10-08.
  2. ↑ Kopp, Ed (1999-03-01). "Philip Catherine: Guitar Groove Review". All About Jazz. Retrieved 2010-10-11.
  3. ↑ Kelman, John (2008-10-05). "Philip Catherine: Guitars Two (2008) Review". All About Jazz. Retrieved 2010-10-11.
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